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'It's Number One... it's Top Of The Pops', for every generation from 1964, until the show ended in 2006, that was the sentence every young television viewer sat down to hear. At its peak, a quarter of the UKs entire population was watching. 'Top Of The Pops' was the pivotal pop television programme over its 2,000 weekly episodes, the programme gave peak airtime to every act, from The Beatles to Beyonce... from Cream to Coldplay... from Pink Floyd to Pink! From its humble beginnings in 1964 from a disused church through to the programme's pan-global appeal in the 1990s, 'Top Of The Pops' became synonymous with the best in pop television. This book tells the incredible story of 'Top of the Pops'. It is not just the story of a long-running television programme. The story of 'Top of the Pops' is the story of British popular music. It is a shadow history of British rock & roll, and beyond. It is the story of how a 6-week show turned into a pan-global phenomenon and how for 40 years, 'Top of the Pops' was a British institution. With a span of nearly half a century, there are so many highlights: The Beatles only live appearance, in 1966, promoting Paperback Writer... the Who getting banned... the first colour edition in 1969... David Bowie's breakthrough performance of Starman in 1972... Nirvana's chaotic 1991 appearance promoting Smells Like Teen Spirit... the Blur versus Oasis battle... Justin Timberlake playing bass with the Flaming Lips in 2003... 'Top Of The Pops II' was launched in 1994, bringing the programme to a whole new audience. Around the same time, the BBC licensed the 'Top Of The Pops' brand to over 90 countries, with an estimated audience of 100 million. Though it ceased broadcasting in 2006, thanks to the internet, compilation CDs; and repeated viewing on BBC4... 'Top Of The Pops' lives on.
It's still Number One, it's Top of the Pops On New Year's Day, 1964, the first ever Top of the Pops was broadcast live from Manchester on BBC1 - 38 years later, it is celebrating its 2000th edition. This is the true story behind the stars, the fans and the changing faces of the UK's favourite music show.
When rock 'n' roll arrived, all Britain had were two black and white TV channels, the BBC and the slightly racier ITV. In just over a decade after the first dedicated music programme, Cool For Cats, aired in 1956, cheap black and white studio-bound miming would give way to epic prog-rock live performances as programme controllers' were forced to accept the rise of the counter culture. Eventually, mammoth rock festivals would be enjoyed on multi-channel high-definition TV, delivering more coverage than any one person attending the actual event could ever experience. In Rock & Pop on British TV, Jeff Evans tells the whole story of how this entertainment medium morphed and grew as technology advanced and cultures changed. In a world where music is available on demand, 24/7, the story of Rock & Pop On British TV takes you back to your youth - whenever that was - and the days when pop on TV was an eagerly anticipated, greedily consumed and thrilling part of growing up in Britain. This Omnibus Enhanced digital edition includes a Digital Timeline of the notable programmes discussed within the book and the #1 hits of the day, illustrated with videos and images.
Between 1968 and 1976 the undisputed highlight of Top of the Pops was its glamorous dance troupe, Pan's People. To celebrate the 50th anniversary of Top of the Pops, Babs, Cherry, Dee Dee and Ruth - the surviving members of the classic line-up - tell their remarkable story.
The Bloomsbury Handbook of Popular Music and Youth Culture provides a comprehensive and fully up-to-date overview of key themes and debates relating to the academic study of popular music and youth culture. While this is a highly popular and rapidly expanding field of research, there currently exists no single-source reference book for those interested in this topic. The handbook is comprised of 32 original chapters written by leading authors in the field of popular music and youth culture and covers a range of topics including: theory; method; historical perspectives; genre; audience; media; globalization; ageing and generation.
When considered in a broader social context, The Clash stand as one of the most important musical acts in rock history. Original punks who transcended the music’s minimalist origins, The Clash lived and breathed the idea that they could change the world with their art. In The Clash: The Only Band That Mattered,respected music critic Sean Egan examines The Clash’s career and art through the prism of the uniquely interesting and fractious UK politics of the 1970s and ’80s, without which they simply would not have existed. Tackling such subjects as The Clash’s self-conscious tussles with their record label, the accusations of selling out that dogged their footsteps, their rivalry with the similarly leaning but less purist Jam, the paradoxical quality of their achieving multiplatinum success, and even whether their denunciations of Thatcherism were proven wrong, Egan has come up with new insights into a much discussed group. Clash fans, Clash haters, social historians, and political students will all find themselves entertained by his thought-provoking conclusions.
As if recovering from a raucous dream of the 1960s, Gerry Beckley, Dewey Bunnell, and Dan Peek arrived on 1970s American radio with a sound that echoed disenchanted hearts of young people everywhere. The three American boys had named their band after a country they’d watched and dreamt of from their London childhood Air Force base homes. What was this country? This new band? Classic and timeless, America embodied the dreams of a nation desperate to emerge from the desert and finally give their horse a name. Celebrating the band’s fiftieth anniversary, Gerry Beckley and Dewey Bunnell share stories of growing up, growing together, and growing older. Journalist Jude Warne weaves original interviews with Beckley, Bunnell, and many others into a dynamic cultural history of America, the band, and America, the nation. Reliving hits like “Ventura Highway,” “Tin Man,” and of course, “A Horse with No Name” from their 19 studio albums and incomparable live recordings, this book offers readers a new appreciation of what makes some music unforgettable and timeless. As America’s music stays in rhythm with the heartbeats of its millions of fans, new fans feel the draw of a familiar emotion. They’ve felt it before in their hearts and thanks to America, they can now hear it, share it, and sing along.
Formed in 1969 as a traditional folk group, they gradually moved into folk-rock territory, with their disdain for the more purist elements, and a love of mixing original material with traditional songs and ambitious musical arrangements. This biography examines the music, line-up changes, highs and lows, and periods of their commercial success.
A definitive, in-depth, revelatory exploration of John Lennon's intensely personal first major solo album after the breakup of the Beatles. Described by Lennon as "the best thing I've ever done," and widely regarded as his best solo album, John Lennon/Plastic Ono Band was released on 11 December 1970. With first-hand commentary by Lennon, Ono, and other members of the band, and packed with previously unseen photographs by those who documented their lives, this incisive volume offers new insights into the raw emotions and open mindset of Lennon after marriage to Ono and the breakup of the Beatles, to the making of the album and revealing interview with Jann Wenner in December 1970. Primal therapy had a huge impact on Lennon's songwriting, resulting in the creation of intensely personal, soul-baring tracks. This book takes his lyrics as a starting point and explores Lennon's life, career, and self-perception, from "performing flea" with the Beatles to authenticity as a solo artist.