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Kelly’s superpowers: Wicked creative writer with a flair for satire. Matt’s superpowers: Combines creativity with the ability to see what the world needs. Kelly and Matthew have strong and opposite views of the world and spend a great deal of time and energy trying to convince each other who’s right. It is in the spirit of these heated debates that we have arrived at the first book in our Tour of Insanity series. We hope you find this book entertaining and debate-worthy. www.tourofinsanity.com
From the mid-nineteenth to the late twentieth centuries, Saint Elizabeths Hospital was one of the United States' most important institutions for the care and treatment of the mentally ill. Founded in 1855 to treat insane soldiers and sailors as well as civilian residents in the nation's capital, the institution became one of the country's preeminent research and teaching psychiatric hospitals. From the beginning of its operation, Saint Elizabeths admitted black patients, making it one of the few American asylums to do so. This book is a history of the hospital and its relationship to Washington, DC's African American community. It charts the history of Saint Elizabeths from its founding to the late-1980s, when the hospital's mission and capabilities changed as a result of deinstitutionalization, and its transfer from the federal government to the District of Columbia. Drawing on a wide variety of sources, including patient case files, the book demonstrates how race was central to virtually every aspect of the hospital's existence, from the ways in which psychiatrists understood mental illness and employed therapies to treat it to the ways that black patients experienced their institutionalization. The book argues that assumptions about the existence of distinctive black and white psyches shaped the therapeutic and diagnostic regimes in the hospital and left a legacy of poor treatment of African American patients, even after psychiatrists had begun to reject racialist conceptions of the psyche. Yet black patients and their communities asserted their own agency and exhibited a "rights consciousness" in large and small ways, from agitating for more equal treatment to attempting to manage the therapeutic experience.
In the vein of An Unquiet Mind comes a storm of a memoir that will take you deep inside bipolar disorder and change everything you know. When Marya Hornbacher published her first book, Wasted: A Memoir of Anorexia and Bulimia, she did not yet have the piece of shattering knowledge that would finally make sense of the chaos of her life. At age twenty-four, Hornbacher was diagnosed with Type I rapid-cycle bipolar, the most severe form of bipolar disorder. In Madness, in her trademark wry and utterly self-revealing voice, Hornbacher tells her new story. Through scenes of astonishing visceral and emotional power, she takes us inside her own desperate attempts to counteract violently careening mood swings by self-starvation, substance abuse, numbing sex, and self-mutilation. How Hornbacher fights her way up from a madness that all but destroys her, and what it is like to live in a difficult and sometimes beautiful life and marriage—where bipolar always beckons—is at the center of this brave and heart-stopping memoir. Madness delivers the revelation that Hornbacher is not alone: millions of people in America today are struggling with a variety of disorders that may disguise their bipolar disease. And Hornbacher's fiercely self-aware portrait of her own bipolar as early as age four will powerfully change, too, the current debate on whether bipolar in children actually exists. New York Times“Humorous, articulate, and self-aware…A story that is almost impossible to put down.”— “With the same intimately revelatory and shocking emotional power that marked [Wasted], Hornbacher guides us through her labyrinth of psychological demons.”—Elle
The story of the top-selling Canadian band told through anecdotes from their fans.
This book examines the role of civil law in determining mental capacity over a five hundred year period in England and in New Jersey.
A small town Florida teenager discovers punk rock through a loaned mix tape and punk music and culture slowly takes over all aspects of his life. His new passion causes him to form a band, track down out-of-print records that he loves and begin to reissue them, open a record store, begin a record distribution operation as a public service, mentor a host of young musicians, and befriend all manner of punk luminaries along the way. Slowly, his life’s pursuit pushes him to the point of personal ruination and ultimately redemption.
2000, Gift of the South Carolina State Hospital.
Paper has been the material of bureaucracy, and paperwork performs functions of order, control, and surveillance. Knowledge Making: Historians, Archives and Bureaucracy explores how those functions transform over time, allowing private challenges to the public narratives created by institutions and governments. Paperwork and bureaucratic systems have determined what we know about the past. It seems that now, as the digital is overtaking paper (though mirroring its forms), historians are able to see the significance of the materiality of paper and its role in knowledge making – because it is no longer taken for granted. The contributors to this volume discuss the ways in which public and private institutions – asylums, hospitals, and armies – developed bureaucratic systems which have determined the parameters of our access to the past. The authors present case studies of paperwork in different national contexts, which engage with themes of privacy and public accountability, the beginning of record-keeping practices, and their ‘ends’, both in the sense of their purposes and in what happens to paper after the work has finished, including preservation and curation in repositories of various kinds, through to the place of paper and paperwork in a ‘paperless’ world. The chapters in this book were originally published in a special issue of Rethinking History: The Journal of Theory and Practice.