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Told and Untold, published in association with the first US solo exhibition dedicated to Kati Horna (1912-2000), features photographs--some never before seen--displayed alongside the newspapers and magazines in which they circulated. Though she is now perhaps best known as a Surrealist, Horna often defined herself as collaborator with the press, a definition that encompassed not only her activities as a field photographer during the Spanish Civil War, but also her work as a layout artist and photomonteur for anarchist publications. From her early years in interwar Paris through her late work produced in Mexico, this publication offers a comprehensive overview of Horna's diverse practice, including her photographs, contact sheets, montaged cuttings and personal albums.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • NEW YORK TIMES BESTSELLER • In this beautifully written masterwork, the Pulitzer Prize–winnner and bestselling author of Caste chronicles one of the great untold stories of American history: the decades-long migration of black citizens who fled the South for northern and western cities, in search of a better life. From 1915 to 1970, this exodus of almost six million people changed the face of America. Wilkerson compares this epic migration to the migrations of other peoples in history. She interviewed more than a thousand people, and gained access to new data and official records, to write this definitive and vividly dramatic account of how these American journeys unfolded, altering our cities, our country, and ourselves. With stunning historical detail, Wilkerson tells this story through the lives of three unique individuals: Ida Mae Gladney, who in 1937 left sharecropping and prejudice in Mississippi for Chicago, where she achieved quiet blue-collar success and, in old age, voted for Barack Obama when he ran for an Illinois Senate seat; sharp and quick-tempered George Starling, who in 1945 fled Florida for Harlem, where he endangered his job fighting for civil rights, saw his family fall, and finally found peace in God; and Robert Foster, who left Louisiana in 1953 to pursue a medical career, the personal physician to Ray Charles as part of a glitteringly successful medical career, which allowed him to purchase a grand home where he often threw exuberant parties. Wilkerson brilliantly captures their first treacherous and exhausting cross-country trips by car and train and their new lives in colonies that grew into ghettos, as well as how they changed these cities with southern food, faith, and culture and improved them with discipline, drive, and hard work. Both a riveting microcosm and a major assessment, The Warmth of Other Suns is a bold, remarkable, and riveting work, a superb account of an “unrecognized immigration” within our own land. Through the breadth of its narrative, the beauty of the writing, the depth of its research, and the fullness of the people and lives portrayed herein, this book is destined to become a classic.
A history of audiobooks, from entertainment & rehabilitation for blinded World War I soldiers to a twenty-first-century competitive industry. Histories of the book often move straight from the codex to the digital screen. Left out of that familiar account are nearly 150 years of audio recordings. Recounting the fascinating history of audio-recorded literature, Matthew Rubery traces the path of innovation from Edison’s recitation of “Mary Had a Little Lamb” for his tinfoil phonograph in 1877, to the first novel-length talking books made for blinded World War I veterans, to today’s billion-dollar audiobook industry. The Untold Story of the Talking Book focuses on the social impact of audiobooks, not just the technological history, in telling a story of surprising and impassioned conflicts: from controversies over which books the Library of Congress selected to become talking books—yes to Kipling, no to Flaubert—to debates about what defines a reader. Delving into the vexed relationship between spoken and printed texts, Rubery argues that storytelling can be just as engaging with the ears as with the eyes, and that audiobooks deserve to be taken seriously. They are not mere derivatives of printed books but their own form of entertainment. We have come a long way from the era of sound recorded on wax cylinders, when people imagined one day hearing entire novels on mini-phonographs tucked inside their hats. Rubery tells the untold story of this incredible evolution and, in doing so, breaks from convention by treating audiobooks as a distinctively modern art form that has profoundly influenced the way we read. Praise for The Untold Story of the Talking Book “If audiobooks are relatively new to your world, you might wonder where they came from and where they’re going. And for general fans of the intersection of culture and technology, The Untold Story of the Talking Book is a fascinating read.” —Neil Steinberg, Chicago Sun-Times “[Rubery] explores 150 years of the audio format with an imminently accessible style, touching upon a wide range of interconnected topics . . . Through careful investigation of the co-development of formats within the publishing industry, Rubery shines a light on overlooked pioneers of audio . . . Rubery’s work succeeds in providing evidence to ‘move beyond the reductive debate’ on whether audiobooks really count as reading, and establishes the format’s rightful place in the literary family.” —Mary Burkey, Booklist (starred review)
In this second book in the Lynburn Legacy, the sorcerous roots of Sorry-in-the-Vale have been exposed. Now no one in the town is safe, and everyone has to choose sides. Will the townspeople (magical and not) become "owned" by the sorcerers who believe it is their right to rule? Or will it continue in a more modern vein, with the presence of the sorcerers playing a quieter--and much less violent--role. If Kami Glass has anything to say about it, evil will not win. Despite having given up her own piece of magic, she is determined to do everything she can to make a difference. And whether they want to or not, her circle of friends (and potential boyfriends) will not be able to help but follow her and go along with her unusual schemes and battle tactics.
