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Stolen from her family as an infant, a prize-winning poet recounts her arduous journey to reconnect with the Aboriginal culture of her birth. In Too Afraid to Cry, Ali Cobby Eckermann—who was recently awarded the Windham-Campbell Prize, one of the most prestigious literary awards in the world—describes with searing detail the devastating effects of racist policies that tore apart Indigenous Australian communities and created the Stolen Generations of “adoptees,” Aboriginal children forcibly taken from their birth families. Told at first through the frank eyes of a child whose life was irretrievably changed after being “adopted” into a German Lutheran family, Too Afraid to Cry braids piercingly lyrical verse with spare prose to tell an intensely personal story of abuse and trauma. After years of suffering as a dark-skinned “outsider,” Eckermann reveals her courageous efforts to reconcile with her birth family and find acceptance within their Indigenous community. Too Afraid to Cry offers a mirror to America and Canada’s own dark history of coerced adoption of Native American children, and the violence inflicted on our continent’s Indigenous peoples.
Stolen from her family as an infant, a prize-winning poet recounts her arduous journey to reconnect with the Aboriginal culture of her birth. In Too Afraid to Cry, Ali Cobby Eckermann—who was recently awarded the Windham-Campbell Prize, one of the most prestigious literary awards in the world—describes with searing detail the devastating effects of racist policies that tore apart Indigenous Australian communities and created the Stolen Generations of “adoptees,” Aboriginal children forcibly taken from their birth families. Told at first through the frank eyes of a child whose life was irretrievably changed after being “adopted” into a German Lutheran family, Too Afraid to Cry braids piercingly lyrical verse with spare prose to tell an intensely personal story of abuse and trauma. After years of suffering as a dark-skinned “outsider,” Eckermann reveals her courageous efforts to reconcile with her birth family and find acceptance within their Indigenous community. Too Afraid to Cry offers a mirror to America and Canada’s own dark history of coerced adoption of Native American children, and the violence inflicted on our continent’s Indigenous peoples.
Too Afraid to Cry is a memoir that, in bare blunt prose and piercingly lyrical verse, gives witness to the human cost of policies that created the Stolen Generations of Indigenous people in Australia. It is a narrative of good and evil, terror and happiness, despair and courage. It is the story of a people profoundly wronged, told through the frank eyes of a child, and the troubled mind of that child as an adult, whose life was irretrievably changed by being tricked away from her family and adopted into a German Lutheran family. What makes this book sing is not only Ali Cobby Eckermann's strong and unique narrative voice and her ability to cut to the essence of things in her poetry, but also the astounding courage with which she leads the reader through the complex account of a life in free-fall and a journey to wholeness through reconnection with her birth family and its ageless culture and wisdom. This is a brave book, written by a woman who has faced her demons, transformed her suffering into a work of art, and found her true sitting place in the world.
[Ahmad's] "introduction is fiery and charismatic... This book encompasses the diversity of experience, with beautiful variations and stories that bicker back and forth." --Parul Sehgal, The New York Times The first global anthology of migration literature featuring works by Mohsin Hamid, Zadie Smith, Marjane Satrapi, Salman Rushdie, and Warsan Shire, with a foreword by Edwidge Danticat, author of Everything Inside A Penguin Classic Every year, three to four million people move to a new country. From war refugees to corporate expats, migrants constantly reshape their places of origin and arrival. This selection of works collected together for the first time brings together the most compelling literary depictions of migration. Organized in four parts (Departures, Arrivals, Generations, and Returns), The Penguin Book of Migration Literature conveys the intricacy of worldwide migration patterns, the diversity of immigrant experiences, and the commonalities among many of those diverse experiences. Ranging widely across the eighteenth through twenty-first centuries, across every continent of the earth, and across multiple literary genres, the anthology gives readers an understanding of our rapidly changing world, through the eyes of those at the center of that change. With thirty carefully selected poems, short stories, and excerpts spanning three hundred years and twenty-five countries, the collection brings together luminaries, emerging writers, and others who have earned a wide following in their home countries but have been less recognized in the Anglophone world. Editor of the volume Dohra Ahmad provides a contextual introduction, notes, and suggestions for further exploration.
