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Part 1 (Life, Times, Themes) sets Lyrical Ballads in the context of Wordsworth life and his age, for instance Wordsworth in France. Part 2, Literary Strategies, considers Wordsworth's provocative theories of how poetry should work, and includes a treatment of the famous' Preface' to Lyrical Ballads, one of the great poetic manifestos. Part 3 offers illuminating commentary and questions on the following poems:' We are seven',' Anecdote for fathers',' Lines left upon a Seat in a Yew-tree',' To my sister',' Lines written in Early Spring',' Expostulation and Reply',' The Tables Turned';,' The Female Vagrant',' Goody Blake and Harry Gill',' The Last of the Flock',' The Mad Mother',' The Complaint of a forsaken Indian Woman',' The Convict',' Old Man travelling',' Simon Lee',' The Idiot Boy',' TheThorn',' Tintern Abbey',' Hart-leap Well',' There was a boy',' Nutting',' The Lucy Poems',' The Brothers' and' Michael'. Part 4, on Critical Reception, discusses contemporary, Victorian and recent critical approaches to Wordsworth and includes an annotated guide to further reading.
Long central to the canon of British Romantic literature, Samuel Taylor Coleridge and William Wordsworth’s Lyrical Ballads is a fascinating case study in the history of poetry, publishing, and authorship. This Broadview edition is the first to reprint both the 1798 and the 1800 editions of Lyrical Ballads in their entirety. In the appendices to this Broadview edition, reviews, correspondence, and a selection of contemporary verse and prose situate the work within the popular and experimental literature of its time, and allow readers to trace the work’s transformations in response to the pressures of the literary marketplace.
The Companion to Romanticism is a major introductory survey from an international galaxy of scholars writing new pieces, specifically for a student readership, under the editorship of Duncan Wu.
A comprehensively revised classic with the 1798 and 1800 editions of Lyrical Ballads reprinted together - the complete text of one of the most important documents of the Romantic movement with introduction, textual variants and copious notes.This is a comprehensively revised second edition of a classic student text with the 1798 and 1800 editions of Lyrical Ballads reprinted together. It contains the complete text of one of the most important documents of the Romantic movement - now with new introduction, textual variants and fully up-dated, copious notes.
This is a comprehensively revised second edition of a classic student text with the 1798 and 1800 editions of Lyrical Ballads reprinted together. It contains the complete text of one of the most important documents of the Romantic movement - now with new introduction, textual variants and fully up-dated, copious notes.
This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre - the Gothic. Michael Gamer offers a sharply focused analysis of how and why Romantic writers drew on Gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of Gothic literature, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of Romanticism as an ideology. In doing so he examines the early history of the Romantic movement and its assumptions about literary value, and the politics of reading, writing and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing and audience on its formation.
Brimming with the fascinating eccentricities of a complex and confusing movement whose influences continue to resonate deeply, 30 Great Myths About the Romantics adds great clarity to what we know – or think we know – about one of the most important periods in literary history. Explores the various misconceptions commonly associated with Romanticism, offering provocative insights that correct and clarify several of the commonly-held myths about the key figures of this era Corrects some of the biases and beliefs about the Romantics that have crept into the 21st-century zeitgeist – for example that they were a bunch of drug-addled atheists who believed in free love; that Blake was a madman; and that Wordsworth slept with his sister Celebrates several of the mythic objects, characters, and ideas that have passed down from the Romantics into contemporary culture – from Blake’s Jerusalem and Keats’s Ode on a Grecian Urn to the literary genre of the vampire Engagingly written to provide readers with a fun yet scholarly introduction to Romanticism and key writers of the period, applying the most up-to-date scholarship to the series of myths that continue to shape our appreciation of their work
The Romantic period is the most appealing but also the most confusing period of English literature for the student. Crucially, this book distinguishes between 'the Romantic' as modern critics use the term and 'the romantic' as it was used during the period itself. The Two Romanticisms, and Other Essays is a collection of critical essays on Romanticism and select Romantic texts, designed to help teachers and students to make sense of the period as a whole and of the poems and novels that appear most frequently on school and university curricula. Each chapter offers a self-contained reading of a different canonical work while engaging with broader themes. Through close readings of Jane Austen, Lord Byron, Samuel Taylor Coleridge, John Keats, Mary Shelley, Percy Bysshe Shelley and William Wordsworth, Professor Christie explores the complexities of the Romantic period and offers fresh insights into pivotal Romantic texts.