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As America embraces the 1950s, that brash upstart called television is poaching Hollywood's turf, inch by inch. If the studios don't do something drastic, they may lose the battle.When screenwriter Marcus Adler fell afoul of the blacklist, Europe offered sanctuary. Hollywood lures him back, but the specter of Joseph McCarthy forces Marcus to fight for a final chance to clear his name.A charismatic figure rises to intimidate the entire film industry, and Hollywood Reporter Kathryn Massey realizes that she knows a secret that just might topple this self-appointed savior. If Kathryn fails, will her neck land on the chopping block instead?A new kiss-and-tell magazine splashes onto the scene--but it isn't playing by the rules. Gwendolyn Brick figures she doesn't need to worry about a scandal rag until she spots someone lurking around the Garden of Allah during Marilyn Monroe's birthday party. Suddenly, Confidential threatens to expose everything."Tinseltown Confidential" is the seventh installment in the Hollywood's Garden of Allah saga. If you like richly woven details, the Golden Age of Hollywood, and characters who come to life, then you'll love Martin Turnbull's captivating historical fiction series.
As America embraces the 1950s, that brash upstart called television is poaching Hollywood's turf, inch by inch. If the studios don't do something drastic, they may lose the battle. When screenwriter Marcus Adler fell afoul of the blacklist, Europe offered sanctuary. Hollywood lures him back, but the specter of Joseph McCarthy forces Marcus to fight for a final chance to clear his name. A charismatic figure rises to intimidate the entire film industry, and Hollywood Reporter Kathryn Massey realizes that she knows a secret that just might topple this self-appointed savior. If Kathryn fails, will her neck land on the chopping block instead? A new kiss-and-tell magazine splashes onto the scene-but it isn't playing by the rules. Gwendolyn Brick figures she doesn't need to worry about a scandal rag until she spots someone lurking around the Garden of Allah during Marilyn Monroe's birthday party. Suddenly, Confidential threatens to expose everything. "Tinseltown Confidential" is the seventh installment in the Hollywood's Garden of Allah saga. If you like richly woven details, the Golden Age of Hollywood, and characters who come to life, then you'll love Martin Turnbull's captivating historical fiction series.
A 1950s matinee screen idol speaks about the scandals, successes, and sacrifices he experienced as the pin-up boy for millions of teenage girls and how he dealt with the reality of hiding his homosexuality. Reprint.
New York Times Bestseller • Edgar Award winner for Best Fact Crime The Day of the Locust meets The Devil in the White City and Midnight in the Garden of Good and Evil in this juicy, untold Hollywood story: an addictive true tale of ambition, scandal, intrigue, murder, and the creation of the modern film industry. By 1920, the movies had suddenly become America’s new favorite pastime, and one of the nation’s largest industries. Never before had a medium possessed such power to influence. Yet Hollywood’s glittering ascendency was threatened by a string of headline-grabbing tragedies—including the murder of William Desmond Taylor, the popular president of the Motion Picture Directors Association, a legendary crime that has remained unsolved until now. In a fiendishly involving narrative, bestselling Hollywood chronicler William J. Mann draws on a rich host of sources, including recently released FBI files, to unpack the story of the enigmatic Taylor and the diverse cast that surrounded him—including three beautiful, ambitious actresses; a grasping stage mother; a devoted valet; and a gang of two-bit thugs, any of whom might have fired the fatal bullet. And overseeing this entire landscape of intrigue was Adolph Zukor, the brilliant and ruthless founder of Paramount, locked in a struggle for control of the industry and desperate to conceal the truth about the crime. Along the way, Mann brings to life Los Angeles in the Roaring Twenties: a sparkling yet schizophrenic town filled with party girls, drug dealers, religious zealots, newly-minted legends and starlets already past their prime—a dangerous place where the powerful could still run afoul of the desperate. A true story recreated with the suspense of a novel, Tinseltown is the work of a storyteller at the peak of his powers—and the solution to a crime that has stumped detectives and historians for nearly a century.
Like sharks to blood in the water, the mob arrived in Hollywood greedy and ready to tear away huge chunks of cash. Opportunistic mobsters saw labor unions as the means for muscling into the movie industry and extorting millions of dollars from studio bosses. Control the unions to which projectionists, art directors, cinematographers, electricians, scene designers, stagehands, extras belong, and you control the whole industry. Painting colorful portraits of numerous mobsters, producers, actors, and directors, Tinseltown Gangsters tells the gripping, fast-paced, true story of corruption and greed in Hollywood throughout much of the twentieth century.
From the modern master of noir comes a novel based on the real-life Hollywood fixer Freddy Otash, the malevolent monarch of the 1950s L.A. underground, and his Tinseltown tabloid Confidential magazine. Freddy Otash was the man in the know and the man to know in ‘50s L.A. He was a rogue cop, a sleazoid private eye, a shakedown artist, a pimp—and, most notably, the head strong-arm goon for Confidential magazine. Confidential presaged the idiot internet—and delivered the dirt, the dish, the insidious ink, and the scurrilous skank. It mauled misanthropic movie stars, sex-soiled socialites, and putzo politicians. Mattress Jack Kennedy, James Dean, Montgomery Clift, Burt Lancaster, Liz Taylor, Rock Hudson—Frantic Freddy outed them all. He was the Tattle Tyrant who held Hollywood hostage, and now he’s here to CONFESS. “I’m consumed with candor and wracked with recollection. I’m revitalized and resurgent. My meshugenah march down memory lane begins NOW.” In Freddy’s viciously entertaining voice, Widespread Panic torches 1950s Hollywood to the ground. It’s a blazing revelation of coruscating corruption, pervasive paranoia, and of sin and redemption with nothing in between. Here is James Ellroy in savage quintessence. Freddy Otash confesses—and you are here to read and succumb.
