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The traditional music of Brittany has long been a passion for guitar and mandolin player David Surette, who has now edited and published a collection of Breton dance tunes. Fest Breizh contains 50 traditional dance tunes: gavottes, en dros, larides, and many others, collected and transcribed in standard notation, with chords provided as well. Unlike some previous collections, which have been principally keyed with a B-flat bombarde and bagpipe in mind, these are all in typical fiddle tunes keys. There is also an extensive discography, which provides the means to tracking down a recorded version of the tune, as well as some background notes and information about Breton music. the book contains most of the Breton material that Surette has recorded on his 4 solo CDs over the years.
A set of 14 folk tunes arranged for acoustic instruments and suitable for ensembles ranging from duos to small orchestras. Each tune has three written parts – melody, countermelody, and bass line – as well as chords shown beneath the melody line. In addition to technical tips, there is a video performance of each tune by Moonrakers, played at a steady pace. Suitable for intermediate/advanced players.
A master solo collection by classic guitarist James Bellizzi containing 16 English airs and country dances; 21 Irish tunes by O' Carolan and others; and 14 lively Scottish tunes and country dances. the arrangements capture the unique tone and spirit of these wonderful folk melodies and compositions. In notation and tablature.
Christmas Carols in the British Isles presents 20 songs from the Renaissance through early 20th century. It includes familiar compositions such as the “Coventry Carol”, “Away in a Manger”, and the “Wexford Carol”, and incorporates some lovely pieces that may be new to the listener. The melodies for these lyrical pieces appear in their most easily recognized form before any variation is presented. Raymond Gonzalez has a gift for combining traditional harmonies with occasional harmonic and rhythmic twists, providing freshness, color, and new life to familiar tunes. All arrangements are in standard or dropped-D tuning, suitable for both steel and nylon-string guitar performance and should be comfortably accessible to the intermediate guitarist. The reader is referred to the tablature for string, fret, and harmonic locations. The book includes access to online audio of every tune recorded by the author.
This book provides instruction in both plucking and strumming techniques for 5 and 10-string Finnish kanteles. Explanation of musical notation, rhythm, and other elements of music theory are provided for the novice, yet the exercises are scaffolded to provide motivating material for the more experienced musician. In addition to the instructional materials, a number of traditional Finnish tunes are included as well as many familiar melodies. Plus, over twenty arrangements playable by mixed kantele groupings and detailed appendices of chords and chord transitions make this book a solid foundation for learning to play the kantele. Includes access to online audio.
Adam Granger self-published the first edition of Granger’s Fiddle Tunes for Guitar in 1979. A second edition was published in 1994. Now, in 2022, Mel Bay Publications presents the third edition of the book now in standard notation. This 248-page book is the most extensive and best-documented collection of fiddle tunes in existence, and includes reels, hoedowns, hornpipes, rags, breakdowns, jigs and slip-jigs, presented in Southern, Northern, Irish, Canadian, Texas and Old-time styles. There are 508 fiddle tunes referenced under 2500 titles and alternate titles. The titles are fully indexed, making the book doubly valuable as a reference book and a source book. The book comes with a link which gives access to MP3 recordings by Adam of all 508 tunes, each played once at a moderate tempo, with rhythm on one channel and lead on the other. Also included in The Granger’s Collection are descriptions of tune types presented in the book, and primers on traditional flatpicking and rhythm guitar. Additionally, there are sections on timing, ornamentation, technique, and fingering, as well as information on tune sources and a history of the collection.
Whispering Stones won the award for “Best Recording” from the Washington Area Music Association and has continued to be a favorite with fans of fingerstyle guitar music throughout the world. The book features Celtic-inspired original and traditional tunes performed on solo acoustic guitar with the occasional addition of flute, mandolin, cello, piano, or bells. The tunes appear in the same order as in the recording. Al Petteway is an award-winning fingerstyle guitarist and composer. His many “Wammie” awards from the Washington Area Music Association include “Artist of the Year” and “Musician of the Year”. Al’s playing fuses Celtic/British ideas and tunings with American themes and drive. Acoustic Guitar Magazine praised his ‘concise, clean arrangements similar to John Renbourn’s better work’. In notation and tablature.
Celtitude -- Bretonnitude : the local cultural environment -- Fest noz : a socio-cultural and economic innovation -- Singers and sonneurs' music for the dance -- Passing it on : teaching and learning contexts
A unique collection of traditional Northumbrian music arranged for fingerstyle guitar. Selections include Salmon Tails Up the Water; Johnny Armstrong; Jimmy Allen; Felton Lonnen; Sir John Fenwick; Bonny Gallowgate Lad; Buy Broom Besoms; Elsie Marley; Sweet Hesleyside; Chevy Chase; Lea Riggs; Noble Squire Dacre; Dolia; Are You My Hinny Burd; and more. Each piece is written in standard notation and tablature and includes brief technical and performance notes.