Exploring the uncanny perception of depth in Tolkien's writing and world-building A Sense of Tales Untoldexamines the margins of J. R. R. Tolkien's work: the frames, edges, allusions, and borders between story and un-story and the spaces between vast ages and miniscule time periods. The untold tales that are simply implied or referenced in the text are essential to Tolkien's achievement in world-building, Peter Grybauskas argues, and counter the common but largely spurious image of Tolkien as a writer of bloated prose. Instead, A Sense of Tales Untold highlights Tolkien's restraint--his ability to check the pen to great effect. The book begins by identifying some of Tolkien's principal sources of inspiration and his contemporaries, then summarizes theories and practices of the literary impression of depth. The following chapters offer close readings of key untold tales in context, ranging from the shadowy legends at the margins of The Lord of the Rings to the nexus of tales concerning Túrin Turambar, the great tragic hero of the Elder Days. In his frequent retellings of the Túrin legend, Tolkien found a lifelong playground for experimentation with untold stories. "A story must be told or there'll be no story, yet it is the untold stories that are most moving," wrote Tolkien to his son during the composition of The Lord of the Rings, cutting straight to the heart of the tension between storytelling and world-building that animates his work. From the most straightforward form of an untold tale--an omission--to vast and tangled webs of allusions, Grybauskas highlights this tension. A Sense of Tales Untold engages with urgent questions about interpretation, adaptation, and authorial control, giving both general readers and specialists alike a fresh look at the source material of the ongoing "Tolkien phenomenon."
Told Untold is the story of struggles of a young ambitious university pass-out whose ambition and career both changed upside down with changed situations in his life. It is a work of humor that explores the challenges common to the students of his age and reiterates how talent and ambition of a middle class person are killed by the financial problems. Parmeshwar is a struggler who moves to various cities and places exploring various options and looking for a better living and is exploited. Parmeshwar is a young man who came to the Banaras Hindu University for his higher studies. He had his own plans and dreams about the place but after arrival, he finds different challenges and welcomes them in his own interesting way. The novel is one of the best works of humour written recently. Dr. Krishna Kumar Upadhyay, a Hindi teacher, has authored various other titles in Hindi language and literature. He has been a student of the Banaras Hindu University and most part of this work takes us through a journey to the BHU hostels and nearby places. His primary expertise is in the field of Hindi language. It not only displays his skills and expertise in the language but also his wise usage of the colloquial words to infuse the first hand feelings of the traditions and culture of the city. The usage of some local dialects of the city in the novella makes it all the more interesting and realistic.
The defining, behind-the-scenes chronicle of one of the most extraordinary, beloved, and dominant pop cultural entities in America’s history -- Marvel Comics – and the outsized personalities who made Marvel including Martin Goodman, Stan Lee, and Jack Kirby. “Sean Howe’s history of Marvel makes a compulsively readable, riotous and heartbreaking version of my favorite story, that of how a bunch of weirdoes changed the world…That it’s all true is just frosting on the cake.” —Jonathan Lethem For the first time, Marvel Comics tells the stories of the men who made Marvel: Martin Goodman, the self-made publisher who forayed into comics after a get-rich-quick tip in 1939, Stan Lee, the energetic editor who would shepherd the company through thick and thin for decades and Jack Kirby, the WWII veteran who would co-create Captain America in 1940 and, twenty years later, developed with Lee the bulk of the company’s marquee characters in a three-year frenzy. Incorporating more than one hundred original interviews with those who worked behind the scenes at Marvel over a seventy-year-span, Marvel Comics packs anecdotes and analysis into a gripping narrative of how a small group of people on the cusp of failure created one of the most enduring pop cultural forces in contemporary America.
