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Displays of Jewish ritual objects in public, non-Jewish settings by Jews are a comparatively re-cent phenomenon. So too is the establishment of Jewish museums. This volume explores the origins of the Jewish Museum of New York and its evolution from collecting and displaying Jewish ritual objects, to Jewish art, to exhibiting avant-garde art devoid of Jewish content, created by non-Jews. Established within a rabbinic seminary, the museum’s formation and development reflect changes in Jewish society over the twentieth century as it grappled with choices between religion and secularism, particularism and universalism, and ethnic pride and assimilation.
The resurgence of ethnic consciousness over the past decade has had a profound effect on many Jewish artists, writers, performers, and the Jewish community at large. Surprisingly, however, Jewish identity remains one of the least explored terrains in contemporary discussions of multiculturalism and identity-based art. Too Jewish? takes a fresh, often confrontational and sometimes humorous, approach to newly considered representations of Jewish identity. This book, accompanied by a major exhibition at The Jewish Museum, New York, places the Jewish identity subjects in the recent art of such artists as Deborah Kass, Rona Pondick, Archie Rand, Elaine Reichek, Art Spiegelman, Hannah Wilke, and others within a larger continuum of influences ranging from nineteenth-century art history to twentieth-century media and pop culture. Essays by major writers explore the historic and scientific roots of the construction of the Jew's "otherness," assimilation strategies, and stereotypes inherent in past and present definitions of Jewish masculinity and femininity. The contributors include cultural critic Maurice Berger, sociologist Sander L. Gilman, playwright Tony Kushner, art theorist Rhonda Lieberman, art historian Margaret Olin, and anthropologist Riv-Ellen Prell. Renowned art historian Linda Nochlin provides a clever and highly personal foreword that captures her complicated reaction to the Hasidic-inspired clothing from Jean Paul Gaultier's Fall 1993 collection. The exhibition curator and editor of this work, Norman L. Kleeblatt, offers an insightful introduction on the complex history of post war Jewish identity and its impact on visual artists. This is a lively and provocative book that offers a unique critical perspective on Jewish identity, multiculturalism, or contemporary art.
By most accounts, Gidon Lev, born in 1935 in former Czechoslovakia, is an ordinary man - except for the fact that of the approximately 15,000 children who were imprisoned in the Nazi concentration camp of Terezin, only an estimated 92 survived. Gidon is one of those children. The True Adventures of Gidon Lev is the story of a charming, playful octogenarian Holocaust survivor, a Californian thirty years his junior and the writing of a book about a very long and storied life. With humor, humanity, and compassion, the story of Gidon Lev offers insights into carrying on despite a painful past, a primer on Jewish and Israeli history, and observations of both the ethos of the modern state of Israel and its conflict today and the opportunities that disaster can create. Weaving Gidon's valuable first-person recollections together with the cultural and historical backstory of time and place, Julie Gray invites readers inside the process of mining memories for truths and history for lessons.
In this heartfelt middle school drama, Hannah's schemes for throwing her own bat mitzvah unleash family secrets, create rivalries with best friends, and ultimately teach Hannah what being Jewish is all about. With a delicious mix of prose, poetry, and recipes, this hybrid novel is another fresh, thoughtful, and accessible Versify novel that is cookin’. - New York Times Best-Selling Author Kwame Alexander Hannah Malfa-Adler is Jew . . . ish. Not that she really thinks about it. She'd prefer to focus on her favorite pastime: baking delicious food! But when her best friend has a beyond-awesome Bat Mitzvah, Hannah starts to feel a little envious ...and a little left out. Despite her parents firm no, Hannah knows that if she can learn enough about her own faith, she can convince her friends that the party is still in motion. As the secrets mount, a few are bound to explode. When they do, Hannah learns that being Jewish isn't about having a big party and a fancy dress and a first kiss -- it's about actually being Jewish. Most importantly, Hannah realizes that the only person's permission she needs to be Jewish, is her own.
Movie-Made Jews focuses on a rich, usable American Jewish cinematic tradition. This tradition includes fiction and documentary films that make Jews through antisemitism, Holocaust indirection, and discontent with assimilation. It prominently features the unapologetic assertion of Jewishness, queerness, and alliances across race and religion. Author Helene Meyers shows that as we go to our local theater, attend a Jewish film festival, play a DVD, watch streaming videos, Jewishness becomes part of the multicultural mosaic rather than collapsing into a generic whiteness or being represented as a life apart. This engagingly-written book demonstrates that a Jewish movie is neither just a movie nor for Jews only. With incisive analysis, Movie-Made Jews challenges the assumption that American Jewish cinema is a cinema of impoverishment and assimilation. While it’s a truism that Jews make movies, this book brings into focus the diverse ways movies make Jews.
