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Basho (1644-94) is perhaps the best known Japanese poet in both Japan and the West, and this book establishes the ground for badly needed critical discussion of this critical figure by placing the works of Basho and his disciples in the context of broader social change.
A collection of twenty-four essays by American author Eliot Weinberger, in which he discusses his personal travels around the world, and other topics.
A comprehensive selection of poems and essays spanning the career of one of China's most celebrated 20th-century poets."You can write poetry and then again you can't. It comes into this world of its own accord, not by the will of the poet."Gu Cheng Gu Cheng (1956-1993) is one of China's most celebrated contemporary poets. His early death ended a literary career that was influenced by the Cultural Revolution and that reawakened the lyricism of Chinese poets during the 1980s. Offering a unique blend of brooding imagism and political innuendo, Gu Cheng's poetry traces complex changes in the poet's lifefamilial, psychological, culturaland also radiates an innocence and a touching melancholy. His poetry began on the farms in Shandong province where his parents were exiled during the Cultural Revolution, and ended on a small island in New Zealand where he took up a Thoreau-like existence before his tragic suicide. His poem "One Generation" became emblematic for the generation coming of age in China in the '60s and '70s. Here for the first time is poetry based on the poet's own personal selections from his work, Sea Basket Blue. There are also prose works, including excerpts of Gu Cheng's novel Ying'er, plus a selection of his essays.
Traces the musical legacy of the California neighborhood, and the artists who lived there
Jackie Wang's magnetic and spellbinding debut collection of poetry that attempts to speak in the language of dreams.In The Sunflower, Wang follows the sunflower's many dream guises-its evolving symbolism in literature, society, and the author's own dream life using a mathopoetic technique to generate poems using the Fibonacci sequence (a pattern found in the seed spirals of sunflower). The Sunflower Cast a Spell to Save Us from the Void embodies what Wang calls oneiric poetry: a poetry that attempts to speak in the language of dreams. Although dreams, in psychoanalytic discourse, have been conceptualized as a window into the unconscious, Wang's poetry emphasizes the social dimension of dreams, particularly the use of dreams to index historical trauma and social processes.
This book has a dual purpose. The first is to present in a new English translation 255 representative hokku (or haiku) poems of Matsuo Basho (1644-94), the Japanese poet who is generally considered the most influential figure in the history of the genre. The second is to make available in English a wide spectrum of Japanese critical commentary on the poems over the last three hundred years.
The explosive story of the discovery and development of psychiatric medications, as well as the science and the people behind their invention, told by a riveting writer and psychologist who shares her own experience with the highs and lows of psychiatric drugs. Although one in five Americans now takes at least one psychotropic drug, the fact remains that nearly seventy years after doctors first began prescribing them, not even their creators understand exactly how or why these drugs work -- or don't work -- on what ails our brains. Lauren Slater's revelatory account charts psychiatry's journey from its earliest drugs, Thorazine and lithium, up through Prozac and other major antidepressants of the present. Blue Dreams also chronicles experimental treatments involving Ecstasy, magic mushrooms, the most cutting-edge memory drugs, placebos, and even neural implants. In her thorough analysis of each treatment, Slater asks three fundamental questions: how was the drug born, how does it work (or fail to work), and what does it reveal about the ailments it is meant to treat? Fearlessly weaving her own intimate experiences into comprehensive and wide-ranging research, Slater narrates a personal history of psychiatry itself. In the process, her powerful and groundbreaking exploration casts modern psychiatry's ubiquitous wonder drugs in a new light, revealing their ability to heal us or hurt us, and proving an indispensable resource not only for those with a psychotropic prescription but for anyone who hopes to understand the limits of what we know about the human brain and the possibilities for future treatments.
A young Los Angeles real estate developer consumed by power and political ambitions finds his orderly, upwardly mobile life thrown into chaos by the sudden appearance of his nutty mother, who's been deserted by T.'s now out–of–the–closet father After his mother's suicide attempt and two other deaths, T. finds himself increasingly estranged from his latest project: a retirement community in the middle of the California desert. As he juggles family, business, and social responsibilities, T. begins to nurture a curious obsession with vanishing species. Soon he's living a double life, building sprawling subdivisions by day and breaking into zoos at night to be near the animals. A series of calamities forces T. to a tropical island, where he takes a Conrad–esque journey up a river into the remote jungle. Millet's devastating wit, psychological acuity, and remarkable empathy for flawed humankind contend with her vision of a world slowly murdering itself.
Elegant representations of nature and the four seasons populate a wide range of Japanese genres and media—from poetry and screen painting to tea ceremonies, flower arrangements, and annual observances. In Japan and the Culture of the Four Seasons, Haruo Shirane shows how, when, and why this practice developed and explicates the richly encoded social, religious, and political meanings of this imagery. Refuting the belief that this tradition reflects Japan's agrarian origins and supposedly mild climate, Shirane traces the establishment of seasonal topics to the poetry composed by the urban nobility in the eighth century. After becoming highly codified and influencing visual arts in the tenth and eleventh centuries, the seasonal topics and their cultural associations evolved and spread to other genres, eventually settling in the popular culture of the early modern period. Contrasted with the elegant images of nature derived from court poetry was the agrarian view of nature based on rural life. The two landscapes began to intersect in the medieval period, creating a complex, layered web of competing associations. Shirane discusses a wide array of representations of nature and the four seasons in many genres, originating in both the urban and rural perspective: textual (poetry, chronicles, tales), cultivated (gardens, flower arrangement), material (kimonos, screens), performative (noh, festivals), and gastronomic (tea ceremony, food rituals). He reveals how this kind of "secondary nature," which flourished in Japan's urban architecture and gardens, fostered and idealized a sense of harmony with the natural world just at the moment it was disappearing. Illuminating the deeper meaning behind Japanese aesthetics and artifacts, Shirane clarifies the use of natural images and seasonal topics and the changes in their cultural associations and function across history, genre, and community over more than a millennium. In this fascinating book, the four seasons are revealed to be as much a cultural construction as a reflection of the physical world.
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