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A colorful guided tour from an expert, enabling weavers, textile lovers, and art lovers to notice and appreciate what tapestries can do and how they do it. This guide from expert tapestry weaver and historian Sidore gives how-to strategies enabling weavers and nonweavers to notice and appreciate the meaning of these artworks. You'll discover much to enjoy in photos of more than 300 tapestries from the 12th to the 21st centuries. Sidore enables you to think about the weavings in ways you have never before considered as she groups pieces that talk with each other--and that also converse with the viewer. Enjoy learning basic elements of weaving to help you become increasingly sophisticated in understanding what you're seeing. Then, learn six ways in which tapestries can call attention to themselves as cloth. This eye-opening guide to seeing explains the great range of materials and visual themes, the use of trompe l'oeil, the importance of the direction in which the weaver weaves, and more. After this learning experience, you'll bring smarter eyes to your museum wandering, deeper enjoyment to your collection and purchases, and surprising new skills and creativity to your weaving of fibers . . . and of life.
A study of the condition, subject, design, manufacture, ownership, and exhibitions for each tapestry or set of tapestries in the Museum's medieval tapestry collection. -- Metropolitan Museum of Art.
"Guatemala is a land of contrasts: stunning mountain, river, and cloud forest landscapes with the constant threat of volcanic eruptions, mudslides, earthquakes, and brutal upheavals. Against this backdrop, the indigenous Maya and their Ladino compatriots persist in creating some of the loveliest and most colorful textiles the world has known. Their weaving, spinning, and basketmaking have sustained them economically and culturally against the pressures of change and a thirty-six year armed conflict that decimated their population. In Traditional Weavers of Guatemala, twenty artisans share their personal histories, hopes, and dreams along with the products of their hands and looms"--Inside cover.
From the Middle Ages, tapestries with figurative or other ornament were used by royalty and aristocrats to furnish their palaces and houses. While often observed as two dimensional art, they are three dimensional structures requiring specialist skill to maintain and conserve them. Since the vast majority of tapestries are on open display in historic interiors they pose particular conservation and interpretation challenges.00This publication aims to help conservators carry out assessments in order to arrive at appropriate options for treatment by focussing on: the techniques of tapestry manufacture; agents of deterioration, and current practice of methods of cleaning, methods of support and repair.
The Nature of Things weaves together a life full of happiness and sorrow. In these fourteen collected essays, Tommye McClure Scanlin reflects on her artistic journey and how crafting and life are interwoven, two threads that comprise a larger picture. Readers will find themselves lost in Scanlin's full-color tapestries and comforting writing style as they explore the natural fields and woods of southern Appalachia. A final part of the book gives an overview of tapestry weaving basics with diagrams and descriptions for setting up a simple pipe loom and weaving a small tapestry sampler. Glossary, simple pipe loom illustrations, and a resource list are included for reference.
This is Volume I of ten of the selected works of Frances A. Yates, it looks at eight famous Valois Tapestries with new photographs and those from the Florentine Galleries Uffizi.