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Reilly, a teenager with extraordinary abilities, lives in an idyllic island town in the Pacific Northwest. After his sixteenth birthday, everything changes. Unforeseen events threaten his confidence, his peace, even his life, and he needs answers.
Oisín, a young poet, marries a princess from the magical land of Tír na nƠg. When he returns to Ireland to visit his family, a terrible misfortune comes to him, and he is never again able to return to Tír na nƠg.
Forever hidden from the real world, fairies and mystical creatures roam the land of Tir Na Nog. Morag, a Fae Princess, stumbles from her enchanted home to find herself in a strange land. Her only hope of finding her way home is with the help of Ralf the rat and a fox named Fancy. Together, the three set off on adventures throughout the real world...
Madison is just like any other twelve-year-old mucking through middle school until suddenly she's not. She should have known something was wrong when her mom forgot to meet her at the bus stop. Those suitcases stacked inside the door, now that gave her pause... but her mother explained them away. Sort of. It's not like your dad goes missing every day. She was certain it was all a big misunderstanding... poor cell service, a lost cell phone, or a dead battery... but if that mishap scored her a trip to Ireland, she was game. Perhaps those wrinkly little men skulking around the pubs down by the River Liffey should have clued her in that her life was about to change in a very big way... but no. Everything Madison thought she knew about this world, her family, her life was ripped away by six outlandish words... "I am Sidhe, as are you." "What's a Sidhe?" you ask. The Sidhe are the immensely powerful, magic-wielding faeries born in Celtic Mythology... the water, air, and wood spirits who have battled against demons and protected mankind for centuries. Madison has just discovered she is one of them... but she is no ordinary Sidhe. Madison is one of the Chosen Ones, one of three young girls secreted inside the human realm at birth, protected by Sidhe guardians until they are old enough to fulfill the prophecy. "What is this prophecy?" you gasp. Ah. If you wish to obtain that knowledge, then you must journey into Otherworld, cross through Tír na nÓg into Ogham, and eat the berries from the Rowan Tree. Please hurry. The border between the realms is crumbling. Violence, evil, and darkness are ascending; threatening to destroy Madison... the Chosen Ones... Tír na nÓg... the human realm... and me. Elgin, the Kelpie.
Each notebook contains the story of an ancient Irish hero and contains 100 lined pages incorporating a Celtic design. They're perfect for teaching the myths and legends of Ireland to the children or use them yourself to refresh your memories. Writing on these pages is a delight.
Illustrated adventure story about three children who visit a magical island which only appears at a certain time, on a certain day, every seven years.
Tir na nOg is a book of imagination that takes you back to the dawn of civilization and right through to modern-day Ireland Born in Ireland in 1939, Mary Brannigan has travelled throughout the world seeking answers to the mysteries of the past. She has a great interest in art as well as philosophy, spirituality, history, archaeology and the ever-present kingdoms of the elementals which have fascinated man from the beginning of time. Her book combines past and present from ancient India to present-day Ireland where secrets are still hidden beneath the stones.
This book traces a significant shift in 20th century Irish theatre from the largely national plays produced in Dublin to a more expansive international art form. Confirmed by the recent success outside of Ireland of the "third wave" of Irish playwrights writing in the 1990s, the new Irish drama has encouraged critics to reconsider both the early national theatre and the dramatic tradition it fostered. On the occasion of the centenary of the first professional production of the Irish Literary Theatre, the contributors to this volume investigate contemporary Irish drama's aesthetic features and socio-political commitments and re-read the plays produced earlier in the century. Although these essayists cover a wide range of topics, from the productions and objectives of the Abbey Theatre's first rivals to mid-century theatre festivals, to plays about the "Troubles" in the North, they all reassess the oppositions so commonplace in critical discussions of Irish drama: nationalism vs. internationalism, high vs. low culture, urban experience vs. rural or peasant life. A Century of Irish Drama includes essays on such figures as W. B. Yeats, Lady Gregory, J. M. Synge, Sean O'Casey, Brendan Behan, Samuel Beckett, Marina Carr, Brian Friel, Frank McGuinness, Christina Read, Martin McDonagh, and many more. Stephen Watt is Professor of English and Cultural Studies at Indiana University-Bloomington, and author of Postmodern/Drama: Reading the Contemporary Stage, Joyce, O'Casey, and the Irish Popular Theatre, and essays on Irish and Irish-American culture. He has also written extensively on higher education, most recently Academic Keywords: A Devil's Dictionary for Higher Education (with Cary Nelson). Eileen M. Morgan is a lecturer in English and Irish Studies at the University of Michigan, Ann Arbor. She is currently working on Sean O'Faolain's biographies of De Valera and on Edna O'Brien's 1990s trilogy, and is preparing a book-length study on the influence of radio in Ireland. Shakir Mustafa is a Visiting Instructor in the English department at Indiana University. His work has appeared in such journals as New Hibernia Review and The Canadian Journal of Irish Studies, and he is now translating Arabic short stories into English. Drama and Performance Studies--Timothy Wiles, general editor
A collection of essays on the Deresthai culture with accompanying extracts from the Dragon Court archives comprising the official history of the Dragon peoples.
The heavens and hells of the world’s religions and the “far, far away” legends cannot be seen or visited, but they remain an integral part of culture and history. This encyclopedia catalogs more than 800 imaginary and mythological lands from all over the world, including fairy realms, settings from Arthurian lore, and kingdoms found in fairy tales and political and philosophical works, including Sir Thomas More’s Utopia and Plato’s Atlantis. From al A’raf, the limbo of Islam, to Zulal, one of the many streams that run through Paradise, entries give the literary origin of each site, explain its cultural context, and describe its topical features, listing variations on names when applicable. Cross-referenced for ease of use, this compendium will prove useful to scholars, researchers or anyone wishing to tour the unseen landscapes of myth and legend.