"You people ... She was asking for it ... That's so gay ... Don't be a Jew ... My ex-girlfriend is crazy ... You'd be pretty if you lost weight ... You look good ... for your age ... These statements can be offensive to some people, but it is complicated to understand exactly why. It is often difficult to recognize the veiled racism, sexism, ableism, lookism, ageism, and other -isms that hide in our everyday language. From an early age, we learn and normalize many words and phrases that exclude groups of people and reinforce bias and social inequality. Our language expresses attitudes and beliefs that can reveal internalized discrimination, prejudice, and intolerance. Some words and phrases are considered to be offensive, even if we're not trying to be"--
A revelatory memoir about a young woman whose life was stolen when she was kidnapped in 1991 and remained an object of captivity for 18 years.
‘...an outstanding achievement that will, with its skill and elegance, deeply enrich Australian poetry and whoever reads it.’ Judges’ citation, 2013 NSW Premier’s Literary Award for Poetry. Ali Cobby Eckermann, a Yankunytjatjara/Kokatha poet, is at the forefront of Australian Indigenous poetry. Inside My Mother is both a political and personal collection, angry and tender, propelled by the need to remember, yet brimming with energy and vitality – qualities that distinguished her previous, prize-winning verse novel, Ruby Moonlight. Tributes to country, to her elders, and to the animals and spirits that inhabit the landscape, coupled with the rhythms of mourning and celebration that pulse through the poems, make this a moving and personal collection. Grief is deeply felt and vividly portrayed in poems such as ‘Inside My Mother’ and ‘Lament’. There is defiance and protest in ‘Clapsticks’ and ‘I Tell You True’. In the final section there is a marked generational shift as the elders begin to pass away and the poet as grandmother comes to accept her rightful place as matriarch.
Eleven-year-old Erin Merryn's life was transformed on the night she was sexually abused by her cousin, someone she loved and trusted. As the abuse continued, and as she was forced to see her abuser over and over again in social situations, she struggled with self-doubt, panic attacks, nightmares and the weight of whether or not to tell her terrible secret. It wasn't until a traumatic series of events showed her the cost of silence that she chose to speak out-in the process destroying both her family and the last of her innocence. Through her personal diary, written during the years of her abuse, Erin Merryn shares her journey through pain and confusion to inner strength and, ultimately, forgiveness. Raw, powerful and unflinchingly honest, Stolen Innocence is the inspiring story of one girl's struggle to become a woman, and a bright light on the pain and devastation of abuse. Stolen Innocence is written with conviction and clarity. [Erin Merryn] doesn't hold back, and I respect her honesty and openness...By the end of the book, I thought I was reading passages from a much older adult than a high school senior. Erin has grown into a strong, wise, intelligent, perceptive, spiritual, caring adult." —Susan Reedquist, The Children's Advocacy Center
Priscilla Musonda has no idea how she survived such a hard life, but she knows why. The survivor of a lifetime of sexual abuse, she has grown to serve as a beacon for other child victims. In Stolen Childhood, she shares chilling, detailed accounts of her life in Zambia as the sexual slave of her father. The abuse began when she was just five years old, and as a result, her relatives shunned her and predicted that she would never marry. She struggled to complete her education as the nightmare continued. As a teen, she was forced to marry her own father, a polygamist with three other wives. She bore him four childrenwho have also been shunned by her family. Desperate, she ran away to live on the streets. Her life was grim, but not as grim as the future they predicted for her. But Priscilla is a survivor, not a victim. She dreams of building a sanctuary, school, and psychosocial centre in Zambia. She shares her story with strong language and imagery, to help the reader truly understand what she went through. She wants to do everything she can to get others to take the claims of children seriously. Ten percent of the proceeds from the sale of her story will go to benefit the work of PSHAF.
Whose truth is the lie? Stay up all night reading the sensational psychological thriller that has readers obsessed, from the #1 New York Times bestselling author of Too Late and It Ends With Us. #1 New York Times Bestseller · USA Today Bestseller · Globe and Mail Bestseller · Publishers Weekly Bestseller Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night her family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her.