A Cultural History of Jewish Dress is the first comprehensive account of how Jews have been distinguished by their appearance from Ancient Israel to the present. For centuries Jews have dressed in distinctive ways to communicate their devotion to God, their religious identity, and the proper earthly roles of men and women. This lively work explores the rich history of Jewish dress, examining how Jews and non-Jews alike debated and legislated Jewish attire in different places, as well as outlining the big debates on dress within the Jewish community today. Focusing on tensions over gender, ethnic identity and assimilation, each chapter discusses the meaning and symbolism of a specific era or type of Jewish dress. What were biblical and rabbinic fashions? Why was clothing so important to immigrant Jews in America? Why do Hassidic Jews wear black? When did yarmulkes become bar mitzvah souvenirs? The book also offers the first analysis of how young Jewish adults today announce on caps, shirts, and even undergarments their striving to transform Jewishness from a religious and historical heritage into an ethnic identity that is hip, racy, and irreverent. Fascinating and accessibly written, A Cultural History of Jewish Dress will appeal to anybody interested in the central role of clothing in defining Jewish identity.
Explores the meaning of Jewishness in light of the increasing assimilation of America's Jews and suggests ways to preserve Jewish identity.
The past few decades have seen a remarkable surge in Jewish influences on American culture. Entertainers and artists such as Jerry Seinfeld, Adam Sandler, Allegra Goodman, and Tony Kushner have heralded new waves of television, film, literature, and theater; a major klezmer revival is under way; bagels are now as commonplace as pizza; and kabbalah has become as cool as crystals. Does this broad range of cultural expression accurately reflect what it means to be Jewish in America today? Bringing together fourteen new essays by leading scholars, You Should See Yourself examines the fluctuating representations of Jewishness in a variety of areas of popular culture and high art, including literature, the media, film, theater, music, dance, painting, photography, and comedy. Contributors explore the evolution that has taken place within these cultural forms and how we can best explain these changes. Are variations in our understanding of Jewishness the result of general phenomena such as multiculturalism, politics, and postmodernism, or are they the product of more specifically Jewish concerns such as the intermarriage/continuity crisis, religious renewal, and relations between the United States and Israel? Accessible to students and general readers alike, this volume takes an important step toward advancing the discussion of Jewish cultural influences in this country.
“In The Ruined House a ‘small harmless modicum of vanity’ turns into an apocalyptic bonfire. Shot through with humor and mystery and insight, Ruby Namdar's wonderful first novel examines how the real and the unreal merge. It's a daring study of madness, masculinity, myth-making and the human fragility that emerges in the mix." —Colum McCann, National Book Award-winning author of Let the Great World Spin Winner of the Sapir Prize, Israel’s highest literary award Picking up the mantle of legendary authors such as Saul Bellow and Philip Roth, an exquisite literary talent makes his debut with a nuanced and provocative tale of materialism, tradition, faith, and the search for meaning in contemporary American life. Andrew P. Cohen, a professor of comparative culture at New York University, is at the zenith of his life. Adored by his classes and published in prestigious literary magazines, he is about to receive a coveted promotion—the crowning achievement of an enviable career. He is on excellent terms with Linda, his ex-wife, and his two grown children admire and adore him. His girlfriend, Ann Lee, a former student half his age, offers lively companionship. A man of elevated taste, education, and culture, he is a model of urbanity and success. But the manicured surface of his world begins to crack when he is visited by a series of strange and inexplicable visions involving an ancient religious ritual that will upend his comfortable life. Beautiful, mesmerizing, and unsettling, The Ruined House unfolds over the course of one year, as Andrew’s world unravels and he is forced to question all his beliefs. Ruby Namdar’s brilliant novel embraces the themes of the American Jewish literary canon as it captures the privilege and pedantry of New York intellectual life in the opening years of the twenty-first century.
Partition--the idea of separating Jews and Arabs along ethnic or national lines--is a legacy at least as old as the Zionist-Palestinian conflict. Challenging the widespread "separatist imagination" behind partition, Gil Hochberg demonstrates the ways in which works of contemporary Jewish and Arab literature reject simple notions of separatism and instead display complex configurations of identity that emphasize the presence of alterity within the self--the Jew within the Arab, and the Arab within the Jew. In Spite of Partition examines Hebrew, Arabic, and French works that are largely unknown to English readers to reveal how, far from being independent, the signifiers "Jew" and "Arab" are inseparable. In a series of original close readings, Hochberg analyzes fascinating examples of such inseparability. In the Palestinian writer Anton Shammas's Hebrew novel Arabesques, the Israeli and Palestinian protagonists are a "schizophrenic pair" who "have not yet decided who is the ventriloquist of whom." And in the Moroccan Jewish writer Albert Swissa's Hebrew novel Aqud, the Moroccan-Israeli main character's identity is uneasily located between the "Moroccan Muslim boy he could have been" and the "Jewish Israeli boy he has become." Other examples draw attention to the intricate linguistic proximity of Hebrew and Arabic, the historical link between the traumatic memories of the Jewish Holocaust and the Palestinian Nakbah, and the libidinal ties that bind Jews and Arabs despite, or even because of, their current animosity.