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As heard on BBC Radio 4's Woman's Hour 'Ireland and its people know that Fiona Doyle is a trailblazer' Sunday Independent 'A wrenching read ... Doyle resists giving her story a Hollywood gloss' Irish Independent '[A] hopeful, horrific read' Ray D'Arcy, Today FM 'A testament to her resolve and courage. A remarkable story by a remarkable woman' Irish Times 'Always inspirational' National Women's Council of Ireland @NWCI 'Fiona Doyle is a hero' Roisin Ingle @roisiningle 'Well worth reading' Colette Fitzpatrick, MidWeek, TV3 Too Many Tears is the moving and inspiring story of how Fiona Doyle came through the agony and humiliation of being sexually abused by her father, how she foudn the strength to seek justice, and how she coped when, at the final hurdle, it appeared that he was about to escape prison. For as long as she can remember, and well into her teens, Fiona's father raped and abused her. Her mother blamed Fiona for leading him on. The effects on her life were catastrophic. Fiona first reported her father, Patrick O'Brien, to the authorities in the early nineties but the police investigation went nowhere. She made a second complaint in 2010 and this time, it appeared, O'Brien would face the consequences of his crimes . He, pleaded guilty to sexually assaulting his daughter and Fiona assumed the next time she came to court, he would be going to jail. Instead, shockingly, having suspended nine years of a twelve-year sentence, the judge released O'Brien on bail. Three days later, following a national outcry and questions in parliament, the presiding judge expressed his 'profound regret' to Fiona Doyle and sent O'Brien to jail. Too Many Tears is Fiona Doyle's story of abuse and its aftermath - the turmoil and isolation she experienced as a child and young girl, the devastating price she continued to pay in her adult life, and how finally she had the courage and tenacity to take on her father - and the authorities - to make him face up to what he had done. It is a startling and inspiring story of survival and hope against the odds.
Kurt Gödel's famous First Incompleteness Theorem shows that for any sufficiently rich theory that contains enough arithmetic, there are some arithmetical truths the theory cannot prove. How is this remarkable result proved? This short book explains. It also discusses Gödel's Second Incompleteness Theorem. Based on lecture notes for a course given in Cambridge for many years, the aim is to make the Theorems available, clearly and accessibly, even to those with a quite limited formal background.
This classic account takes readers on a painful and unforgettable journey of psychiatric misguidance and abuse. The true story detailing Janet's mental breakdown, her years with an unscrupulous doctor, and her eventual self-cure serves as a scathing indictment of the psychiatric profession.
This Will End in Tears is the first ever and definitive guide to melancholy music. Author Adam Brent Houghtaling leads music fans across genres, beyond the enclaves of emo and mope-rock, and through time to celebrate the albums and artists that make up the miserabilist landscape. In essence a book about the saddest songs ever sung, This Will End in Tears is an encyclopedic guide to the masters of melancholy—from Robert Johnson to Radiohead, from Edith Piaf to Joy Division, from Patsy Cline to The Cure—an insightful, exceedingly engaging exploration into why sad songs make us so happy.
This book was written out of the feelings and some of the most sadness out of the depths of my heart and soul. It contains feelings from different times and many events of my life. So Pretty, So Many Tears has poems from many different emotions I have felt throughout my life. Some of the poems that are written in this book were written when I was 16 years old, although I have been writing since I was much younger, when I had already been physically and emotionally abused! Then I lost "The Love Of My Life." I fell in love with Tony when I was 12 years old. We got together when I was 16 and then we separated for a few years because of my family. We got back together when I turned 24 and he was 25 years old. A couple of days before he turned 27 years old, he passed away; yes, I lost my love, I lost my life, hence I lost my mind. When I finally gave my whole self to him and finally stopped worrying about what my family felt about him. Ever since then I have been truly going through years of so much denial of his death, self conviction and guilt over what happened and how it happened. I sank into the "Abyss of my empty soul," and I didn't want to be found because I knew deep inside if I found myself deep within my secretly wounded heart, I would realize and find out that I lost the only love I had ever had. He was my only friend and I knew that I would lose my mind if I ever lost him. There was no way that I wanted to live in this ugly world without him by my side, and I had told him that I would never be afraid of anything not even the end of the world, so long as he was there by my side even when the end of the world was occurring. I have been abused most of my life, first by my mother, then by my older brother, then later on when I got married to someone else other than my true love; I went through some inner hell tortures as well as physical tortures, with my husband always on drugs, such as heroine, crystal meth, and crack cocaine; when I didn't even know what all that stuff was or what it did to someone. Anyhow, the book contains all of my dreadful, melancholic, horrific details of just how much I had lost my mind. For I truly did lose my mind when Tony left my world. The only thing I had to stay alive for was my children that I already had and when "The One I Loved" left my world, I went insane but I didn't even know it, and neither did anyone else for that matter. I really didn't know how to handle living life without Tony. I needed to learn how to live again not only for myself but for my children, and the book does indeed hold the deepest fears, tears, and loves in my life. The book contains so many feelings tears and love and as one person put it, "So Pretty So Many Tears" when the tears wouldn't stop and how I couldn't stop thinking of and wanting to die! Like I said, I actually really lost my mind. There are many different poems in this book; some are regarding abuse, death, love, reincarnation and even living with physical pain as I do now and have been ever since the year of 2001; it seems as if once the denial stopped and the admission of Tony being dead occurred, the pain and suffering I had secretly been feeling in my heart and my soul, suddenly spurted out of me and showed and was now felt physically. For the secret I was holding within me was the secret I withheld even from my own self and that was that Tony was dead. I was full of secrets all of my life, first I held the secret from my family the love I had for Tony; he was my secret love. Then, I held the biggest secret from myself; the death of Tony's body but not the death of my love for him. There are also some poems from my granddaughter Vanessa Espitia and from two of my daughters, Desiree Grace and Princess Anna, both of whom I encourage to write all their thoughts and feelings from their heart, if that is what they want to do. Most of my 12 children are blessed with the talents of writing and art; along with some of my grandchildren. So Pretty
