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In 1787, the United States boldly stepped forward in the glorious light provided by their unique new constitution. The confidence of the citizenry blossomed. The economy expanded in the assurance that one's labor was one's own. The nation became invigorated. The transformation was miraculous! The nations of the world stood in awe of the newfound strength and hope of this free land. In the twenty-first century, America is in need of a miracle. The United States Constitution is again that miracle. It must be applied as vigorously and purely as it was in the beginning. Today's national challenges can be traced to a divergence from the original intent put forth in the United States Constitution. Statesmen of the caliber of the American founders must be raised up. The timeless wisdom that established the United States must again be vigorously applied. The foundational Americanist principles must be learned, understood, and embraced. The results will be as they were in the beginning. America may become again the freest, most prosperous, most respected, and happiest nation on earth. It is the intention of this lecture series to begin that restoration.
South Sudan became independent in 2011 after decades of rebel wars with the Government of Sudan. Independence prompted discussions about South Sudanese identity and shared history, in which material objects and cultural heritage featured as vitally important resources. However, the long-term effects of colonialism and conflict had largely precluded any concerted attempts to preserve material culture within the country; museums remained in Khartoum, the capital of the formally united Sudan. Furthermore, tens of thousands of objects had been removed from what is now South Sudan during the nineteenth and twentieth centuries to museum and private collections around the world.Up to now there have been few attempts to reconnect the history of these South Sudanese museum collections with people in or from South Sudan. Pieces of a Nation is the first extended study of South Sudanese material cultural heritage in museum collections and beyond.The chapters discuss a range of different objects and practices - from museum objects taken from South Sudan in the context of enslavement and colonialism in the nineteenth and twentieth centuries to efforts by South Sudanese to preserve their country's cultural heritage during recent conflicts.With essays by 32 contributors in Europe, South Sudan, Uganda, and Australia, this book delivers a unique range of perspectives on museum objects from South Sudan and on heritage practices in the country and among its diaspora. Written by curators, academics, heritage professionals, and artists in accessible and engaging style, it is intended for scholars, museum professionals, and a wide range of individuals interested in South Sudan, African arts and cultures, the history of museum collecting and colonialism, and/or the role of material heritage in peacebuilding and refugee contexts.At a time of widespread, prominent debates over the provenance of museum collections from Africa and calls for restitution, this book provides an in-depth empirical study of the circumstances and practices that led to South Sudanese objects entering foreign museum collections and the importance of these objects in South Sudan and around the world today.
The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.