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"Girard fuses literary, psychological, and anthropological texts in order to view the activity of mimesis. This includes the phenomena of scapegoating, victimage, and sacrifice. They, in turn, serve as starting points for a breathtakingly daring and encompassing theory of the origins of human culture. In an era of interdisciplinary studies, this volume stands alone."--"Choice."
Offers information and resources for remaking one's life in a rural setting.
Hayles’s point is that the almost simultaneous appearance of interest in complex systems across many disciplines―physics, mathematics, biology, information theory, literature, literary theory―signals a profound paradigm and epistemological shift. She calls the new paradigm ‘orderly disorder.’ This is a timely, informative, and enormously thought-provoking book. — Nancy Craig Simmons ― American Literature N. Katherine Hayles here investigates parallels between contemporary literature and critical theory and the science of chaos. She finds in both scientific and literary discourse new interpretations of chaos, which is seen no longer as disorder but as a locus of maximum information and complexity. She examines structures and themes of disorder in The Education of Henry Adams, Doris Lessing’s Golden Notebook, and works by Stanislaw Lem. Hayles shows how the writings of poststructuralist theorists including Barthes, Lyotard, Derrida, Serres, and de Man incorporate central features of chaos theory.
This collection takes its title from 'Romeo and Juliet' (4.1.21.) when, meeting Paris in Friar Lawrence's cell, Juliet muses, What must be shall be, and the Friar completes her line with, That's a certain text. Where text means a received truth both Friar Lawrence and Clayton are interested skeptics. This essays gathered here reflect this attitude, questioning received ideas about the activities to which Clayton has devoted his professional life- literary editing and the close reading of literary works.
This book argues that play offered Hamlet, John Donne, George Herbert, Andrew Marvell, Robert Burton, and Sir Thomas Browne a way to live within the contradictions and conflicts of late Renaissance life by providing a new stance for the self. Grounding its argument in recent theories of play and in a historical analysis that sees the seventeenth century as a point of crisis in the formation of the western self, the author demonstrates how play helped mediate this crisis and how central texts of the period enact this mediation.
Sent to Brazil to check on Jeremy's Aunt Katharine's investment in an island resort, Jeremy, Carlo, and their bodyguard, Arthur, run into trouble.
Love and death -- Kafka on the Tiber -- The protected section -- Justice -- Epilogue.
A DIY book making guide that repurposes easily-found items into handcrafted books, perfect for gift giving. Re-Bound is a beautiful book on bookbinding with a fun green twist—all the projects use recycled and upcycled materials. This book shows you how to take everyday materials from around the house, flea markets, thrift stores, and hardware stores and turn them into clever and eye-catching hand-made books.
The first installment in a sexy new paranormal romance series by Larissa Ione, author of the bestselling Demonica series! Nicole Martin was only eight years old when she narrowly survived a massacre: her family’s vampire slaves rebelled and killed everyone in her household. Twenty years later, Nicole now dedicates herself to finding a vaccine against vampirism…and eradicating the gruesome memories that give her nightmares. Riker, a member of the wild vampire Moon Clan, is haunted by his own demons—his wife Lorraine had been captured and enslaved by the Martin family. It was during a botched escape attempt that she was killed, along with their unborn child. Still wracked with grief and anger, Riker is now fueled solely by the desire to rescue vampire slaves…and slaughter their owners. When Riker stumbles upon Nicole in a chance meeting, he immediately recognizes her as a member of the Martin family that once enslaved his wife—and she recognizes him as the wild vampire she saw kissing a pregnant slave in the moments before her violent death—an image that has haunted her dreams for years. When Riker kidnaps Nicole and they spend a night together in a cave on the way back to his clan, suddenly they begin to realize that they aren’t as different from one another as they may have thought—and they’re finding themselves drawn to one another…
Christopher Castiglia gives shape to a tradition of American women's captivity narrative that ranges across three centuries, from Puritan colonist Mary Rowlandson's abduction by Narragansett Indians to Patty Hearst's kidnapping by the Symbionese Liberation Army. Examining more than sixty accounts by women captives, as well as novels ranging from Susanna Rowson's eighteenth-century Rueben and Rachel to today's mass-market romances, Castiglia investigates paradoxes central to the genre. In captivity, women often find freedom from stereotypical role attributes of helplessness, dependency, sexual vulnerability, and xenophobia. In their condemnations of their non-white captors, they defy assumptions about race that undergird their own societies. Castiglia questions critical conceptions of captivity stories as primarily an appeal to racism and misogyny and instead finds in them imaginative challenges to rigid gender roles and racial ideologies. Whether the women of these stories resist or escape captivity, endure until they are released, or eventually choose to live among their captors, they emerge with the power to be critical of both cultures. These compelling narratives, with their boundary crossings and persistent explorations of cultural differences, have significant implications for current investigations into the construction of gender, race, and nation.