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Githa Sowerby’s Rutherford and Son took the London theatre by storm in 1912. Following its triumphant run, the play toured to New York, was produced throughout England, and was translated and staged in multiple European locations. Yet Sowerby’s initial theatrical success would not be repeated. With historical hindsight, we can see Sowerby’s experience as comparable to that of many other women writers who struggled to achieve lasting recognition, especially when their work was perceived as critiquing the forces restricting women’s lives. These vivid domestic dramas explore timely questions of capitalism, feminism, and personal freedom. With the acclaimed revival of Rutherford at the National Theatre in 1994, and with the efforts by feminist scholars and theatre artists to rediscover the work of such forgotten women writers, Sowerby and her dramas have secured renewed interest. This edition gathers Rutherford and Son, its companion piece A Man and Some Women, and the postwar play The Stepmother. The edition will provide teachers, students, and artists with important historical contexts for Sowerby’s dramas and will demonstrate the ongoing cogency of these dynamic, insightful, and engaging plays.
"Life and Writings of Maurice Maeterlinck" by Jethro Bithell. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
The plays of María Martínez Sierra were popular in Spain, South America and in translation on Broadway and London's West End in the first half of the 20th century but they were thought to be written by her husband, the celebrated director and playwright Gregorio Martínez Sierra. After his death, the authorship of his work was revealed to be that of María, making her one of the most important playwrights of her time. This edited collection features three plays by María Martínez Sierra, translated by Helen and Harley Granville-Barker, along with an introduction by Patricia O'Connor, University of Cincinnati, US, which examines María's extraordinary life and work, and the battle for her authorship to be recognized in both the Spanish-speaking and anglophone world. This volume focuses on plays centred on strong women; and each is translated by the eminent man of theatre Harley Granville-Barker and his wife, Helen, whose own story holds stark parallels to Maria's in terms of authorship. The collection is edited by playwright Richard Nelson and Professor Colin Chambers, who contribute an essay on the translation work of the Granville-Barkers. The plays are: The Kingdom of God (1928); The Romantic Young Lady (1920) and Take Two From One (1931). María Martínez Sierra: A Great Playwright Hidden in Plain Sight recognizes María de la O Lejárraga García, to use her birth name, as one of the most important female playwrights, not just in Spain, but globally, in the first half of the 20th century.
More than one hundred books have been written about T.E. Lawrence which explore the man and his deeds. Just about every aspect and the many incarnations of his life, his campaigns, the geo-politics of the Arab world, and the influence of the West in it, as Lawrence experienced them, have been examined. However, nobody has gone in search of the mind of the man himself – of his formation and his deep beliefs. Nobody has asked the question, What, really, is the source of the extraordinary power of this little man? – not only in terms of his incontestable qualities of leadership, but also in regard to the sheer range of his activities and accomplishments. Archaeologist, writer, guerilla warfare theorist and practitioner, diplomat, soldier and airman, Lawrence also possessed an unusual ability to cross boundaries of class, race, culture, and religion. On top of this, he demonstrated the ability to walk away from power and wealth and the accumulation of things – to change his name more than once; to begin again at the bottom of the heap in the RAF, and stay there, with only a few friends and books and a motorcycle. Lawrence – Warrior and Scholar is a quest. It examines how a slight Oxford academic combined two of the most challenging paths a man can choose. What drove and motivated this man? How was it that he could apparently out-shoot, out-ride, and out-starve the Bedouin? How is it that the US military, and others, are still studying his famous account of the Arab Revolt and his ‘27 Articles’? Drawing upon what Lawrence and those who knew him wrote, and did, and said, Bruce Leigh delves into Lawrence’s personal philosophy and practices, examining and analyzing his library, and his close relationship to the world of classical scholarship and chivalry, emphasizing that Lawrence’s views were not abstractions only, but intimately tied to his actions and deeds. Ultimately, the book argues that there is a message in Lawrence’s writings and activities – one that is against the grain of the world of self-definition by consumption. As one of his friends wrote: ‘The Man was great, the message is greater.’