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This is a copybook printed in black and white for adults who wish to learn how to write the Tibetan script in the Uchen, Tsuring or Chuyig style. Uchen is a printed script used throughout Tibet. As a handwritten script it is mostly prevalent in Amdo and Kham, the regions in north-eastern and eastern Tibet. Central Tibet (U-Tsang), on the other hand, prefers Ume handwriting styles, which include Tsuring and Chuyig. People first learn to write in the Tsuring style, for example, before progressing to the Chuyig shorthand style once they have sufficient writing experience. Chuyig is suitable for writing quickly. This copybook contains the 30 letters and four vowel signs that make up the Tibetan alphabet as well as two punctuation marks (the dot and and the simple bar) and all 89 compound characters (ligatures) of the Tibetan script. They are reproduced in the Uchen, Tsuring and Chuyig styles. An entire page is dedicated to each of the 30 letters and the four vowel signs. The punctuation marks and the ligatures are each given half a page. At the beginning of the page is an illustration that shows the order in which the individual strokes of the letter have to be written. The letter is initially printed in a background colour so that it can be traced. The blank lines are designed for independent practice. At the end of the book the characters in the three different writing styles are each summarised on one page. There are also four blank copy templates here four further writing exercises. "
In Tibetan Calligraphy, Sanje Elliott shows us how to capture the elegance and grace of Tibetan calligraphy without prior knowledge of either Tibetan language or calligraphy. This beautiful book includes many prayers, mantras, and seed syllables to copy and study. Perfect for practitioners, artists, and anyone interested in the Tibetan language.
The books in the collection »Read Chinese with Ms. Su« are aimed at advanced Chinese learners who are in the process of reading longer texts on their own. In the autobiographical narrative Hometown, the great Chinese writer Lu Xun created two literary figures, namely the farmer's son Runtu and the "Tofu Beauty" Madame Yang, which belong to the Chinese cultural memory. The first-person narrator visits his hometown to dissolve the household of his now impoverished family. He was in a sad mood, partly because the homeland he had left more than twenty years ago was no longer that of his childhood. His friend Runtu, the radiant hero of his childhood, who now addressed him with "my master," suffered from hunger and the turmoil of war. Nevertheless, there should be hope. At least that is what the first-person narrator wishes for at the end of his journey. Hometown is a particularly lovingly told story of Lu Xun. The style is unusually gentle for this sharp-tongued critic, and the construction of the sentences more simple und fluid. This is typical of Lu Xun when he writes about the landscape and the people of his homeland. The text Hometown has approx. 5000 characters, which are initially reproduced in the book in large font size and with pinyin. The word boundaries, which are normally omitted in a Chinese text, are indicated. Below the text line you will find explanations on word meaning, grammar, etc.; at the right margin of the page you will find a summary of the paragraph. On the left pages of the book, the same text is printed in traditional Chinese characters, so that those who have learned simplified Chinese will quickly be able to understand the traditional characters with a little practice and vice versa. At the end of the book, the texts are reproduced in normal print, i. e. in smaller font size, without any other information, as they would be found in a book from mainland China or Taiwan.
The new standard work and definitive biography of Tsongkhapa, one of the principle founders of the Gelug school of Tibetan Buddhism--the school of the Dalai Lamas. In this groundbreaking addition to the Lives of the Masters series, Thupten Jinpa, a scholar-practitioner and long-time translator for His Holiness the Dalai Lama, offers the most comprehensive portrait available of Jé Tsongkhapa (1357–1419), one of the greatest Buddhist teachers in history. A devout monastic, Tsongkhapa took on the difficult task of locating and studying all of the Indian Buddhist classics available in Tibet in his day. He went on to synthesize this knowledge into a holistic approach to the path of awakening. In an achievement of incredible magnitude, he integrated the pivotal yet disparate Mahayana teachings on emptiness while retaining the important role of critical reason and avoiding the extreme of negating the reality of the everyday world. Included in this volume is a discussion of Tsongkhapa’s early life and training; his emergence as a precociously intelligent Buddhist mind; the composition of his Great Treatise on the Stages of the Path to Enlightenment, Great Exposition of Tantra, and many other important works; and his founding of the Lhasa Prayer Festival and Ganden Monastery. This is a necessary resource for anyone interested in Tsongkhapa’s transformative effect on the understanding and practice of Buddhism in Tibet in his time and his continued influence today.
Winner, 2018 Edward Cameron Dimock, Jr. Prize in the Indian Humanities Buddhist representations of the cosmos across nearly two thousand years of history in Tibet, Nepal, and India show that cosmology is a rich language for the expression of diverse religious ideas, with cosmological thinking at the center of Buddhist thought, art, and practice. In Creating the Universe, Eric Huntington presents examples of visual art and architecture, primary texts, ritual ideologies, and material practices—accompanied by extensive explanatory diagrams—to reveal the immense complexity of cosmological thinking in Himalayan Buddhism. Employing comparisons across function, medium, culture, and history, he exposes cosmology as a fundamental mode of engagement with numerous aspects of religion, from preliminary lessons to the highest rituals for enlightenment. This wide-ranging work will interest scholars and students of many fields, including Buddhist studies, religious studies, art history, and area studies. Art History Publication Initiative. For more information, visit http://arthistorypi.org/books/creating-the-universe
Among Asian languages, Tibetan is second only to Chinese in the depth of its historical record, with texts dating back as far as the eighth and ninth centuries, written in an alphabetic script that preserves the contemporaneous phonological features of the language. The Classical Tibetan Language is the first comprehensive description of the Tibetan language and is distinctive in that it treats the classical Tibetan language on its own terms rather than by means of descriptive categories appropriate to other languages, as has traditionally been the case. Beyer presents the language as a medium of literary expression with great range, power, subtlety, and humor, not as an abstract object. He also deals comprehensively with a wide variety of linguistic phenomena as they are actually encountered in the classical texts, with numerous examples of idioms, common locutions, translation devices, neologisms, and dialectal variations.
As mystics, healers, and travelers to the netherworld, female shamans continue to impact the spiritual lives of the Bhutanese. These divine messengers act as mediums for local spirits, cure diseases through prayer, and travel to the realm of the dead. They are sometimes referred to as “sky-goers,” “reincarnations,” or “returners from the beyond,” and their stories are intimately connected with the Buddhist ideas of karma and rebirth. Journalist Stephanie Guyer-Stevens and anthropologist Françoise Pommaret traveled to the Himalayas to meet seven living Bhutanese female shamans and to help make their stories known. Stephanie and Françoise offer an intimate narrative of these shamans’ spiritual experiences and important roles in society. This book also provides an overview of the history of this tradition and a translation of an autobiography of the famous eighteenth-century divine messenger, Sangay Choezom. This insightful and sensitive account is a rare look inside the world of these brave women.
A groundbreaking, accessible presentation of Tibetan Buddhism from Chögyam Trungpa, renowned twentieth-century master and teacher. Based on a series of talks given by Chögyam Trungpa during the first session of what was to become Naropa University, Cynicism and Magic introduces key Tibetan Buddhist concepts, including karma, the structure of ego, the paramitas, and the bodhisattva. Employing a unique and intimate teaching style, Trungpa Rinpoche presents these concepts in a larger framework of questions we all have: What is authentic spirituality? Can I find enlightenment and freedom? How should I approach life, death, suffering, and boredom? How can I develop some discipline, patience, and sanity? Through these accessible teachings, this book will show you how to approach a living dharma with intelligence, and with a sense of openness and wonder.