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R.E.M., the most acclaimed American group of their generation, disbanded in September 2011 with their idealism and dignity intact. In this, the final edition of his best-selling R.E.M. biography, Tony Fletcher brings their story to a conclusion and explains what led this unique group to draw a curtain on their career. This Omnibus Enhanced digital edition of Perfect Circle includes a bonus multimedia discography charting every album and single of R.E.M’s career, presented in chronological order through audio, video and imagery. Drawing on interviews with band members, friends, associates and business partners, the book follows R.E.M.’s upward trajectory from the seminal debut Murmur in 1983 to the 1990s when their albums Out Of Time, Automatic For The People and Monster sold tens of millions, making them one of the world’s biggest groups, to their final years together. Granted access to the group throughout their career, Tony Fletcher delves beyond R.E.M.s renowned humility and social awareness, discussing fame, fortune and sexuality with the same keen eye he casts on the group’s astonishing career and musical catalogue. The result is neither blind fan worship nor jaundiced critical cynicism, but a balanced and thorough telling of one of the most compelling rock stories of our time.
As with most great bands, it is difficult to remember a time when Blur weren’t a part of Britain’s rich musical landscape. From art-rock origins they went on to make four multi-platinum number one albums and produced some of the finest songs of the modern era: End of A Century, Girls And Boys, Parklife, Song 2, Beetlebum... And it might not be over yet! The Life Of Blur charts their story from shaky beginnings through to the full-blown superstardom of Parklife, The Great Escape and beyond. At the heart of this tale is the complex, sometimes explosive relationship between Blur’s four founding members: Damon Albarn, Graham Coxon, Dave Rowntree and Alex James. A rich soup of relentless ambition, dogged persistence, fraying tempers and a million clanging champagne bottles, the emotional chemistry that makes up Blur has been just as interesting to watch as the songs the band have produced. Author Martin Power has talked with band’s former managers, fellow musicians, old school teachers and close friends to shed new light on a group once called “the most intelligent, enduring and credible band to emerge from the Nineties”. With a concise critical commentary on their music, rare photographs and a complete discography, as well as shedding new light on the group's various solo activities - including Damon Albarn's Gorillaz and Graham Coxon's one-man assault on the indie charts - this is the definitive account of Blur’s epic journey.
Manic Street Preachers have established themselves as one the UK's most enduring, intelligent and credible rocks groups, but that quest for greatness has been a difficult, sometimes torturous path; a path which one of their number – the gifted and troubled Richley Edwards – abandoned for destinations still unknown. Nailed To History traces the slow yet inexorable climb of the South Wales band from their 1980s glam-punk origins, critically derided as 'Generation Terrorists', to their current position as respected art-rock intellectuals - a fact underlined by 2009's award-winning ‘A Journal For Plague Lovers’. This Omnibus Enhanced edition now includes a multimedia discography, charting every album and single release the band has made through a timeline of music videos and album art. Author Martin Power also examines the life and complex personality of Edwards, whose highly politicised, morally disquieting wordplay defined much of the Manics' early appeal - his personal demons writ large across 1994's dark masterwork ‘The Holy Bible’. Edwards' evermore extreme behaviour culminated in his sad, strange disappearance in February, 1995. A story of honour and enduring friendship, of 'culture, alienation, boredom' and despair, Nailed To History examines the Manic Street Preachers’ musical output and the personalities that make them an enduring artistic and political force.
"I’m no stranger to failure, and I’m aware it can arrive at any minute—as it often has. You have to keep things close to your chest and be aware of what’s really important: the work, not everything around it. If you have faith in the work, then the people will come … it’s an artistic imperative, it has nothing to do with public perception or career or any of that crap. "The name, Swans, it’s synonymous with who I am, but it’s how it’s achieved and it’s achieved by people—those people need to have total commitment to making this sound and to making it utterly incisive and uncompromising. The work is everything and it has to—at least at the time—appear, to me, to be stellar. That’s the prerequisite. It’s an intangible thing where it really speaks and has some truth within it." —Michael Gira Over a span of some three and a half decades, Michael Gira’s Swans have risen from chaotic origins in the aftermath of New York’s No Wave scene to become one of the most acclaimed rock-orientated acts of recent years. The 1980s’ infamous ‘loudest band on the planet’ morphed repeatedly until collapsing exhausted, broken, and dispirited in the late 1990s. Swans returned triumphantly in 2010 to top end-of-year polls and achieve feted status among fans and critics alike as the great survivors and latter-day statesmen of the underground scene. Throughout, Gira’s desire has remained to create music of such intensity that the listener might forget flesh, get rid of the body, exist as pure energy—transcendent—inside of the sound. Through these pages, the musicians responsible tell the tale of one of the most significant bands of the US post-punk era. Drawing on more than 125 original interviews, Swans: Sacrifice And Transcendence is the ultimate companion to Swans and their work from the 1980s to the present day.