"Kathryn Lynn Davis is a master storyteller. Too Deep for Tears is beautifully written, emotionally charged, and unforgettable. Immersed in her richly crafted 19th century world, you won't want to leave-one of my all time favorite reads." --Lucinda Brant, New York Times bestselling author of Salt Bride. "Davis' story is as richly textured as a fine old tapestry. The time is the latter half of the 19th century; the emotions and conflicts are ageless...." The Chicago Tribune "The lyrical power of Kathryn Lynn Davis' writing, the courage and beauty of her characters and the soul-deep Celtic magic that imbues every page makes Too Deep For Tears a book you will never forget. Never have the Scottish highlands been captured more beautifully." --Ella March Chase, Author of The Queen's Dwarf "A compelling story...You won't want to miss this richly detailed saga." Midwest Review of Books Late 1800s: Three sisters. Three corners of the British Empire. Three lives intertwined... forever. As he travels the British Empire, diplomat Charles Kittridge leaves behind three daughters: Ailsa in the Scottish Highlands; Li-an in Peking, China; and Genevra in Delhi, India. Bound by threads they neither see nor understand, the three sisters are haunted by their absent father--each in her own way. Creative and intuitive, often lost and without hope, they come together through their dreams in times of fear and need. Those dreams grow vivid, changing as these extraordinary women learn the lessons the Empire has to teach. And the all-important lessons within their own hearts. No matter the courage and passion, betrayal and loss they experience, their dreams never leave them. In the end, they believe Charles Kittridge has the power to heal them. But the truth is far more complicated than any of them understand.
The death of high school basketball star Rob Washington in an automobile accident affects the lives of his close friend Andy, who was driving the car, and many others in the school.
This bestselling "lyrical, moving book: part essay, part memoir, part surprising cultural study" is an examination of why we cry, how we cry, and what it means to cry from a woman on the cusp of motherhood confronting her own depression (The New York Times Book Review). Heather Christle has just lost a dear friend to suicide and now must reckon with her own depression and the birth of her first child. As she faces her grief and impending parenthood, she decides to research the act of crying: what it is and why people do it, even if they rarely talk about it. Along the way, she discovers an artist who designed a frozen–tear–shooting gun and a moth that feeds on the tears of other animals. She researches tear–collecting devices (lachrymatories) and explores the role white women’s tears play in racist violence. Honest, intelligent, rapturous, and surprising, Christle’s investigations look through a mosaic of science, history, and her own lived experience to find new ways of understanding life, loss, and mental illness. The Crying Book is a deeply personal tribute to the fascinating strangeness of tears and the unexpected resilience of joy.
“A hard-hitting sermon on the racial divide, directed specifically to a white congregation.” —Kirkus Reviews, starred review A New York Times, Los Angeles Times, Washington Post, and Boston Globe Bestseller As the country grapples with racial division at a level not seen since the 1960s, Michael Eric Dyson’s voice is heard above the rest. In Tears We Cannot Stop, a provocative and deeply personal call or change, Dyson argues that if we are to make real racial progress, we must face difficult truths, including being honest about how Black grievance has been ignored, dismissed, and discounted. In the tradition of James Baldwin’s The Fire Next Time—short, emotional, literary, powerful—this is the book that all Americans who care about the current and long-burning crisis in race relations need to read. Praise for Tears We Cannot Stop Named a Best/Most Anticipated Book of 2017 by: The Washington Post • Bustle • Men’s Journal • The Chicago Reader • StarTribune • Blavity• The Guardian • NBC New York’s Bill’s Books • Kirkus Reviews • Essence “Elegantly written and powerful in several areas: moving personal recollections; profound cultural analysis; and guidance for moral redemption. A work to relish.” —Toni Morrison “Here’s a sermon that’s as fierce as it is lucid . . . If you’re black, you’ll feel a spark of recognition in every paragraph. If you’re white, Dyson tells you what you need to know—what this white man needed to know, at least. This is a major achievement. I read it and said amen.” —Stephen King “One of the most frank and searing discussions on race . . . a deeply serious, urgent book, which should take its place in the tradition of Baldwin’s The Fire Next Time and King’s Why We Can’t Wait.” —The New York Times Book Review
Sherman Alexie meets William Gibson. Louise Erdrich meets Franz Kafka. Leslie Marmon Silko meets Philip K. Dick. However you might want to put it, this is Native American fiction in a whole new world. A surrealistic revisiting of the Cherokee Removal, Riding the Trail of Tears takes us to north Georgia in the near future, into a virtual-reality tourist compound where customers ride the Trail of Tears, and into the world of Tallulah Wilson, a Cherokee woman who works there. When several tourists lose consciousness inside the ride, employees and customers at the compound come to believe, naturally, that a terrorist attack is imminent. Little does Tallulah know that Cherokee Little People have taken up residence in the virtual world and fully intend to change the ride’s programming to suit their own point of view. Told by a narrator who knows all but can hardly be trusted, in a story reflecting generations of experience while recalling the events in a single day of Tallulah’s life, this funny and poignant tale revises American history even as it offers a new way of thinking, both virtual and very real, about the past for both Native Americans and their Anglo counterparts.