WINNER OF THE PULITZER PRIZE • NEW YORK TIMES BESTSELLER • The epic, beloved novel of two boy geniuses dreaming up superheroes in New York’s Golden Age of comics, now with special bonus material by the author “It's absolutely gosh-wow, super-colossal—smart, funny, and a continual pleasure to read.”—The Washington Post Book World One of The New York Times’s 100 Best Books of the 21st Century • One of Entertainment Weekly’s 10 Best Books of the Decade • Finalist for the PEN/Faulkner Award, National Book Critics Circle Award, and Los Angeles Times Book Prize A “towering, swash-buckling thrill of a book” (Newsweek), hailed as Chabon’s “magnum opus” (The New York Review of Books), The Amazing Adventures of Kavalier & Clay is a triumph of originality, imagination, and storytelling, an exuberant, irresistible novel that begins in New York City in 1939. A young escape artist and budding magician named Joe Kavalier arrives on the doorstep of his cousin, Sammy Clay. While the long shadow of Hitler falls across Europe, America is happily in thrall to the Golden Age of comic books, and in a distant corner of Brooklyn, Sammy is looking for a way to cash in on the craze. He finds the ideal partner in the aloof, artistically gifted Joe, and together they embark on an adventure that takes them deep into the heart of Manhattan, and the heart of old-fashioned American ambition. From the shared fears, dreams, and desires of two teenage boys, they spin comic book tales of the heroic, fascist-fighting Escapist and the beautiful, mysterious Luna Moth, otherworldly mistress of the night. Climbing from the streets of Brooklyn to the top of the Empire State Building, Joe and Sammy carve out lives, and careers, as vivid as cyan and magenta ink. Spanning continents and eras, this superb book by one of America’s finest writers remains one of the defining novels of our modern American age. Winner of the Bay Area Book Reviewers Award and the New York Society Library Book Award
Nair ? Told & Untold is a collection of short stories that elevate the mundane happenings in everyday life. The protagonist, Mr. Nair, a typical Malayalee, takes on many avatars, some applaudable and others cringe-worthy. But in all these stories, he gains the reader’s sympathy as he tries to navi-gate the nooks and crannies of life’s journey. The author has a keen understanding of human na-ture. In simple prose, he captures snapshots of life which include an observant Mr. Nair who witnesses catastrophe unfold at the village tea shop, a frustrated Mr. Nair who gives driving les-sons to an impossible student, a possessive Mr. Nair who tries to protect his wife from the vulgar attentions of uncivilised men using public transport, an arrogant Mr. Nair who underestimates the shrewdness of his co-passenger and a submissive Mr. Nair who does his best to please his dog-fearing wife by promising to get rid of the stray dog menace in their colony. A perfect blend between satire and farce, this collection will endear you to its likeable characters. Above all, the stories will leave you chuckling no matter how serious you are.
Author of his own controversial unauthorized biography of Armand Hammer, Steve Weinberg here shows how a new generation of biographers is revealing the lives of powerful individuals in dramatic and important new ways. Trained as investigative journalists, today's writers have entered a domain once dominated by university scholars. Unlike their more academic predecessors, who often wrote nonjudgmental books on the public lives of long-dead individuals, these new biographers are willing to tackle such powerful, living subjects as Nancy Reagan, Henry Kissinger, Hugh Hefner, Pete Rose, and Fidel Castro. Few of these books are adoring. Without cooperation from their subjects, and sometimes under threat of lawsuit, these writers are probing into private lives and enabling readers to make up their own minds about public figures. Tracing the evolution of the craft of biography up to the present day, Weinberg draws on interviews with some of today's best biographers, as well as his own experience with the Hammer biography, to highlight the careers of some of the writers whose work exploded the boundaries of traditional biography. When Robert Caro became the first journalist to win a Pulitzer Prize for Biography for his book on Robert Moses, it marked the dawn of a new approach to the craft. Weinberg also explores the techniques of Philadelphia Inquirer journalists Donald Barlett and James Steele, whose jointly authored biographies of Howard Hughes and Nelson Rockefeller mark another sign of how far the genre of biography has come. The book is enriched by samples of investigative biography at its best, including a scathingly honest profile of the reigning queen of unauthorized biography, KittyKelley, and Calvin Trillin's fascinating New Yorker profile of the Miami Herald's inimitable police reporter Edna Buchanan. "The living of a life is more difficult than the chronicling of it, but the chronicling is certainly no simple task", writes Weinberg. "Telling somebody else's life fully, fairly, and compellingly is probably an impossible task. But it is important to keep pushing the limits of the possible". For writers, reviewers, publishers, and general readers, Telling the Untold Story is a fascinating look at how a new kind of biographer has forever changed our expectations of the genre and continues to push biography to exciting new limits.