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Fehl Cannon's work is about permission to look, admire & desire. His guys share his obsession with their bodies. Props are used as erotic symbols serving as totems of masculinity, emblems of private and communal fantasies. Fehl Cannon captures male energy, freezing it for our view in a split-second flash.
Charles Gabriel Seligman (1873-1940) was a British ethnographer who conducted field research in New Guinea, Sarawak, Ceylon (present-day Sri Lanka), and Sudan. Trained as a medical doctor, in 1898 he joined an expedition organized by Cambridge University to the Torres Strait, the body of water that separates the island of New Guinea from Australia. The purpose of the expedition was to document the cultures of the Torres Strait islanders, which were rapidly disappearing under the influence of colonization. In 1904, Seligman was one of three members of the Cooke Daniels Ethnographic Expedition to British New Guinea, funded by Denver, Colorado department store owner William Cooke Daniels. The Melanesians of British New Guinea contains a detailed record of much of Seligman's anthropological research conducted during the expedition. Seligman's findings demonstrated the striking physical and cultural differences between the western Papuans and his main preoccupation, their eastern neighbors, who had been more influenced by Melanesian immigration. The book established Seligman's reputation as an anthropologist, and remains an important source for the study of the traditional culture of the peoples of present-day Papua New Guinea. The book includes photographs, drawings, maps, and a glossary of indigenous terms.
In Fetish, Henry Krips draws together Freudian and Marxian insights to provide accounts of fetishism and the gaze that afford new ways of understanding the relation of the individual to the social, of pleasure to desire. He uses discrete cultural artifacts as windows through which to view local instances of the mediation of pleasure and desire, demonstrating that users of cultural objects adapt them to suit their own strategic ends. Ranging widely over texts and cultures, he discusses Hopi initiation rites, Holbein's painting The Ambassadors, Robert Boyle's early scientific manual New Experiments Physico-Chemical, Toni Morrison's Beloved, the popular television series Mystery Science Theatre 3000, and David Cronenberg's film Crash. Jacques Lacan's theory of the gaze and Louis Althusser's theory of ideology frame Krips's perspectives on fetishism and the discourse of perversion, which he considers in light of postcolonial theory, the history of science, screen theory, and, of course, psychoanalysis. What results is a work remarkable for its clear exposition and its sophisticated synthesis of major theorists, its provocative argument that pleasure comes not from attaining desire but rather from moving around its object-cause.
"Sam Manicom's fourth book is a gripping rollercoaster of a two-wheeled journey which takes you riding across the dramatic landscapes of Mexico, the [western] United States and Canada ... There are canyons, cowboys, idyllic beaches, bears, mountains, Californian vineyards, gun-toting policemen with grudges, glaciers, exploding volcanoes, dodgy border crossings and some of the most stunning open roads that a traveller could ever wish to see"--Publisher's description.
An examination of the importance of oral experience as reflected in literature, Word of Mouth extends psychoanalytic theory as forwarded by Freud, Karl Abraham, Melanie Klein, and Julia Kristeva. The meaning of oral experience is explored with reference to several texts, looking at the oral bond between mother and child in Proust and questions of disordered eating, raised by aggressive orality, found in Conrad's Heart of Darkness. Throughout, the author draws forth the myriad expressions relating the desires and dramas of the mouth, its pervasive pleasures and its dreads.