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This is the most complete wild-flower book for Arkansas and also has great interest for surrounding states. Six-hundred species are described, accompanied by hundreds of color photographs. Text for each species appears next to its photograph for easy identification. The eight plant families represented are described as well as the structure of flowers and plants and the physiographic regions of Arkansas. The book also includes a glossary of scientific terms and an index for all species.
What do Scott Joplin, John Grisham, Gen. Douglas MacArthur, Maya Angelou, Brooks Robinson, Helen Gurley Brown, Johnny Cash, Alan Ladd, and Sonny Boy Williamson have in common? They’re all Arkansans. What do hillbillies, rednecks, slow trains, bare feet, moonshine, and double-wides have in common? For many in America these represent Arkansas more than any Arkansas success stories do. In 1931 H. L. Mencken described AR (not AK, folks) as the “apex of moronia.” While, in 1942 a Time magazine article said Arkansas had “developed a mass inferiority complex unique in American history.” Arkansas/Arkansaw is the first book to explain how Arkansas’s image began and how the popular culture stereotypes have been perpetuated and altered through succeeding generations. Brooks Blevins argues that the image has not always been a bad one. He discusses travel accounts, literature, radio programs, movies, and television shows that give a very positive image of the Natural State. From territorial accounts of the Creole inhabitants of the Mississippi River Valley to national derision of the state’s triple-wide governor’s mansion to Li’l Abner, the Beverly Hillbillies, and Slingblade, Blevins leads readers on an entertaining and insightful tour through more than two centuries of the idea of Arkansas. One discovers along the way how one state becomes simultaneously a punch line and a source of admiration for progressives and social critics alike. Winner, 2011 Ragsdale Award
Few possessions are as highly prized by duck hunters as their favorite calls. Enabling the hunter to attract waterfowl by mimicking their sounds, the skillfully crafted and highly individualized calls are revered for the craftsmanship and rich history associated with this uniquely American art form. In this book, avid Arkansas duck call collector Mike Lewis chronicles the history of Arkansas duck call making and captures the spirit of over fifty renowned call makers. He recounts how Arkansas artisans dominated the early market and continued to influence the design and refinement of the modern duck call through the vivid combination of images and stories. He traces the evolution of call design from 1890 to 2017, featuring the work of call makers whose contributions of handcrafted duck calls are highly regarded as among the most prized in the world. Lewis includes over three hundred call makers and over seven hundred photographs that facilitate identification of the calls.