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An evocative portrait of New York City in the 1940s and 1950s by master documentary photographer Todd Webb. I See a City: Todd Webb’s New York focuses on the work photographer Todd Webb produced in New York City in the 1940s and 1950s. Webb photographed the city day and night, in all seasons, and in all weather. Buildings, signage, vehicles, the passing throngs, isolated figures, curious eccentrics—from the Brooklyn Bridge to Harlem, this book is a rich portrait of the everyday life and architecture of New York. Webb’s work is focused and layered with light and shadow, capturing the soul of this city shaped by the friction and frisson of humanity. A native of Detroit, Webb studied photography in the 1930s under the guidance of Ansel Adams at the Detroit Camera Club, served as a navy photographer during World War II, and went on to become a successful postwar photographer. His work is in many museum collections, including the Museum of Modern Art in New York and the National Gallery of Art in Washington. This book, now available in a compact edition, helps contemporary audiences get to know a forgotten American artist and an ever-changing city.
Todd is an historian with a camera. He photographs subjects that interest him. Webb, through his camera, helps us to see the spirit of an age and of a place.
A photographic journey by one of the twentieth century’s great photographers through eight African countries on the cusp of independence post WWII. Todd Webb is largely known for his skillful photographic documentation of everyday life and architecture in cities, most notably New York and Paris, as well as his photographs of the American West. This new book showcases a different side of Webb’s work, taken from an assignment that brought him to eight African countries. In 1958, Webb was invited by the United Nations to document Togoland (now Togo), Ghana, Kenya, the Federation of Rhodesia and Nyasaland (now Zimbabwe, Zambia, and Malawi), Somaliland (now Somalia), Sudan, Tanganyika and Zanzibar (now merged as Tanzania) over a five-month assignment. Equipped with three cameras and briefed to document industrial progress, he returned with approximately fifteen hundred color negatives, but less than twenty of them were published, in black and white, by the United Nations Department of Public Information. The archive was then lost for over fifty years and was only rediscovered by the Todd Webb Archive in 2017. Todd Webb in Africa includes over 150 striking color photographs from Webb’s African United Nations assignment. This book, and an accompanying touring exhibition, provides expert insight into Webb’s images with contributions by both African and American scholars. Included essays engage the photographs in their historical and artistic moment, and provide crucial insight into the role of photography in visualizing national independence and ingrained imperialism.
Born in 1905, Webb began keeping a journal in 1946, the same year he moved to New York and took up photography in earnest. These memoirs document not only Webb's struggles as a young photographer, but also the heady atmosphere of New York in the forties and fifties. The many photographs, all in bandw, are simply magnificent. Annotation copyrighted by Book News, Inc., Portland, OR
The Texas Architectural Survey--Sponsored By the Amon Carter Museum of Western Art and the School of Architecture, the University of Texas.
Explore the life and work of a great twentieth-century photographer in this monograph and companion book to the eponymous PBS American Masters episode. This beautiful volume celebrates one of the twentieth century’s most important photographers, Dorothea Lange. Led off by an authoritative biographical essay by Elizabeth Partridge (Lange’s goddaughter), the book goes on to showcase Lange’s work in over a hundred glorious plates. Dorothea Lange is the only career-spanning monograph of this major photographer’s oeuvre in print, and features images ranging from her iconic Depression-era photograph “Migrant Mother” to lesser-known images from her global travels later in life. Presented as the companion book to a PBS American Masters episode that aired in 2014, this ebook offers an intimate and unparalleled view into the life and work of one of our most cherished documentary photographers. “In Dorothea Lange: Grab a Hunk of Lightning, Lange’s goddaughter Elizabeth Partridge, an accomplished and prolific author in her own right, presents a first-of-its-kind career-spanning monograph of the legendary photographer’s work, placing her most famous and enduring photographs in a biographical context that adds new dimension to these iconic images.” —Brain Pickings “Although she may be known best for her stirring portraits of Depression-era life, photojournalist Dorothea Lange had a career that spanned decades and continents. This new book was carefully curated by her goddaughter, Elizabeth Partridge, and represents the most comprehensive collection of Lange’s work to date.” —Reader’s Digest.com
Photographic documentary of Georgia O'Keeffe's life and the Southwest landscape and artifacts that fill her compositions.
In this installment of The Photography Workshop Series, Todd Hido explores the genres of landscape, interior and nude photography, with emphasis on creating images from a personal perspective and with a sense of intimacy. Aperture Foundation works with the world's top photographers to distill their creative approaches to, teachings on, and insights into photography--offering the workshop experience in a book. Our goal is to inspire photographers at all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Each book features the creative process and core thinking of a photographer told in their own words and through pictures of their choosing, and is introduced by a well-known student of the featured photographer. Through words and photographs, Hido offers insight into his own practice and discusses a wide range of creative issues, including mining one's own memory and experience as inspiration; using light, texture and detail for greater impact; exploring the narrative potential activated when sequencing images; and creating powerful stories with emotional weight and beauty.
Short essays by photographers describing the photographs they didn't take, and why.
(From table of contents)Foreword /Kathleen Stewart Howe --Introduction:Time and space--the work of Todd Gray /Rebecca McGrew and Hannah Grossman --Todd Gray: composite stranger /Nana Adusei-Poku --Conversation with Todd Gray /Carrie Mae Weems --Relocating the fragments: the kaleidoscopic vision of Todd Gray /M. Neelika Jayawardane --Image plates --Artist's biography /Todd Gray --Longing on a large scale /Nana Adusei-Poku --Exhibition checklist --Contributors' biographies.