Close readings that look for "the real Los Angeles" in a selection of contemporary movies. Los Angeles is a global metropolis whose history and social narrative is linked to one of its top exports: cinema. L.A. appears on screen more than almost any city since Hollywood and is home to the American film industry. Historically, conversations of social and racial homogeneity have dominated the construction of Los Angeles as a cosmopolitan city, with Hollywood films largely contributing to this image. At the same time, the city is also known for its steady immigration, social inequalities, and exclusionary urban practices, not dissimilar to any other borderland in the world. The Spanish names and sounds within the city are paradoxical in relation to the striking invisibility of its Hispanic residents at many economic, social, and political levels, given their vast numbers. Additionally, the impact of the 1992 Los Angeles riots left the city raw, yet brought about changing discourses and provided Hollywood with the opportunity to rebrand its hometown by projecting to the world a new image in which social uniformity is challenged by diversity. It is for this reason that author Celestino Deleyto decided to take a closer look at how the quintessential cinematic city contributes to the ongoing creation of its own representation on the screen. From Tinseltown to Bordertown: Los Angeles on Film starts from the theoretical premise that place matters. Deleyto sees film as predominantly a spatial system and argues that the space of film and the space of reality are closely intertwined in complex ways and that we should acknowledge the potential of cinema to intervene in the historical process of the construction of urban space, as well as its ability to record place. The author asks to what extent this is also the city that is being constructed by contemporary movies. From Tinseltown to Bordertown offers a unique combination of urban, cultural, and border theory, as well as the author's direct observation and experience of the city's social and human geography with close readings of a selection of films such as Falling Down, White Men Can't Jump, and Collateral. Through these textual analyses, Deleyto tries to situate filmic narratives of Los Angeles within the city itself and find a sense of the "real place" in their fictional fabrications. While in a certain sense, Los Angeles movies continue to exist within the rather exclusive boundaries of Tinseltown, the special borderliness of the city is becoming more and more evident in cinematic stories. Deleyto's monograph is a fascinating case study on one of the United States' most enigmatic cities. Film scholars with an interest in history and place will appreciate this book.
It's almost Christmas, but the nights in Tinseltown are anything but silent. Ruprecht, a twelve-year-old krampus and wannabe detective, gets more than he bargained for when he takes the case of a terrified elf. Finding himself at the top of the Tinseltown Police Department's naughty list, Ruprecht is joined by his best friend, a ghost named Marley, to explore the underbelly of this festive but gritty metropolis, solve the mystery, and clear his name for good. Book 3 of the Hazy Fables middle-grade series, this quick-witted parody of Dashiell Hammett's The Maltese Falcon follows up its acclaimed predecessors, Zombie, Or Not to Be (a brainy adaptation of Hamlet) and Hobgoblin and the Seven Stinkers of Rancidia (a Kirkus Best Book of 2019). Featuring powerful witches, a greedy goblin, a colossal cat, a "psychic" reindeer, and a platoon of shadowy phantoms, this whip-smart thriller celebrates the delightfully dark side of Christmas with mystery, intrigue, and a sleighful of characters from European folklore.
In this star-studded sequel to Murder at the Universe, Daniel Edward Craig pokes good-humored fun at the celebrity-crazed Los Angeles culture. Dedicated hotelier Trevor Lambert takes a job at Hotel Cinema, a multi-million dollar rejuvenation of an Old Hollywood motor inn. It's a fabulous opening party until Tinseltown's hottest star, Chelsea Fricks, takes a fatal dive from her penthouse balcony. Was it a reckless publicity stunt or did fame drive her to suicide? Chelsea's stab wounds tell another story. Suddenly Hotel Cinema is the setting of a hilarious Hollywood murder mystery, starring Chelsea's former pit bull publicist; a star-struck detective; tasteless tabloid reporters; and Trevor's incompetent boss, who breaks every rule in the hotel handbook. Cristal champagne is flowing. Business is booming. But when the hotel staff are targeted as murder suspects, the party turns into a publicity nightmare.
Right before talking pictures slug Tinsel Town in the jaw, a luminous silent screen star converts her private estate into the Garden of Allah Hotel. The lush grounds soon become a haven for Hollywood hopefuls to meet, drink and revel through the night. George Cukor is in the pool, Tallulah Bankhead is at the bar, and Scott Fitzgerald is sneaking off to a bungalow with Sheilah Graham, while Madame Alla Nazimova keeps watch behind her lace curtains. But the real story of the Garden of Allah begins with its first few residents, three kids on the brink of something big. Marcus Adler has a lot to prove after his father catches him and the police chief's son with their pants down. He flees Pennsylvania for Hollywood with his mouth shut and his eyes open, and begins to write the lines all those starlets will say out loud. Kathryn Massey's childhood was a grinding routine of auditions, but she couldn't care less about being a movie star. When she takes off with her typewriter, determined to become a newspaper reporter, she finds that breaking into the boys' club is tougher than breaking free of her bossy mother. To make it in this town, she'll need some serious moxie. Gwendolyn Brick is a sweet Southern beauty who's come a long way to try her luck on the big screen. She's hoping the same succulent lips the guys want to kiss will land her more than a bit part on a casting couch. She's going to need some help keeping everyone in line. Nobody gets a free pass in Hollywood, but a room at the Garden on Sunset can get your foot in the door. The Garden on Sunset is the first in Martin Turnbull's series of historical novels set during Hollywood's golden age.