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"El Paso artist Tom Lea was commissioned by Life Magazine to paint the war as it was being experienced by U.S. and Allied soldiers, sailors, and airmen. Along with his sketchbook, Lea carried on these assignments his "record of work", a notebook in which he recorded observations and details on the images he hoped to create from the events he had seen." "Brendan M. Greeley, Jr. has collected virtually all of Tom Lea's firsthand accounts of his assignments for Life, along with his powerful sketches and unforgettable paintings, and placed them in context, along with photographs and research focusing on the people, places, and wartime events encountered by Tom Lea. Drawing on previously unpublished sources - the artist's diary, letters to the Texas historian J. Frank. Dobie, oral interviews, and archival materials from Texas and national collections - Greeley presents in The Two Thousand Yard Stare a uniquely comprehensive and sustained treatment of Lea's creative accomplishments during World War II." "This well-documented and astonishingly illustrated volume will fascinate those interested in the realistic depiction of war, in both images and words. Also a must-read for students, scholars, and collectors of the artist's work, The Two Thousand Yard Stare: Tom Lea's World War II is a brilliant compendium of the work and thought of one of America's most compelling painters and writers."--BOOK JACKET.
Published in conjunction with the exhibition "Tom Lea, Life Magazine, and World War II" (organized by the Tom Lea Institute with the National Museum of the Pacific War and The National World War II Museum), this catalogue features eyewitness reporting, in pictures and words, by the American painter and writer Tom Lea (1907-2001). With scholarly essays by Adair Margo and Melissa Renn, the book traces Lea's journey from El Paso, Texas, to various theatres of war from 1941 to 1945. Lea traveled over 100,000 miles for Life, embedded with soldiers, sailors, airmen, and marines, whose experiences he depicted. Lea was the most celebrated of Life's World War II artist-correspondents, and his paintings appeared in more than ten issues, recording in full-color spreads the convoys in the North Atlantic; life aboard the aircraft carrier Hornet; Stilwell's command in China; the marine landing on Peleliu in the Pacific; and military heroes of World War II. The exhibition highlights twenty-six of the eighty-three paintings Lea completed for Life, now housed in the US Army Center of Military History at Fort Belvoir, Virginia.
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
This book traces the history of American combat art from precolonial America to the end of the twentieth century.
One of Texas's true renaissance men, Tom Lea (1907-2001) was already a noted artist, muralist, and book illustrator when he published his first novel, The Brave Bulls, in 1949. This suspenseful story of bullfighting in Mexico, elegantly illustrated by the author, spent several weeks on the New York Times bestseller list and was hailed by Time magazine as the best first novel of the year. It also won the Carr P. Collins Award from the Texas Institute of Letters, went through numerous reprints and translations, and became a 1951 movie starring Mel Ferrer and Anthony Quinn.
After the bombing of Pearl Harbor, many artists sought ways to contribute to the war effort. Here is a compelling collection of paintings, drawings and sketches that provide a stunning record of life in the trenches, on the front lines and behind the scenes.
This paper focuses on the formulation of doctrine since World War II. In no comparable period in history have the dimensions of the battlefield been so altered by rapid technological changes. The need for the tactical doctrines of the Army to remain correspondingly abreast of these changes is thus more pressing than ever before. Future conflicts are not likely to develop in the leisurely fashions of the past where tactical doctrines could be refined on the battlefield itself. It is, therefore, imperative that we apprehend future problems with as much accuracy as possible. One means of doing so is to pay particular attention to the business of how the Army's doctrine has developed historically, with a view to improving methods of future development.
Winner of the American Library Association's Asian/Pacific American Award for Literature For readers of The Librarian Of Auschwitz, This Light Between Us is a powerfully affecting story of World War II about the unlikeliest of pen pals—a Japanese American boy and a French Jewish girl—as they fight to maintain hope in a time of war. “I remember visiting Manzanar and standing in the windswept plains where over ten thousand internees were once imprisoned, their voices cut off. I remember how much I wanted to write a story that did right by them. Hopefully this book delivers.”—Andrew Fukuda In 1935, ten-year-old Alex Maki from Bainbridge Island, Washington is disgusted when he’s forced to become pen pals with Charlie Lévy of Paris, France—a girl. He thought she was a boy. In spite of Alex’s reluctance, their letters continue to fly across the Atlantic—and along with them, the shared hopes and dreams of friendship. Until the Japanese attack on Pearl Harbor and the growing Nazi persecution of Jews force them to confront the darkest aspects of human nature. From the desolation of an internment camp on the plains of Manzanar to the horrors of Auschwitz and the devastation of European battlefields, the only thing they can hold onto are the memories of their letters. But nothing can dispel the light between them. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Shortlisted for the 2021 Baillie Gifford Prize for Non-Fiction Shortlisted for the 2021 Costa Biography Award The Sunday Times Best Book of the Year in Biography and Memoir A Financial Times Best Book of 2021 (Critics' Picks) The New Yorker, Best Books We Read in 2021 Times Literary Supplement Book of the Year 2021 A Guardian Best Book of the Year A reflection on "freedom" in a dramatic, beautifully written memoir of the end of Communism in the Balkans. For precocious 11-year-old Lea Ypi, Albania’s Soviet-style socialism held the promise of a preordained future, a guarantee of security among enthusiastic comrades. That is, until she found herself clinging to a stone statue of Joseph Stalin, newly beheaded by student protests. Communism had failed to deliver the promised utopia. One’s “biography”—class status and other associations long in the past—put strict boundaries around one’s individual future. When Lea’s parents spoke of relatives going to “university” or “graduating,” they were speaking of grave secrets Lea struggled to unveil. And when the early ’90s saw Albania and other Balkan countries exuberantly begin a transition to the “free market,” Western ideals of freedom delivered chaos: a dystopia of pyramid schemes, organized crime, and sex trafficking. With her elegant, intellectual, French-speaking grandmother; her radical-chic father; and her staunchly anti-socialist, Thatcherite mother to guide her through these disorienting times, Lea had a political education of the most colorful sort—here recounted with outstanding literary talent. Now one of the world’s most dynamic young political thinkers and a prominent leftist voice in the United Kingdom, Lea offers a fresh and invigorating perspective on the relation between the personal and the political, between values and identity, posing urgent questions about the cost of freedom.