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Faced with a mysterious, deadly fog bank in a seaside Scottish village, new friends Nolie and Bel look for ways to stop it--coming across an ancient spell that requires magic, a quest, and a sacrifice.
The Heinemann Plays series offers contemporary drama and classic plays in durable classroom editions. Many have large casts and an equal mix of boy and girl parts. This play deals with the horror and futility of trench warfare, as Captain Stanhope and his officers await attack in their dugout.
The story of the deportation of Romanians from Bucovina to the steppes of Siberia, an exercise in historical memory and a powerful story of maintaining humanity in impossible conditions. A new novel from Liliana Corobca and her translator Monica Cure, winner of the Oxford-Weidenfeld translation prize. Ana is eleven when the Soviet soldiers send her from Bucovina, Romania, to Kazakhstan. She is just one of many forced to leave behind her home and make the three week long journey via train. The trip is a harsh, humiliating one, but in spite of the cold and the closeness of death, life persists in the boxcar in the form of storytelling, riddles, and ritual. Years later, Ana recalls her childhood for her great granddaughter, who is considering moving her to a nursing home. Her story, told with unflinching candor, is a chronicle of a life lived during a time of great political and national change, a story of an existence defined and curtailed by lines drawn on a map. The narration is interspersed with songs that transform into poems, and prayers spoken in the past that become prayers in the present. What links the narration is not so much a plot as it is the reader’s astonishment. How could Ana survive such a series of experiences, and do so with her mind and heart intact? A history of cruelty and trauma lies behind the banal markers of contemporary life. These realizations combine in the central theme of the book, one which the narrator describes as, “stories bring you youth.”
In Journey's End, many and varied collaborators write about death, dying, and the end of life. We attempt to describe real life issues and circumstances, and we discuss ways to proactively deal with them. Useful training, resource, and reference material is also included. Death, dying, and end of life are topics many prefer to avoid. This book suggests that we benefit from having frank discussions, living life to the fullest, and planning for our own journey's end, whenever that may be. Everyone who is born eventually will die, whether or not we want to embrace that fact. **** Though few of us know when we will die, we and our family or friends can be well prepared. We can have discussions and create written directives for what we want, if we are unable to verbally state them ourselves. Do we want life support? Do we want interventions that may or may not have any benefit to our quality of life if we are in the hospital or in an accident? Do we want to be involved in planning our funeral, memorial, or celebration of life? The submissions within are from professionals in the field of death and bereavement support and from laypeople, all of whom share stories of dying family members, friends, clients, and patients. Julie and Victoria, the coauthors of this book, also share stories from their personal and professional experiences. Journey's End is a broadly comprehensive book about death, dying, and the end of life.
Kingston playwright R.C. Sherriff came to fame with his First World War drama Journeys End, which was based on his own experiences as a young officer on the Western Front. Its success made him a household name and opened the door to a highly lucrative career as a novelist, playwright and screenwriter in Hollywood and in Britain. Many of his movies The Invisible Man, Goodbye Mr Chips, The Four Feathers Odd Man Out, Quartet, and, of course, The Dam Busters are still well known, but the man behind them much less so. This book rediscovers Sherriff using his own words his letters, diaries, published and unpublished manuscripts to shed light on a man who ironically gained his greatest success from the trench warfare he found so difficult to bear.
When it was published in 1932, this revolutionary first fiction redefined the art of the novel with its black humor, its nihilism, and its irreverent, explosive writing style, and made Louis-Ferdinand Celine one of France's--and literature's--most important 20th-century writers. The picaresque adventures of Bardamu, the sarcastic and brilliant antihero of Journey to the End of the Night move from the battlefields of World War I (complete with buffoonish officers and cowardly soldiers), to French West Africa, the United States, and back to France in a style of prose that's lyrical, hallucinatory, and hilariously scathing toward nearly everybody and everything. Yet, beneath it all one can detect a gentle core of idealism.
The year is 999 A.D. Christians in Europe are preparing themselves for the arrival of the Messiah at the millennium and religious fervour is in the air. Sailing from the North African port of Tangier to a small, distant town called Paris are a Jewish merchant, Ben Attar, his two beloved wives and his Arab partner, Abu Lutfi. They have come for a meeting with their third partner the widower, Raphael Abulafia who has been forced to turn his back on their previous trading partnership because of his new wife's distrust of the dual marriage of Ben Attar. The latter turns this annual trading voyage into a personal quest to legitimise his second wife, restore his honour and, equally important, to show others the richness and humanity in his way of life. A confrontation ensues between people of different cultures whose ways of living and loving are so different, and yet who are of the same religion, believe in the same God and in the same morality. Thus we enter a profound human drama whose moral conflicts of fidelity and desire resonate deeply with our times. A. B. Yehoshua has imaginatively recreated a medieval world with its merchant trade in great depth and sensuous detail. His evocation of one man's love is lyrical, erotic even, and A Journey to the End of the Millennium will rank with the best of Yehoshua's work.
With no husband and no children, and no prospects on the horizon, twenty-nine-year-old Judith Marchand believes shes destined to lead a lonely librarians life in her small town. But a classified ad intrigues her, and shes soon on her way to restore the private library of the de Lanvilles, a prominent southern Louisiana family. What she doesnt know is that this ideal job will also lead her down a path rife with seduction and murder. Shes enthralled with Journeys End, the familys mansion. Against her better judgment, she finds herself falling in love with her mysterious employer, David de Lanville, a man who admits he once tried killing his brother Beau. Tensions run high at Journeys End, and the situation worsens when David is arrested for the beating and rape of a local young womanjust one of several suspicious incidents in this rural area near New Orleans. David proclaims his innocence, and Judith must make some difficult decisions. Drenched in Cajun lure, Journeys End travels through the winding moss-covered bayous and New Orleans at Mardi Gras, following a killer who pursues his victims via the silent waters of Bayou Tech.
A severe head injury causes loss of memory, with no name, Dave responds to an internal compass to guide him in search for his old life. Without recall of another life, now known as Dave Larson, he finds work as a ranch-hand in 1887 Montana Territory. Significant troubles plague the ranch owned by Buff Dugan; malicious destruction of fences, attempted cattle rustling, and a midnight ambush of the foreman. Dave takes on the foreman duties of the beleaguered ranch operation, but functions less ably due to overwork and the disabling head injury. Rancher Curly Watson is suspected of provocations to disrupt the peace of the valley, but his motives are hidden. Dugan’s niece, Lucy Smith, arrives in search of her missing husband, only to discover he is already working on the ranch. Learning his amnesia is selective, a sense of guilt pervades because eighty thousand in gold bars is missing, and Dave is sought by the authorities as the thief. Guilty is guilty does: a warrant for his arrest impels Jim Bowen, his old partner, to go after Dave. Mistrust and guilt, deprivation and pain, perseverance and courage achieve journey’s end.
"It's just another day riding motorcycles and running in the woods for Michael, Matt, and Cody, when suddenly someone--or something--needs their help. The boys are drawn into another world, a world under attack by evil incarnate. As they fight evil and help the helpless, the 'Young Warriors' will also move step by step along the incline from boyhood to manhood--if they come back"--Page 4 of cover.