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Issued in connection with three distinct, related shows, November 10, 2012 through February 10, 2013, at the Timken Museum of Art, San Diego Museum of Art, and Museum of Contemporary Art San Diego.
A tour of America's most notable museums is also a history of the nation's art that highlights each location's top works while discussing the backgrounds of each building and featured piece of art.
Catalog of the exhibition Summoning Ghosts: the Art of Hung Liu, organized by Rene de Guzman on behalf of the Oakland Museum of California and presented March 16-June 30, 2013.
"This book is mind-blowing. Nemerov is a groundbreaking thinker in his field."—John Wilmerding, Princeton University "This is a book for all serious Americanists."—Jay Fliegelman, author of Declaring Independence "Each haunting and delicately wrought canvas expands as Nemerov writes about it, so that his interpretive work both mirrors and supplements the wondrous intensity of the paintings themselves."—Ellen Handler Spitz, Museums of the Mind "Underneath their apparent simplicity, Raphaelle Peale's still lifes glow mysteriously in the dark light of their making. Peale transformed the common items of the early-nineteenth-century kitchen and market into explorations of the American unconscious. Now, writing as coolly and lucidly as Peale painted, Alexander Nemerov has unpeeled those still lifes in a tour de force of formalistic analysis. Through close interrogation of these small, hermetic images, Nemerov's book reveals the whole world of early America, in the process bringing us as close as possible to the genius of Raphaelle Peale."—David C. Ward, National Portrait Gallery, Smithsonian Institution. "This is a dazzling study, lively and imaginative, of an important body of work. Nemerov's novel arguments regarding still life in general and Raphaelle Peale in particular reveal much about the art, the man, and the times. It is a thoughtful and provocative book, certain to generate interest and debate. "—Charles C. Eldredge, Hall Distinguished Professor of American Art and Culture, University of Kansas "A triumph of interpretation! Not since Michael Fried's groundbreaking account of Thomas Eakins has a critic so reimagined the very terms by which we see painting. Nemerov's account singlehandedly catapults a painter we had previously considered to be interesting, but minor, into the forefront of discussions about American art during the early National Period. The Body of Raphaelle Peale will no doubt spark the beginning of an exciting revival of scholarship in American Romantic painting."—Bryan J. Wolf, author of Romantic Re-Vision
Life, times, and works of the Italian Baroque painter.
Videodisc contains selected clips from the Animated Painting Exhibition.
This is the first English language monograph on Bartolomeo Veneto (c. 14801531), who worked in Northern Italy in an area bounded by Venice and Milan. The art made in this region is characterized by an intensity and richness arising from the various artistic personalities that enlivened the period and the vitality of exchanges that linked artists from widely separated cultural areas. An analysis of Bartolomeo's works allows one to observe the vivid atmosphere of the period. Specializing in portraiture, he moved often to satisfy the demands of his clientele in the small and large courts in the Veneto, Emilia, and the Lombardy regions of the Po Valley. Over the course of his career, from his earliest dated painting in 1502 until his death, presumably in 1531, he produced a remarkable body of work. Characteristic of Bartolomeo Veneto is an interest in a refined rendering of details, particularly of clothing, and the inclusion of symbolic elements. This symbolism-understandable by only a select few-refers to the moral, philosophical, or even political ideals of the person depicted and reflects the cultivated society of the clients for whom the artist worked. Of particular interest are his portraits and works that fall midway between conventional portraiture and representations of a symbolic, mythological, or religious nature. On the one hand, he was able to synthesize diverse stylistic tendencies. On the other, he was able to capture nuances of his subjects' personalities. Despite the remarkable quality of many of his paintings, he was not mentioned by historical sources, and he remains one of the least-studied and most mysterious of the 16-century Italian painters. He was rediscovered in the middle of the 19th century, when several of his signed and dated paintings were acquired by European museums.