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Traces of the Great War is a remarkable, original collection of 18 thought provoking graphic short stories bridging the past and present. Internationally-acclaimed comic book artists, graphic novelists and writers, all of them explore the continued relevance and resonance of the First World War and its legacy in our lives today, creating emotion and reflexions.
Since World War I, says Joseph McCartin, the central problem of American labor relations has been the struggle among workers, managers, and state officials to reconcile democracy and authority in the workplace. In his comprehensive look at labor issues during the decade of the Great War, McCartin explores the political, economic, and social forces that gave rise to this conflict and shows how rising labor militancy and the sudden erosion of managerial control in wartime workplaces combined to create an industrial crisis. The search for a resolution to this crisis led to the formation of an influential coalition of labor Democrats, AFL unionists, and Progressive activists on the eve of U.S. entry into the war. Though the coalition's efforts in pursuit of industrial democracy were eventually frustrated by powerful forces in business and government and by internal rifts within the movement itself, McCartin shows how the shared quest helped cement the ties between unionists and the Democratic Party that would subsequently shape much New Deal legislation and would continue to influence the course of American political and labor history to the present day.
The Great War’s bitter outcome left the experience largely overlooked and forgotten in American history. This timely book is a reexamination of America’s first global experience as we commemorate WWI's centennial. The U.S. steered clear of the Great War for more than two years, but President Woodrow Wilson reluctantly led the divided country into the conflict with the goal of making the world “safe for democracy.” The country assumed a global role for the first time and attempted to build the foundations for world peace, only to witness the experience go badly awry and it retreated into isolationism.The Great War was the first continent-wide conflagration in a century, and it drew much of the world into its fire. By the end, four empires and their royal houses had fallen, communism was unleashed, the map of the Middle East was redrawn, and the United States emerged as a global power—only to withdraw from the world’s stage.The United States was disillusioned with what it achieved in the earlier war and withdrew into itself. Americans have tried to forget about it ever since. The Great War in America presents an opportunity to reexamine the country’s role on the global stage and the tremendous political and social changes that overtook the nation because of the war.
At the end of the First World War, the landscape of the Western Front in Flanders had been transformed into a wasteland. After the war, the population returned, faced with the enormous challenge of rebuilding the region and making it inhabitable again. All traces of the war were wiped out, leaving only what was left in the ground - what is now the archaeological soil archive. Throughout the Westhoek, 30 centimetres beneath the ground and invisible to the naked eye, the archaeological remains of the war lie dormant. This book, the first of its kind, is a compendium of the findings of ten years of First World War archaeology in Belgium. Clearly written, it looks at many spectacular finds resulting from excavations at more than 150 sites in the front-line region, and also delves into the unexpected role of the landscape as the last witness of the war. These material remains from military camps, hospitals and trenches illustrate day-to-day life at the front, while also looking at the personal fates of several of the fallen soldiers - and many horses. The text is supported by a wealth of visual data, including photographs of excavated artefacts, maps, aerial photographs and other archive material.
This book is an innovative comparative history of how German and British soldiers endured the horror of the First World War. Unlike existing literature, which emphasises the strength of societies or military institutions, this study argues that at the heart of armies' robustness lay natural human resilience. Drawing widely on contemporary letters and diaries of British and German soldiers, psychiatric reports and official documentation, and interpreting these sources with modern psychological research, this unique account provides fresh insights into the soldiers' fears, motivations and coping mechanisms. It explains why the British outlasted their opponents by examining and comparing the motives for fighting, the effectiveness with which armies and societies supported men and the combatants' morale throughout the conflict on both sides. Finally it challenges the consensus on the war's end, arguing that not a 'covert strike' but rather an 'ordered surrender' led by junior officers brought about Germany's defeat in 1918.
World War I was the first large-scale industrialized military conflict, and it led to the concept of total war. The essays in this volume analyze the experience of the war in light of this concept's implications, in particular the erosion of distinctions between the military and civilian spheres.
A history of World War I and an analysis of its causes & effects, plus how the conflict was fought. The Great War of 1914–1918 was the first mass conflict to fully mobilize the resources of industrial powers against one another, resulting in a brutal, bloody, protracted war of attrition between the world’s great economies. Now, one hundred years after the first guns of August rang out on the Western front, historian William Philpott reexamines the causes and lingering effects of the first truly modern war. Drawing on the experience of front line soldiers, munitions workers, politicians, and diplomats, War of Attrition explains for the first time why and how this new type of conflict was fought as it was fought; and how the attitudes and actions of political and military leaders, and the willing responses of their peoples, stamped the twentieth century with unprecedented carnage on—and behind—the battlefield. War of Attrition also establishes link between the bloody ground war in Europe and political situation in the wider world, particularly the United States. America did not enter the war until 1917, but, as Philpott demonstrates, the war came to America as early as 1914. By 1916, long before the Woodrow Wilson’s impassioned speech to Congress advocating for war, the United States was firmly aligned with the Allies, lending dollars, selling guns, and opposing German attempts to spread submarine warfare. War of Attrition skillfully argues that the emergence of the United States on the world stage is directly related to her support for the conflagration that consumed so many European lives and livelihoods. In short, the war that ruined Europe enabled the rise of America. Praise for War of Attrition A Wall Street Journal Best Non-Fiction Book of 2014 “An incisive, colorful book. . . . War of Attrition succeeds both as an argument and a gripping narrative.” —Geoffrey Wawro, author of A Mad Catastrophe “Philpott argues persuasively that the stunning victories of the last hundred days of the war were the result of a steep learning curve necessitated by earlier bloodbaths.” —The Wall Street Journal “An astute examination by an expert war historian that sifts through the collective theatres of attrition in this unprecedented slaughter.” —Kirkus Reviews
Essays by Jay Winter, Jeffrey T. Schnapp, Jennifer D. Keene, and others reveal the centrality of visual media, particularly the poster, within the specific national contexts of Britain, France, Germany, Russia, and the United States during World War I.℗¡Ultimately, posters were not merely representations of popular understanding of the war, but instruments influencing the.
With a New Preface by the Author Through personal journeys and historical inquiry, this PEN Literary Award finalist explores how America’s still unfolding history and ideas of “race” have marked its people and the land. Sand and stone are Earth’s fragmented memory. Each of us, too, is a landscape inscribed by memory and loss. One life–defining lesson Lauret Savoy learned as a young girl was this: the American land did not hate. As an educator and Earth historian, she has tracked the continent’s past from the relics of deep time; but the paths of ancestors toward her—paths of free and enslaved Africans, colonists from Europe, and peoples indigenous to this land—lie largely eroded and lost. A provocative and powerful mosaic that ranges across a continent and across time, from twisted terrain within the San Andreas Fault zone to a South Carolina plantation, from national parks to burial grounds, from “Indian Territory” and the U.S.–Mexico Border to the U.S. capital, Trace grapples with a searing national history to reveal the often unvoiced presence of the past. In distinctive and illuminating prose that is attentive to the rhythms of language and landscapes, she weaves together human stories of migration, silence, and displacement, as epic as the continent they survey, with uplifted mountains, braided streams, and eroded canyons. Gifted with this manifold vision, and graced by a scientific and lyrical diligence, she delves through fragmented histories—natural, personal, cultural—to find shadowy outlines of other stories of place in America. "Every landscape is an accumulation," reads one epigraph. "Life must be lived amidst that which was made before." Courageously and masterfully, Lauret Savoy does so in this beautiful book: she lives there, making sense of this land and its troubled past, reconciling what it means to inhabit terrains of memory—and to be one.