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Film poster art and design from Japan is renowned as being among the most striking and dynamic in the world, with kanji logograms adding an extra dimension of graphic integration for the Western eye. TOKYO CINEGRAPHIX is a new high-quality book series which aims to represent some of the very best film posters created in Japan, both for indigenous films and also for foreign imports. Each volume includes 100 full-colour, full-page reproductions. TOKYO CINEGRAPHIX ONE showcases a range of horror and exploitation film posters created in Japan, ranging from indigenous sex and horror hybrids to classic American horror films and controversial Italian cine-nightmares of cannibals and war atrocities.
Film poster art and design from Japan is renowned as being among the most striking and dynamic in the world, with kanji logograms adding an extra dimension of graphic integration for the Western eye. TOKYO CINEGRAPHIX is a new high-quality book series which aims to represent some of the very best film posters created in Japan, both for indigenous films and also for foreign imports. Each volume includes 100 full-colour, full-page reproductions. TOKYO CINEGRAPHIX TWO focuses solely on Japanese cinema, and its infamous "bad girl" or "pinky violence" blend of sex and crime - from murdered strippers to female assassins, yakuza molls, delinquent highschool girls, sword-wielding female gamblers, killer prostitutes, female prisoners, girl gangs and tattooed she-bikers.
Film poster art and design from Japan is renowned as being among the most striking and dynamic in the world, with kanji logograms adding an extra dimension of graphic integration for the Western eye.TOKYO CINEGRAPHIX is a book series which aims to represent some of the very best film posters from Japan, both for indigenous films and also for foreign imports. Each volume includes 100 full-colour, full-page reproductions.TOKYO CINEGRAPHIX 3 showcases a range of sex, mondo and cult film posters from Japan, created for both home-grown "pink" erotic cinema and classic American and European exploitation movies.
Commemorating twenty years of manga, FEMME FATALE showcases of all of the full color artwork from New York Time's Best Selling artist Shuzo Oshimi. Featuring cover art, posters, promotional materials and never before translated comics, this is a definitive compilation of character art from one of the best known manga artists in the 21st Century. Concept art and promotional illustrations from FLOWERS OF EVIL, INSIDE MARI, DRIFTING NET CAFE and BLOOD ON THE RAILS are also included giving readers a deeper look into Oshimi's processes and artistic mind. This collection also includes dozens of never before published in English comic pages that are a must have for Oshimi completionists.
I Watched Them Eat Me Alive is the first installment of The Men's Adventure Library Journal, a series focusing on specific facets of the vintage men's adventure magazines stories, artwork, and history. Dedicated to exploring the lost world of vintage men's adventure magazines (aka MAMs), The Men's Adventure Library chronicles the mags' three decades on American newsstands, from the early 1950s through the mid-1970s. Mixing elements from many sources--early pulp fiction, detective stories and true crime, mystery and noir films, exotic travel magazines, celebrity scandal rags and bachelor mags--MAMs ratcheted up the tension and amped up the testosterone to create explosive, entertaining, and often outrageous reading for millions of American men. Though long extinct and mostly unseen for generations, their pervasive influence continues to shape some of the most popular and enduring pop culture tropes and trends. Curated by MAM historian/collector Robert Deis and writer Wyatt Doyle, The Men's Adventure Library reprints and provides context for classic MAM stories and artwork drawn from the mags' rich history of gonzo pulp, with releases available in full-color trade paperback and deluxe, expanded hardcover editions. Each volume is a vivid reminder that MAMs were extremely cool, unexpectedly influential, and still pack a bare-knuckle punch. Read 'em all...if you've got the guts!
Carnal Curses, Disfigured Dreams presents an illustrated, annotated and indexed filmography of all pre-war and immediately post-war Japanese films in the genres of horror, fantasy, science fiction, and weird mystery, and is the first English-language book to do so. Due to Japan's rich tradition of ghost stories, heroic legends and folkloric hierarchy of demonic yokai, an unusually large percentage of films made in the country's early years of film production were based on phantastic myths and supernaturally-driven narratives. By 1915, a new genre of ninjutsu ("secret combat techniques") films emerged, with many narratives involving shape-shifting and magic, giving rise to Japanese cinema's first wave of special-effects technicians. In the 1930s, low-budget exploitation companies such as Kyokuto and Zensho produced dozens of pulp horror movies, including a startling hybrid genre from Kyokuto which mixed samurai and robots. Zombies, vampires, mechanical men, mad scientists, monsters, killer apes, living statues, ghosts, demons - all the iconic figures of bizarre cinema can be found in Japan's early film output, filtered through that country's unique lens of culture and myth. Carnal Curses, Disfigured Dreams lists over 500 films in a detailed, chronological filmography, includes over 30 woodblock print illustrations, reproduces 65 extremely rare film production photographs and posters - most of which have never been published before, even in Japan - and concludes with an index of all films referenced in the text. Japanese Film Perspectives is a new series of historical studies based on new and original research, and anchored around never-before-seen photographic images.
Classic Italian film poster art is renowned as being among the most accomplished, creative and dynamic of its kind. From the post-war period through to the 1980s, Italian artists consistently produced posters with sumptuously stunning designs and imagery - not least in the horror and exploitation genres, for which compositions almost invariably included curvaceous female figures in jeopardy, juxtaposed with the iconography of fantasy and terror. VOLUPTUOUS TERRORS 2 collects 120 film posters by a wide range of acclaimed Italian artists, created for both indigenous and foreign-language film productions. Classic exploitation, pulp horror, and giallo movies all figure in full-color, full-page reproductions showcasing some of the world's most innovative and seductive poster design.
A sharp new comedy about female friendship from the creator of Princess Jellyfish! DON'T LOOK BACK Faced with the possibility that she might be pregnant, Kaori loses sight of what she wants from Ryo. With Koyuki sinking deeper into her affair and Rinko compromising on her dreams of a heart-pounding romance, it seems like the futures they envisioned in their twenties have never been more unattainable. Are they out of time after all?
Gunter Rambow is one of the designers in the area of visual communication and cultural advertising. He produced several photo books and posters at the Rambow & Lienemeyer graphic design studio. This book conveys his achievement in using the medium of the poster to create corporate designs for a spectrum of widely differing institutions.