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Fiction. Latinx Studies. African & African American Studies. THREE WOMEN OF HAITI, first published in German in 1980, is the final work by the great German writer, Anna Seghers. The three stories of the triptych concern women caught up in historical events across almost 500 years of Haitian history, beginning with the time of Christopher Columbus's exploratory voyages to the New World and ending in the 1970s with the repressive measures of the BÃ(c)bÃ(c) Doc Duvalier regime. These three uncompromising portrayals of women caught up in life-threatening situations form Anna Seghers's testimony work, demonstrating her lifelong concern as a revolutionary writer to give voice to those marginalized in history. Also included here is the 1948 essay Seghers wrote about the life of Toussaint Louverture and his pivotal role in the Haitian Revolution.
Haiti, long noted for poverty and repression, has a powerful and too-often-overlooked history of resistance. Women in Haiti have played a large role in changing the balance of political and social power, even as they have endured rampant and devastating state-sponsored violence, including torture, rape, abuse, illegal arrest, disappearance, and assassination. Beverly Bell, an activist and an expert on Haitian social movements, brings together thirty-eight oral histories from a diverse group of Haitian women. The interviewees include, for example, a former prime minister, an illiterate poet, a leading feminist theologian, and a vodou dancer. Defying victim status despite gender- and state-based repression, they tell how Haiti's poor and dispossessed women have fought for their personal and collective survival. The women's powerfully moving accounts of horror and heroism can best be characterized by the Creole word istwa, which means both "story" and "history." They combine theory with case studies concerning resistance, gender, and alternative models of power. Photographs of the women who have lived through Haiti's recent past accompany their words to further personalize the interviews in Walking on Fire.
A young domestic worker devoted to her prominent urban employers in Les Cayes, Haiti, Clerise progressively renounces the traditional values of her rural background. When she later marries and opens a small business, class conflicts and divided loyalties develop amid the terror of the Duvalier regime, and she is ultimately caught in the escalation of violence. Clerise of Haiti is a story of three generations of Haitian women, and covers a thirty year span ending in the late 1970s. Full of humor and resilience, Clerise's unique perspective into the upper classes and the world of the poor explores the complexities of life in a provincial town and highlights the socioeconomic and political forces at play in Haiti.
The 20th anniversary edition of Edwidge Danticat's groundbreaking debut, now an established classic--revised and with a new introduction by the author, and including extensive bonus materials At the age of twelve, Sophie Caco is sent from her impoverished Haitian village to New York to be reunited with a mother she barely remembers. There she discovers secrets that no child should ever know, and a legacy of shame that can be healed only when she returns to Haiti—to the women who first reared her. What ensues is a passionate journey through a landscape charged with the supernatural and scarred by political violence. In her stunning literary debut, Danticat evokes the wonder, terror, and heartache of her native Haiti—and the enduring strength of Haiti’s women—with vibrant imagery and narrative grace that bear witness to her people’s suffering and courage.
“I couldn’t put Dear Haiti, Love Alaine down!” —New York Times bestselling author Jasmine Guillory “An enchanting and engrossing novel full of wit and laughter.” —Edwidge Danticat, author of Breath, Eyes, Memory “Remarkable, funny, and whip-smart.” —Ibi Zoboi, author of American Street, National Book Award finalist “Maika and Maritza Moulite have created quite the masterpiece.” —NPR.org “Alaine’s sarcastic quips...are worth the price of admission alone.” —HYPEBAE “A beautiful story from start to finish.” —Buzzfeed Alaine Beauparlant has heard about Haiti all her life... But the stories were always passed down from her dad—and her mom, when she wasn’t too busy with her high-profile newscaster gig. But when Alaine’s life goes a bit sideways, it’s time to finally visit Haiti herself. What she learns about Haiti’s proud history as the world’s first black republic (with its even prouder people) is one thing, but what she learns about her own family is another. Suddenly, the secrets Alaine’s mom has been keeping, including a family curse that has spanned generations, can no longer be avoided. It’s a lot to handle, without even mentioning that Alaine is also working for her aunt’s nonprofit, which sends underprivileged kids to school and boasts one annoyingly charming intern. But if anyone can do it all...it’s Alaine. “Delightful.” —Essence magazine “Alaine Beauparlant is YA’s new favorite heroine.” —Author Nina Moreno for Bustle “Seamlessly blending story lines and allusions to Haiti’s history and culture, the authors create an indelible, believable character in Alaine—naive, dynamic, and brutally honest—who stretches and grows as her remarkable, affectingly rendered family relationships do.” —Publishers Weekly (starred review) “Sisters Maika and Maritza Moulite deliver a phenomenal coming-of-age story with this stunning novel.” —Booklist (starred review) “Enchanting.” —Kirkus Reviews Winner of a Parent’s Choice Award!
