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"Fluid and poetic as well as terrifying." —New York Times Book Review "Dazzling . . . a seamless mixture of magic realism, satire and futuristic fiction." —San Francisco Chronicle "Impressive . . . a flight of fancy through a dreamlike Brazil." —Village Voice "Surreal and misty, sweeping from one high-voltage scene to another." —LA Weekly "Amuses and frightens at the same time." —Newsday "Incisive and funny, this book yanks our chains and makes us see the absurdity that rules our world." —Booklist (starred review) "Expansive and ambitious . . . incredible and complicated." —Library Journal "This satiric morality play about the destruction of the Amazon rain forest unfolds with a diversity and fecundity equal to its setting. . . . Yamashita seems to have thrown into the pot everything she knows and most that she can imagine—all to good effect." —Publishers Weekly A Japanese man with a ball floating six inches in front of his head, an American CEO with three arms, and a Brazilian peasant who discovers the art of healing by tickling one's earlobe, rise to the heights of wealth and fame, before arriving at disasters—both personal and ecological—that destroy the rain forest and all the birds of Brazil. Karen Tei Yamashita is the author of Through the Arc of the Rain Forest, Brazil-Maru, Tropic of Orange, Circle K Cycles, I Hotel, and Anime Wong, all published by Coffee House Press. I Hotel was selected as a finalist for the National Book Award and awarded the California Book Award, the American Book Award, the Asian/Pacific American Librarians Association Award, and the Association for Asian American Studies Book Award.
A wealthy Japanese man, a Brazilian healer, a couple who raise homing pigeons, a pilgrim, and an American businessman find their lives altered by their encounter with the rain forest
When the United States closed its doors to Japanese immigrants, hundreds of thousands of them made their way to the coffee plantations and the then-open spaces of Brazil. In this engrossing multigenerational novel, award-winning author Karen Tei Yamashita tells the story of one idealistic band of these immigrants, who arrive in 1925 on a ship named the Brazil-Maru and set out to carve a utopia out of the jungle. Led by the charismatic Kantaro Uno, the pioneers create a civilization built around his passions for baseball, painting, chickens, and their own socialist sentiments. They endure struggles in clearing the land, maintaining their identity, adapting to a new world, and fighting the backlash caused by World War II. Inevitably, however, the turbulent course Kantaro has set leads the community called Esperanca in a direction no one could have predicted. Told through the eyes of five characters covering three generations of Esperanca's history, Brazil-Maru explores themes that resonate with the reality of all immigrant history: the dream of creating a new world, the cost of idealism, the symbiotic tie between a people and the land they settle, and the changes demanded by the appearance of a new generation.
An apocalypse of race, class, and culture, fanned by the media and the harsh L.A. sun.
This dive into the Yamashita family archive and Japanese internment runs a documentary impulse through filters that shimmer with imagination.
In these buoyant and inventive stories, Karen Tei Yamashita transfers classic tales across boundaries and questions what an inheritance—familial, cultural, emotional, artistic—really means. In a California of the sixties and seventies, characters examine the contents of deceased relatives' freezers, tape-record high school locker-room chatter, or collect a community's gossip while cleaning the teeth of its inhabitants. Mr. Darcy is the captain of the football team, Mansfield Park materializes in a suburb of L.A., bake sales replace ballroom dances, and station wagons, not horse-drawn carriages, are the preferred mode of transit. The stories of traversing class, race, and gender leap into our modern world with and humor.
With skill, imagination, and wit, Yamashita defines an emerging challenge of twenty-first century global society.
Giant foam rubber sushi and cyborg kungfu fighters populate performances that reflect questions of gender, identity, orientalism, and racial politics.
Rain is elemental, mysterious, precious, destructive. It is the subject of countless poems and paintings; the top of the weather report; the source of the world's water. Yet this is the first book to tell the story of rain. Cynthia Barnett's Rain begins four billion years ago with the torrents that filled the oceans, and builds to the storms of climate change. It weaves together science—the true shape of a raindrop, the mysteries of frog and fish rains—with the human story of our ambition to control rain, from ancient rain dances to the 2,203 miles of levees that attempt to straitjacket the Mississippi River. It offers a glimpse of our "founding forecaster," Thomas Jefferson, who measured every drizzle long before modern meteorology. Two centuries later, rainy skies would help inspire Morrissey’s mopes and Kurt Cobain’s grunge. Rain is also a travelogue, taking readers to Scotland to tell the surprising story of the mackintosh raincoat, and to India, where villagers extract the scent of rain from the monsoon-drenched earth and turn it into perfume. Now, after thousands of years spent praying for rain or worshiping it; burning witches at the stake to stop rain or sacrificing small children to bring it; mocking rain with irrigated agriculture and cities built in floodplains; even trying to blast rain out of the sky with mortars meant for war, humanity has finally managed to change the rain. Only not in ways we intended. As climate change upends rainfall patterns and unleashes increasingly severe storms and drought, Barnett shows rain to be a unifying force in a fractured world. Too much and not nearly enough, rain is a conversation we share, and this is a book for everyone who has ever experienced it.
Though seasonally dry tropical forests are equally as important to global biodiversity as tropical rainforests, and are one of the most representative and highly endangered ecosystems in Latin America, knowledge about them remains limited because of the relative paucity of attention paid to them by scientists and researchers and a lack of published information on the subject. Seasonally Dry Tropical Forests seeks to address this shortcoming by bringing together a range of experts in diverse fields including biology, ecology, biogeography, and biogeochemistry, to review, synthesize, and explain the current state of our collective knowledge on the ecology and conservation of seasonally dry tropical forests. The book offers a synthetic and cross-disciplinary review of recent work with an expansive scope, including sections on distribution, diversity, ecosystem function, and human impacts. Throughout, contributors emphasize conservation issues, particularly emerging threats and promising solutions, with key chapters on climate change, fragmentation, restoration, ecosystem services, and sustainable use. Seasonally dry tropical forests are extremely rich in biodiversity, and are seriously threatened. They represent scientific terrain that is poorly explored, and there is an urgent need for increased understanding of the system's basic ecology. Seasonally Dry Tropical Forests represents an important step in bringing together the most current scientific information about this vital ecosystem and disseminating it to the scientific and conservation communities.