Core members of the legendary British experimental band Coil tell its story in the present-tense, as events unfold across their twenty-year history. Between 1983 and 2004 the legendary British experimental band Coil established themselves as shape-shifting doyens of esoteric music whose influence has grown spectacularly in the years since their untimely end. With music that could be dark, queer, and difficult, but often retained a warped pop sensibility, Coil’s albums were multi-faceted repositories of esoteric knowledge, lysergic wisdom and acerbic humor. In Everything Keeps Dissolving, core members John Balance and Peter Christopherson tell Coil’s story in the present-tense, and from their personal perspectives, as events unfold across their twenty-year history. Accompanied by their various collaborators, Coil describe the fertile eruption of ideas, inspirations, and stray tangents that informed their lyrical and musical visions—as well as those dead paths and castoff concepts that didn’t take root. No only a worm’s eye view of Coil, these interviews provide insight into the late twentieth century’s evolving British cultural underground as channeled through two of its most astutely mercurial minds.
The definitive chronicle of underground music in the 1980s tells the stories of Black Flag, Sonic Youth, The Replacements, and other seminal bands whose DIY revolution changed American music forever. Our Band Could Be Your Life is the never-before-told story of the musical revolution that happened right under the nose of the Reagan Eighties -- when a small but sprawling network of bands, labels, fanzines, radio stations, and other subversives re-energized American rock with punk's do-it-yourself credo and created music that was deeply personal, often brilliant, always challenging, and immensely influential. This sweeping chronicle of music, politics, drugs, fear, loathing, and faith is an indie rock classic in its own right. The bands profiled include: Sonic Youth Black Flag The Replacements Minutemen Husker Du Minor Threat Mission of Burma Butthole Surfers Big Black Fugazi Mudhoney Beat Happening Dinosaur Jr.
I Found My Friends recreates the short and tempestuous times of Nirvana through the musicians and producers who played and interacted with the band. The guides for this trip didn't just watch the life of this legendary band—they lived it. Soulsby interviewed over 150 musicians from bands that played and toured with Nirvana, including well-known alternative and grunge bands like Dinosaur Jr., The Dead Kennedys, and Butthole Surfers, as well as scores of smaller, but no less fascinating bands. In this groundbreaking look at a legendary band, readers will see a more personal history of Nirvana than ever before, including Nirvana's consideration of nearly a dozen previously unmentioned candidates for drummer before settling on David Grohl, a recounting of Nirvana's famously disastrous South American shows from never-before-heard sources on Brazilian and Argentine sides, and the man who hosted the first ever Nirvana gig's recollections of jamming with the band at that inaugural event. I Found My Friends relives Nirvana's meteoric rise from the days before the legend to through their increasingly damaged superstardom. More than twenty years after Kurt Cobain's tragic death, Nick Soulsby removes the posthumous halo from the brow of Kurt Cobain and travels back through time to observe one of rock and roll‘s most critical bands as no one has ever seen them before.
Before #MeToo, before Riot Grrl, there was Lydia Lunch. A central figure in the No Wave scene of the seventies—as founder of the seminal Teenage Jesus & The Jerks—Lunch has pursued a four-decade-long career turning the substance of her life into unapologetic, stark, and beautiful art. From the eighties onward, Lunch became a lone voice publicly calling out the patriarchal aggression and day-to-day violence enacted by the powerful—and never gave a good goddamn whether you wanted to hear it or not. Refusing to be silenced, she took to stages the world over, fearlessly speaking the truth, whether of her own life with its legacy of parental abuse, her wild times owning the streets of New York City, or the world she saw around her. Seeing no boundaries between creative mediums, Lydia has enacted her vision through music, spoken word, film, theatre, and more. Released as an accompaniment to Beth B’s new documentary The War Is Never Over, this book is the first comprehensive overview of Lunch’s creative campaign of resistance, a celebration of pleasure as the ultimate act of rebellion. Across these pages, Lunch and her numerous collaborators—including Thurston Moore, Jim Sclavunos, Kid Congo Powers, Bob Bert, Richard Kern, Nick Zedd, and Vivienne Dick—recount life at the front line of the musical extremes of the seventies and eighties underground, the wild times, the disciplined productivity, life lived as a defender of the voiceless, and an unapologetic force of righteous fury.