For the first time, Phillip Thomas Tucker, Ph.D., has presented the inspirational story of the remarkable Victoria ""Toya"" Montou in book form for today's readers. This groundbreaking book, Volume III of the Haitian Revolutionary Women Series, is as timely as it is important. Toya was a brave revolutionary freedom fighter in the bloody war to destroy slavery and create a new nation conceived in the day's most enlightened concept-universal liberty for all. Even more, Toya was also the revolutionary Mother of the Republic of Haiti, because of her inspirational contributions to decisive victory. Significantly, she was the surrogate mother of the hard-fighting Haitian leader who won independence for his people, which was declared on January 1, 1804. Today, the heroic legacy of ""Gran Toya"" has continued to live on in the hearts and minds of the Haitian people, who still revere her name, courage, and inspirational legacy.
Haiti has had a tragic history and continues to be on of the most destitute places on the planet, especially in the aftermath of the devastating 2010 earthquake. Here, however, editor Edwidge Danticat reveals that even while the subject matter remains dark, the calibre of Haitian writing is of the highest order. Features stories by Edwidge Danticat, Madison Smartt Bell, Gary Victor, Jessica Fievre, Marilene Phipps, Marie Ketsia Theodore-Pharel, Katie Ulysse, Yanick Lahens, Evelyne Trouillot, Kettly Mars, Rodney Saint-Eloi and many more.
"It took months of God waking me up in the middle of the night before I realized I was the one He was calling to leave my comfortable American life and move to Haiti." Miracle on Voodoo Mountain is the inspirational memoir of an accomplished and driven 24-year old who quit her job, sold everything, and moved to Haiti, by herself—all without a clear plan of action. Megan Boudreaux had visited Haiti on a few humanitarian trips but each trip multiplied the sense that someone needed to address the devastation—especially with the children, many of whom were kept as household slaves on the poverty-stricken and earthquake-devastated Caribbean island. God guided her every step as she moved blindly to a foreign land without knowing the language, the people, or the future. From becoming the adoptive mother of former child slaves, to receiving the divine gift of the Haitian Creole language, to starting, building, and running a school for more than 500 children, "the amazingness of what God did after I made the choice to be obedient is incredible," said Megan. Three years later, six acres on Bellevue Mountain in Gressier is the home of the nonprofit Respire Haiti at the former site of voodoo worship, and in the area that many still come to make animal sacrifices, Megan and her staff of nearly 200 are transforming this community as they educate, feed, and address the needs.
Even though there were relatively few people of color in postrevolutionary France, images of and discussions about black women in particular appeared repeatedly in a variety of French cultural sectors and social milieus. In Vénus Noire, Robin Mitchell shows how these literary and visual depictions of black women helped to shape the country’s postrevolutionary national identity, particularly in response to the trauma of the French defeat in the Haitian Revolution. Vénus Noire explores the ramifications of this defeat in examining visual and literary representations of three black women who achieved fame in the years that followed. Sarah Baartmann, popularly known as the Hottentot Venus, represented distorted memories of Haiti in the French imagination, and Mitchell shows how her display, treatment, and representation embodied residual anger harbored by the French. Ourika, a young Senegalese girl brought to live in France by the Maréchal Prince de Beauvau, inspired plays, poems, and clothing and jewelry fads, and Mitchell examines how the French appropriated black female identity through these representations while at the same time perpetuating stereotypes of the hypersexual black woman. Finally, Mitchell shows how demonization of Jeanne Duval, longtime lover of the poet Charles Baudelaire, expressed France’s need to rid itself of black bodies even as images and discourses about these bodies proliferated. The stories of these women, carefully contextualized by Mitchell and put into dialogue with one another, reveal a blind spot about race in French national identity that persists in the postcolonial present.
A Haitian American woman survives a brutal kidnapping in this “commanding debut novel” from the New York Times–bestselling author of Bad Feminist (The New Yorker). Author and essayist Roxane Gay is celebrated for her incisive commentary on identity and culture, as well as for her bestselling nonfiction and short story collections. Now, with An Untamed State, she delivers a “breathtaking debut novel” (The Guardian, UK) of wealth in the face of crushing poverty, and the lawless anger produced by corrupt governments. Mireille Duval Jameson is living a fairy tale. The strong-willed youngest daughter of one of Haiti’s richest sons, she lives in the United States with her adoring husband and infant son, returning every summer to stay on her father’s Port-au-Prince estate. But the fairy tale ends when Mireille is kidnapped in broad daylight by a gang of heavily armed men, just outside the estate walls. Held captive by a man who calls himself The Commander, Mireille waits for her father to pay her ransom. As her father’s standoff with the kidnappers stretches out into days, Mireille must endure the torments of a man who despises everything she represents. An Untamed State is a “breathless, artful, disturbing and original” story of a willful woman attempting to find her way back to the person she once was, and of how redemption is found in the most unexpected of places (Meg Wolitzer, author of The Interestings).