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First published in 1964. This book is concerned with impressions of Arabic culture on the British before the First World War. More particularly, it is concerned with three Victorian travellers, all of whom knew Arabic culture first hand through their travels in the Middle and Near East, and especially in Arabia, Arabic North Africa, and the seaboard of the eastern Mediterranean. This title will be of interest to students of history.
The Victorians, perhaps more than any Britons before them, were diggers and sifters of the past. Though they were not the first to be fascinated by history, the intensity and range of their preoccupations with the past were unprecedented and of lasting importance. The Victorians paved the way for our modern disciplines, discovered the primeval monsters we now call the dinosaurs, and built many of Britain’s most important national museums and galleries. To a large degree, they created the perceptual frameworks through which we continue to understand the past. Out of their discoveries, new histories emerged, giving rise to fresh debates, while seemingly well-known histories were thrown into confusion by novel tools and methods of scrutiny. If in the eighteenth century the study of the past had been the province of a handful of elites, new technologies and economic development in the nineteenth century meant that the past, in all its brilliant detail, was for the first time the property of the many, not the few. Time Travelers is a book about the myriad ways in which Victorians approached the past, offering a vivid picture of the Victorian world and its historical obsessions.
This volume complements other published works about travel by nineteenth-century women writers by locating and creating ‘space’ for Japan which is missing within recent critical discourses on travel writing. It examines the narratives of women writers who travelled to Japan from the mid-1850s onwards, when Japan was first opened to the West, and became a highly desirable travel destination for decades thereafter. Many women travelled in this period, and although most left no record of their journeys, enough did to form a discrete body of literature spanning more than fifty years – from the end of the feudal Tokugawa era to the rise of Meiji Japan as a world power. Their narratives about Japan occupy a culturally significant place, not only in the genre of Victorian female travel writing, but in Victorian travel writing per se. The writers who are the subject of this book are divided into two groups: those who were ‘travellers-by-intent’, namely, Anna D’A, Alice Frere, Annie Brassey, Isabella Bird and Marie Stopes, and those who ‘travelled-by-default’ as the wives of diplomats, namely Mrs Pemberton Hodgson, Mrs Hugh Fraser and Baroness Albert d’Anethan.
An invaluable compendium of writing on the Middle East including extracts from canonical and less well known travellers’ works.
This book is a companion volume to Dickens and Italy, edited by Michael Hollington and Francesca Orestano, which aimed to fill an important gap in our understanding of England’s paramount novelist by studying his personal, political and literary relation to the foreign country he loved best of all of those he visited. Its focus is wider and its scope more ambitious and speculative. Without in any way leaving Dickens or his writings about Italy behind, the attempt here is to approach the Victorian fascination with that country from a broader, more theoretical perspective in which several current debates about travel writing are taken up and critically redeployed. The book is articulated in three parts. Part One concerns what the writings of Dickens and other Victorians can tell us about the history and theory of travel and travel writing, and Part Two, what they can tell us about particular Victorian writers themselves and their work. In Part Three the focus shifts in order to compare writing and visual representations of the experience of ‘abroad’ in general and Italy in particular, in an era when what can be thought of as modern visual culture is gradually taking shape. The book aims to show that the study of how Victorians imagined Italy can lead to a deeper understanding of some of the stereotypes that continue to inform contemporary tourism.
Discourses of Difference unravels the complexities of writings by British women travellers of the `high colonial' period. Sara Mills examines the relation of women travellers to colonialism, positioned as they were at the site of conflicting discourses: femininity, feminism, and patriarchal imperialism. Using feminist discourse theory, Sara Mills analyses the writings of three women travellers - Alexandra David-Neel, Mary Kingsley and Nina Mazuchelli. Her examination of agency, identity, and the contemporary social environment, is an important and inspiring step forward in post-colonial cultural and literary theory.
From Empire to Orient offers an alternative perspective on Britain's late imperial period by looking at the lives and the writings of the men who chose to defy the conventional social and political attitudes of the British ruling classes towards the Near East. Between the Greek revolt in 1830 and the fall of the Caliphate in 1924 a different kind of voice was heard that was both anti-Imperialist and pro-Islamic. Geoffrey Nash places David Urquhart 's passionate belief in the ideal of municipal government in Turkey, W.S. Blunt's enthusiasm for the Egyptian reformers of the Azhar, E.G. Browne's zeal for the Persian revolution and Marmaduke Pickthall's pained advocacy of the cause of the Young Turks into their political and historical context and into the context of their writings. The author argues that the actions of these men represented a distinctive identification with the Islamic world and of the involvement of the West in its politics. By condemning Britain's manoeuvres and choice of allies in the Near East, each of these writers embellished a narrative of betrayal and a breach with the British educated classes' view of the Islamic East. Through the lives and writings of these men who identified so passionately with the Islamic world, Nash offers a fascinating perspective on Britain's late imperial period.
DK Eyewitness Travel Guide: Sydney is your in-depth guide to the very best of Sydney. Take in the major sights, from the Sydney Opera House to the Taronga Zoo; go on a boat tour for your chance to cruise on the sparkling waters of Sydney Harbour; or simply soak up the sun on the white sands of Bondi Beach. Discover DK Eyewitness Travel Guide: Sydney: • Detailed itineraries and "don't-miss" destination highlights at a glance. • Illustrated cutaway 3-D drawings of important sights. • Floor plans and guided visitor information for major museums. • Free, color pull-out map (print edition) marked with sights, a selected sight and street index, public transit map, practical information on getting around, and a distance chart for measuring walking distances . • Guided walking tours, local drink and dining specialties to try, things to do, and places to eat, drink, and shop by area. • Area maps marked with sights and restaurants . • Detailed city maps include street finder index for easy navigation . • Insights into history and culture to help you understand the stories behind the sights. • Suggested day-trips and itineraries to explore beyond the city . • Hotel and restaurant listings highlight DK Choice special recommendations. With hundreds of full-color photographs, hand-drawn illustrations, and custom maps that illuminate every page, DK Eyewitness Travel Guide: Sydney truly shows you this city as no one else can. Recommend: For a pocket guidebook to Sydney, check out DK Eyewitness Travel Guide: Top 10 Sydney, which is packed with dozens of top 10 lists, ensuring you make the most of your time and experience the best of everything.