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The West is entering its final phase, like the fall of Rome or the Late Merchant Phase of the various Chinese empires. It is slowly grinding to a halt as the inevitable problems multiply, with no obvious will to counter the decline. One man dreams of humanity becoming a multiplanet species in the hope of preserving the basics of human knowledge through the coming dark ages. The Great Powers have turned inward, and there is little political will for further space exploration. Funding is minimal, and technological innovation has slowed dramatically. He uses his skills as a fighter to fund his dreams and is, for a time, the heavyweight champion. Using his notoriety, he slowly gathers friends, seeking to find those who can make the dream a reality. Manon, who claws her way up from nothing to wealth; Elizabeth, the miner turned politician; and others help fund the space project. They set up a foundation to search for scientific geniuses in the most unlikely places, looking for children who perhaps can make the journey into space possible, but it is not clear that Earth has any interest in returning to the high frontier. Against a background of indifference, competing interests, and active discouragement, they do manage to establish small independent colonies on the moon and Mars; but the odds are great, protection is difficult, and long-term success is by no means assured. And there are malevolent forces moving in the world.
The development of fusion power in the small colony established on Mars leads to an explosive outward emigration from Earth to the moons of the solar system. On Earth, increasing civil unrest in Europe has led to the election to positions of authority of three strong women: Leda in Germany, Madeleine in France, and La Marquesa in Spain. With the assistance of others—including Tomiko from Japan and Hinchcliffe, with her paramilitary organization, the Legion—order is restored, at least temporarily. The lives, loves, and deaths of these women are set against a world of conflict, hope, and despair, as they struggle to maintain civilization and allow further immigration to the high frontier in the face of malevolent opposition forces.
The majority of this book is an insider's account of the US Space Shuttle program, including the unforgettable experience of launch, the delights of weightless living, and the challenges of constructing the International Space Station. Ross is a uniquely qualified narrator. During seven spaceflights, he spent 1,393 hours in space, including 58 hours and 18 minutes on nine space walks. Life on the ground is also described, including the devastating experiences of the Challenger and Columbia disasters. --
"The Aviators is the true story of Eddie Rickenbacker, Jimmy doolittle, and Charles Lindberg - - three extraordinary Americans who betwee World War I and World War II pushed the limits of flights and redefined heroism through their genius, daring, and uncommon courage. Winston Groom's rich narrative tells their intertwined stories - - from broken homes to Medals of Honor (all three would receive them) ; barnstorming to the greatest raid of World War II; front-page triumph to anguished tragedy ; and near death to ultimate survival - - as all took to the sky, time and again, to become exemplars of the spirit of the "greatest generation."--Back cover.
Setting the stage : technology and the series book -- Birdmen and boys, 1905-1915 -- Aces and combat : World War I and after, 1915-1935 -- Interlude : Charles A. Lindbergh and Atlantic flight, 1927-1929 -- The golden age, I : the Lindbergh progeny, 1927-1939 -- The golden age, II : the air-minded society, 1930-1939 -- World War II and modern aviation, 1939-1945 -- Aftermath : a-bombs, rockets, and space flight, 1945-1950.
Performing Flight sheds new light on moments in the history of US aviation and spaceflight through the lens of performance studies. From pioneering aviator Bessie Coleman to the emerging industry of space tourism, performance has consistently shaped public perception of the enterprise of flight and has guaranteed its success as a mode of entertainment, travel, research, and warfare. The book reveals fundamental connections between performance and human aviation and space travel over the past 100 years, beginning with the early aerial entertainers known as barnstormers (named after itinerant 19th century theater troupes) to the performative history of the Enola Gay and its pilot Paul Tibbets, who dropped the bomb on Hiroshima, thus ushering in the atomic age. The book also explores the phenomenon of “the pilot voice”; the creation of the American Astronaut, on whose performative success the Cold War, the Space Race, and funding of the US Space Program all depended; and the performative strategies employed to cement notions of space tourism as both manifest destiny and an escape route from a failed planet. A final chapter addresses the four hijacked flights of 9/11 and their representations in discourse and in memorials. Performing Flight effectively and imaginatively demonstrates the ways in which performance and flight in the United States have been inextricably linked for more than a century.
Arranged chronologically and in counterpoint, this unique book samples all conceivable forms of oral and written documentation to illuminate the United States' involvement in its longest and most divisive war. From foot soldiers to generals, politicians to protesters, hawks and doves, their attitudes and experiences are graphically revealed.
This book introduces the reader to Artificial Intelligence and its importance to our future. Campbell uses behavioural psychology, explores technology, economics, real-life and historical examples to predict five future scenarios with AI. Illustrating through speculative fiction, she describes possible futures after AI exceeds human capabilities. We are at a tipping point in history and must plan to ensure a successful co-existence with artificial intelligence. This book explains how to design for a future with AI so that, rather than herald our downfall, it helps us achieve a new renaissance.