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The Empress Game, the tournament fought to decide the Empress Apparent, has been called and the females of the empire will stop at nothing to secure political domination for their homeworlds. The empire's elite gather to forge, strengthen or betray alliances in a dance that will determine the fate of the empire for a generation.
"Babylon Steel, ex-sword-for-hire, ex ... other things, runs The Red Lantern, the best brothel in the city. She's got elves using sex magic upstairs, S & M in the basement and a large green troll cooking breakfast in the kitchen, and she'd love you to visit, except ... She's not having a good week. The Vessels of Purity are protesting against brothels, girls are disappearing, and if she can't pay her taxes, Babylon's going to lose the Lantern. She'd given up the mercenary life, but when the mysterious Darask Fain pays her to find a missing heiress, she has to take the job. And then her past starts to catch up with her in other, more dangerous ways.
In this engrossing book, Hollis Clayson provides the first description and analysis of French artistic interest in women prostitutes, examining how the subject was treated in the art of the 1870s and 1880s by such avant-garde painters as Cézanne, Degas, Manet, and Renoir, as well as by the academic and low-brow painters who were their contemporaries. Clayson not only illuminates the imagery of prostitution-with its contradictory connotations of disgust and fascination-but also tackles the issues and problems relevant to women and men in a patriarchal society. She discusses the conspicuous sexual commerce during this era and the resulting public panic about the deterioration of social life and civilized mores. She describes the system that evolved out of regulating prostitutes and the subsequent rise of clandestine prostitutes who escaped police regulation and who were condemned both for blurring social boundaries and for spreading sexual licentiousness among their moral and social superiors. Clayson argues that the subject of covert prostitution was especially attractive to vanguard painters because it exemplified the commercialization and the ambiguity of modern life.
"The introductions in this anthology are meant to be just that: a basic overview of what students need to know before they begin reading, with topics that students can research further. An open access literature textbook cannot be a history book at the same time, but history is the great companion of literature: The more history students know, the easier it is for them to interpret literature. In an electronic age, with this text available to anyone with computer access around the world, it has never been more necessary to recognize and understand differences among nationalities and cultures. The literature in this anthology is foundational, in the sense that these works influenced the authors who followed them. A word to the instructor: The texts have been chosen with the idea that they can be compared and contrasted, using common themes. Rather than numerous (and therefore often random) choices of texts from various periods, these selected works are meant to make both teaching and learning easier. While cultural expectations are not universal, many of the themes found in these works are."--Open Textbook Library.
“What do you think a hero is? It’s just the right person in the right place making the right choice at the right time. Heroes aren’t born. They’re made.” A demonic assassin. A half-orc boxer. A ratman necromancer. Though they take many different shapes and forms, there are heroes all around us. Bravery can be found in the most unexpected places: a subterranean dwarven city; the sands of a temple courtyard in Ancient Egypt; a besieged castle, a Victorian brothel, a goblin warren, the post-apocalyptic ruins of a demon-infested village. Heroes dwell in the shadows as well as the light; you just have to look a little harder to find them. Who do they fight? Some heroes challenge injustice in all its numerous guises, while others hunt monsters both human and bestial. Others battle inner demons, the ghosts of their past, their deepest nightmares – or even the gods themselves. Why do they fight? For glory? Sometimes. For honor? Perhaps. There are those who instinctively strive to protect those weaker than themselves, and there are others emboldened only by a sense of obligation, or the promise of wealth. Whether by the blade or other means, they endeavor to take down all who threaten what is good and right in their world. By hook or by crook, through cunning or combat, with tooth and claw or iron and steel, they are all united in one goal, willingly or not: to live – and die, if necessary – a hero. Choose your weapon. Fight for what you believe in. Never give up. Nineteen fantasy writers gather to bring nineteen tales to life, each one a unique glimpse into a wholly original world.
"Sweet and funny." a?Kirkus DiscoveriesIt's 1936 and 19-year-old Tobias Henry is stuck in the frozen hinterlands of Michigan. Tobias is obsessed with two things: God and girls. Mostly girls. But being a Baptist preacher's son, he can't escape God. When his father is blinded in a bizarre accident, Tobias rides the rails to Texas in search of a lost fortune. Along the way, he is initiated into the hobo brotherhood by Craw, a ribald yet wise black man. Obstacles arise in the form of a saucy prostitute, a giant catfish, and a flaming boxcar. But when he meets Sarah, a tough farm girl under a dark curse, he finds out that the greatest challenge of all is love.
The classic manifesto of the liberated woman, this book explores every facet of a woman's life.