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Devastated by her husband’s death, Earth-based biologist Yoshiko Sunadomari journeys to the paradise world of Fulgar to see her estranged son in the hope of bridging the gulf between them. But Tetsuo is in trouble. His expertise in mu-space technology and family links with the mysterious Pilots have ensured his survival — so far. Now he’s in way over his head — unwittingly caught up in a conspiracy of illegal tech-trafficking and corruption, and in the sinister machinations of one of Fulgar’s ruling elite: the charismatic Luculentus, Rafael Garcia de la Vega. When his home is attacked, Tetsuo flees to the planet’s unterraformed wastes, home to society’s outcasts and eco-terrorists. So Yoshiko arrives on Fulgar to discover Tetsuo gone ... and wanted for murder. Ill at ease in this strange, stratified new world seething with social and political unrest but desperate to find her son and clear his name, she embarks on a course of action that will bring her face to face with the awesome, malevolent mind of Rafael.
Through poetry and art, the author and illustrator enter the magical mystical world of a child's imagination. Originally written for oratorio by composer Derek Holman and first performed in Toronto in celebration of the millennium.
Poetry. There is something wondrously imponderable about the title of Nancy Botkin's latest poetry collection: the next infinity. What would that be like, the something that comes after everything? After negotiating one's way through religion, through the legacy and loss of parents, through a past receding "small and dim" as the memories of scratchy songs on an AM car radio, through moments fleeting like "ice cream melting faster than we could eat it." At another point she observes, "I'm starting to wonder if I'm in this poem / all by myself." A bit later, in the same poem, she asks "if we are keepers of our own asylum." By unpacking the experience of radical isolation in such unflinching terms, Botkins reveals how we are each our own infinity. And because we share this, we are not so alone after all. It's a lot to think about, and at times she acts as if she'd rather not: "My brain is even less inviting / when it's wild with dark birds flitting / through its spangled hallways." Perhaps less inviting to Botkin, but it is a blessing to her readers who join with those birds flitting through the hallway of her rich imagination. The final image of the book is a cosmic parlor trick, and perhaps that is all life is. And if so, these poems assure us, that's enough.
Though he would never openly admit it, Orion Alsephina is constantly fighting battles against his mind. Growing up is never easy, and for him, it's a whole another adventure. With the date of his High School graduation growing nearer, he finds himself sinking deeper and deeper into the darkness, petrified of letting go—of the outside world and all that it has to give. Enter the quirky, angst-ridden Autumn Carmichael who is hell bent on sticking to him like a second skin. (Mostly figuratively) There's a thin line between sanity and mania, and the both of them soon discover themselves pushing the boundaries of that line. As they navigate each other's complicated lives, they find themselves falling deeper into the pit of sadness and despair. But despite what they think, the Universe has a lovely surprise for them. A surprise that just might make everything a little bit more bearable.
Milton is an epic poem by William Blake, written and illustrated between 1804 and 1810. Its hero is John Milton, who returns from Heaven and unites with Blake to explore the relationship between living writers and their predecessors, and to undergo a mystical journey to correct his own spiritual errors. William Blake (28 November 1757 – 12 August 1827) was a poet, painter, visionary mystic, and engraver. During his life the prophetic message of his writings were understood by few and misunderstood by many. However Blake is now widely admired for his soulful originality and lofty imagination. The poetry of William Blake is far reaching in its scope and range of experience. The poems of William Blake can offer a profound symbolism and also a delightful childlike innocence. Whatever the inner meaning of Blake's poetry we can easily appreciate the beautiful language and lyrical quality of his poetic vision.
From bestselling author of The Book of Delights and award-winning poet, a book of lyrical mini-essays celebrating the everyday that will inspire readers to rediscover the joys in the world around us. In Ross Gay’s new collection of small, daily wonders, again written over the course of a year, one of America’s most original voices continues his ongoing investigation of delight. For Gay, what delights us is what connects us, what gives us meaning, from the joy of hearing a nostalgic song blasting from a passing car to the pleasure of refusing the “nefarious” scannable QR code menus, from the tiny dog he fell hard for to his mother baking a dozen kinds of cookies for her grandchildren. As always, Gay revels in the natural world—sweet potatoes being harvested, a hummingbird carousing in the beebalm, a sunflower growing out of a wall around the cemetery, the shared bounty from a neighbor’s fig tree—and the trillion mysterious ways this glorious earth delights us. The Book of (More) Delights is a volume to savor and share.
William Blake is one of England’s most fascinating writers; he was not only a groundbreaking poet, but also a painter, engraver, radical, and mystic. Although Blake was dismissed as an eccentric by his contemporaries, his powerful and richly symbolic poetry has been a fertile source of inspiration to the many writers and artists who have followed in his footsteps. In this collection Patti Smith brings together her personal favorites of Blake’s poems, including the complete Songs of Innocence and Songs of Experience, to give a singular picture of this unique genius, whom she calls in her moving introduction “the spiritual ancestor” of generations of poets.
One of O, The Oprah Magazine’s Ten Best Books of the Year The New York Times bestselling collection of essays from beloved poet, Mary Oliver. “There's hardly a page in my copy of Upstream that isn't folded down or underlined and scribbled on, so charged is Oliver's language . . .” —Maureen Corrigan, NPR’s Fresh Air “Uniting essays from Oliver’s previous books and elsewhere, this gem of a collection offers a compelling synthesis of the poet’s thoughts on the natural, spiritual and artistic worlds . . .” —The New York Times “In the beginning I was so young and such a stranger to myself I hardly existed. I had to go out into the world and see it and hear it and react to it, before I knew at all who I was, what I was, what I wanted to be.” So begins Upstream, a collection of essays in which revered poet Mary Oliver reflects on her willingness, as a young child and as an adult, to lose herself within the beauty and mysteries of both the natural world and the world of literature. Emphasizing the significance of her childhood “friend” Walt Whitman, through whose work she first understood that a poem is a temple, “a place to enter, and in which to feel,” and who encouraged her to vanish into the world of her writing, Oliver meditates on the forces that allowed her to create a life for herself out of work and love. As she writes, “I could not be a poet without the natural world. Someone else could. But not me. For me the door to the woods is the door to the temple.” Upstream follows Oliver as she contemplates the pleasure of artistic labor, her boundless curiosity for the flora and fauna that surround her, and the responsibility she has inherited from Shelley, Wordsworth, Emerson, Poe, and Frost, the great thinkers and writers of the past, to live thoughtfully, intelligently, and to observe with passion. Throughout this collection, Oliver positions not just herself upstream but us as well as she encourages us all to keep moving, to lose ourselves in the awe of the unknown, and to give power and time to the creative and whimsical urges that live within us.