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She takes my breath away; she is so beautifully damaged. Yes, I had broken her, ravished her life and destroyed her happiness. I brought her to the ultimate despair. I was responsible for all the pain and suffering that now brought her to her knees in front of me. Broken. Hopeless. Reckless in her agony. She is a mirror of my own tortured soul. But what I took away I can give back, in ways she cannot even begin to imagine. She is everything right in all my wrongs. She loves me. She needs me. She has no idea I’m the one who wrecked her life.
He calls it fate. She calls it blackmail. Rory has a secret: she's the vandal who paints graffiti lions all over her small town. If her policeman dad knew, he'd probably disown her. So when Hayes, a former screw-up on the path to recovery, catches her in the act, Rory's sure she's busted. Instead, he makes her a deal. If Rory shows him around town, he won't turn her in. It might be coercion, but at least the boy is hot. As they spend more time together, Rory worries she made the wrong choice. Hayes has a way of making her want things she shouldn't want and feel emotions she's tried to bury. Rory's going to have to distance herself from Hayes or confront a secret she can't bring herself to face...
An astonishing novel of epic ambition, Vandal Love—winner of the prestigious Commonwealth Writers’ Prize for best first book in 2007—follows generations of a unique French-Canadian family across North America and through the twentieth century. A family curse—a genetic trick resulting from centuries of hardship—causes the Hervé children to be born either giants or runts. Book One follows the giants’ line, exploring Jude Hervé’s career as a boxer in Georgia and Louisiana in the 1960s, his escape from that brutal life alone with his baby daughter Isa, and her eventual decision to enter into a strange, chaste marriage with a much older man. Book Two traces a different kind of life entirely, as the runts of the family discover that their power lies in a kind of unifying love. François seeks the identity of his missing father for years, while his own son, Harvey, flees from modern society into spiritual quests. But none of the Hervés can abandon their longing for a place where they might find others like themselves. In assured and mystically powerful prose, Deni Y. Béchard tells a wide-ranging, spellbinding story of a family trying to create an identity in an unwelcoming landscape. Imbued throughout with a deep sensitivity to the physical world, Vandal Love is a breathtaking literary debut about the power of love to create and destroy—in our lives, and in our history.
When Storm and Evie fall in love they find that there is much to contend with.
Emersyn Sharpe doesn't belong in our worldIn fact, the very last place she should be is with us. But someone is hurting her. We've all seen it. We tried to ignore the warning signs. We tried to trust the people around her. We tried to believe in her world.Too late.When she nearly died in front of us, we had to act.We took her. She doesn't belong in our world, but I'll be damned if someone lays a finger on her under my watch.I'll kill them first.Now that she's here... I don't know if I can let her leave.I'm Jasper Horan, anyone who tries to take her will have to go through me and my boys. You've been warned.SAVAGE VANDAL is a full length mature college/new adult romance with enemies-to-lovers/love-hate themes. This is a reverse harem novel, meaning the main character has more than one love interest. This is book one in the series.
For a man who liked being called the American, Mark Twain spent a surprising amount of time outside the continental United States. Biographer Roy Morris, Jr., focuses on the dozen years Twain spent overseas and on the popular travel books—The Innocents Abroad, A Tramp Abroad, and Following the Equator—he wrote about his adventures. Unintimidated by Old World sophistication and unafraid to travel to less developed parts of the globe, Twain encouraged American readers to follow him around the world at the dawn of mass tourism, when advances in transportation made leisure travel possible for an emerging middle class. In so doing, he helped lead Americans into the twentieth century and guided them toward more cosmopolitan views. In his first book, The Innocents Abroad (1869), Twain introduced readers to the “American Vandal,” a brash, unapologetic visitor to foreign lands, unimpressed with the local ambiance but eager to appropriate any souvenir that could be carried off. He adopted this persona throughout his career, even after he grew into an international celebrity who dined with the German Kaiser, traded quips with the king of England, gossiped with the Austrian emperor, and negotiated with the president of Transvaal for the release of war prisoners. American Vandal presents an unfamiliar Twain: not the bred-in-the-bone Midwesterner we associate with Huck Finn and Tom Sawyer but a global citizen whose exposure to other peoples and places influenced his evolving positions on race, war, and imperialism, as both he and America emerged on the world stage.
The First General History in English of the Germanic People Who Sacked Rome in the Fifth Century AD and Established a Kingdom in North Africa One of the most fascinating of late antiquity were the Vandals, who over a period of six hundred years had migrated from the woodland regions of Scandinavia across Europe and ended in the deserts of North Africa. In A History of the Vandals, the first general account in English covering the entire story of the Vandals from their emergence to the end of their kingdom, historian Torsten Cumberland Jacobsen pieces together what we know about the Vandals, sifting fact from fiction.
I have a secret. A deep and painful secret that has been feasting on my insides. Clawing at my heart and lacerating it in a slow and painful agony. If Wyatt thinks that he can just walk into my life and rattle things up, he's got another thing coming. He's nothing to me. Scum. Dirt. As good as dead. You see, I have a secret, but so does he. It's my turn to get my revenge, and I can already taste the sweetness on the tip of my tongue. No questions asked. My secret stays mine. His, however, is about to go up in flames. I'll love nothing more than to watch him burn. He better look out, because this vandal is about to paint his world blood red. Vandal is an MM romance with hate speech and content that may be uncomfortable for some readers. While each book in the series ends with an HEA, this is NOT a standlone and the series must be read in order. Start the series with Striker: A Dark Bully Romance.
DESCRIBE YOUR IDEAL PARTNER: Caring. Hard-working. A devoted family man, loves kids. Clean cut, funny, smart, quiet, but a good communicator. ~ Asia Jenson DESCRIBE YOUR IDEAL PARTNER: Independent. Tall, blonde, sexy. Outgoing. Intelligent, neat. Unslutty. Confident. Loves to travel. Committed. ~ Talon Valentine A SOCIAL EXPERIMENT. The concept was scary but exciting... Marry a total stranger. Live together for six months. Journal everything. (Feelings. Fights. All of it.) After six months, we each get $50K in trade for our journals, whether we stay married or not. But the goal is to commit to the experience and see if the relationship experts could put together the perfect matches. I have never been lucky in love. This was my chance to find my soulmate. I couldn't wait to meet the man the experts felt was perfect for me. My hopes were immediately dashed when I saw him at the altar. Shit. I married my worst nightmare. Right?!
"Shepard Fairey Inc. - Artist/Professional/Vandal, is the first treatment of his extraordinary domain that is not an authorized product of his studio. From clothing and advertising to the world of fine art, the reach of this "street artist" extends to all aspects of society; yet given his great success, he is also the target of critics and detractors. He has challenged conventions, formulas, paradigms, and traditional borders that make many uncomfortable, spurring consistent debate over the legitimacy of his artwork, the authenticity of his background, and the ethics of his design processes. By reflecting on the many layers of being an antimodern artist, we learn much about both the current state of the art world and Fairey's influence on it. Featuring a wide variety of remarkable color photographs and a foreword by Robbie Conal, Shepard Fairey Inc. gives us a fresh, objective understanding of the work of this astonishing artist"--Provided by publisher.