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Thomas Bernhard is "one of the masters of contemporary European fiction" (George Steiner); "one of the century's most gifted writers" (New York Newsday); "a virtuoso of rancor and rage" (Bookforum). And although he is favorably compared with Franz Kafka, Samuel Beckett, and Robert Musil, Thomas Bernhard still remains relatively unknown in America. Uninitiated readers should consider Three Novellas a passport to the absurd, dark, and uncommonly comic world of Bernhard. Two of the three novellas here have never before been published in English, and all of them show an early preoccupation with the themes-illness and madness, isolation, tragic friendships-that would obsess Bernhard throughout his career. Amras, one of his earliest works, tells the story of two brothers, one epileptic, who have survived a family suicide pact and are now living in a ruined tower, struggling with madness, trying either to come fully back to life or finally to die. In Playing Watten, the narrator, a doctor who lost his practice due to morphine abuse, describes a visit paid him by a truck driver who wanted the doctor to return to his habit of playing a game of cards (watten) every Wednesday—a habit that the doctor had interrupted when one of the players killed himself. The last novella, Walking, records the conversations of the narrator and his friend Oehler while they walk, discussing anything that comes to mind but always circling back to their mutual friend Karrer, who has gone irrevocably mad. Perhaps the most overtly philosophical work in Bernhard's highly philosophical oeuvre, Walking provides a penetrating meditation on the impossibility of truly thinking. Three Novellas offers a superb introduction to the fiction of perhaps the greatest unsung hero of twentieth-century literature. Rarely have the words suffocating, intense, and obsessive been meant so positively.
This book is a collection of the most recent novellas by Tiain-Steel, the definitive collection of Don Juan Quixote, Nowhere (Steel's first ever published short novella...which developed into the novel Northern Soul), and romantic fantasy-realisms in Jump Back Jump Forward. A great read.
Three tales of teenagers experiencing the inexplicable.
Thomas Bernhard is "one of the masters of contemporary European fiction" (George Steiner); "one of the century's most gifted writers" (New York Newsday); "a virtuoso of rancor and rage" (Bookforum). And although he is favorably compared with Franz Kafka, Samuel Beckett, and Robert Musil, Thomas Bernhard still remains relatively unknown in America. Uninitiated readers should consider Three Novellas a passport to the absurd, dark, and uncommonly comic world of Bernhard. Two of the three novellas here have never before been published in English, and all of them show an early preoccupation with the themes-illness and madness, isolation, tragic friendships-that would obsess Bernhard throughout his career. Amras, one of his earliest works, tells the story of two brothers, one epileptic, who have survived a family suicide pact and are now living in a ruined tower, struggling with madness, trying either to come fully back to life or finally to die. In Playing Watten, the narrator, a doctor who lost his practice due to morphine abuse, describes a visit paid him by a truck driver who wanted the doctor to return to his habit of playing a game of cards (watten) every Wednesday—a habit that the doctor had interrupted when one of the players killed himself. The last novella, Walking, records the conversations of the narrator and his friend Oehler while they walk, discussing anything that comes to mind but always circling back to their mutual friend Karrer, who has gone irrevocably mad. Perhaps the most overtly philosophical work in Bernhard's highly philosophical oeuvre, Walking provides a penetrating meditation on the impossibility of truly thinking. Three Novellas offers a superb introduction to the fiction of perhaps the greatest unsung hero of twentieth-century literature. Rarely have the words suffocating, intense, and obsessive been meant so positively.
One of Tolstoy's last published works of fiction, The Devil revolves around the young landowner Yevgeny's irrepressible lust for Stepanida, a sensual peasant woman. Even when he gets married to a respectable upper-class lady, he finds himself unable to put an end to his encounters with Stepanida, and becomes increasingly consumed by guilt and helplessness in the face of his urges.In some ways comparable to the controversial Kreutzer Sonata, The Devil shows Tolstoy at his most salacious, and addresses the conflicts between desire, social norms and personal conscience. Also included in this volume is Family Happiness, one of Tolstoy's earliest works, an entertaining and cynical account of marriage from the perspective of a disillusioned wife, and A Landowner's Morning.
In this essential trilogy of novellas by the winner of the 2014 Nobel Prize in Literature, French author Patrick Modiano reaches back in time, opening the corridors of memory and exploring the mysteries to be encountered there. Each novella in the volume--Afterimage, Suspended Sentences, and Flowers of Ruin—represents a sterling example of the author’s originality and appeal, while Mark Polizzotti’s superb English-language translations capture not only Modiano’s distinctive narrative voice but also the matchless grace and spare beauty of his prose. Although originally published separately, Modiano’s three novellas form a single, compelling whole, haunted by the same gauzy sense of place and characters. Modiano draws on his own experiences, blended with the real or invented stories of others, to present a dreamlike autobiography that is also the biography of a place. Orphaned children, mysterious parents, forgotten friends, enigmatic strangers—each appears in this three-part love song to a Paris that no longer exists. Shadowed by the dark period of the Nazi Occupation, these novellas reveal Modiano’s fascination with the lost, obscure, or mysterious: a young person’s confusion over adult behavior; the repercussions of a chance encounter; the search for a missing father; the aftershock of a fatal affair. To read Modiano’s trilogy is to enter his world of uncertainties and the almost accidental way in which people find their fates.
"Rouge Street gives voice to an intriguing cast of characters left behind by China’s economic miracle . . . Shuang pulls no punches . . . From start to finish, his scope is close to the ground, his language sparingly emotive and unobtrusive. He never flinches. As a result, we don’t look away either." —Jing Tsu, The New York Times Book Review (Editors' Choice) Introduced by Madeleine Thien, author of the Booker finalist novel Do Not Say We Have Nothing From one of the most highly celebrated young Chinese writers, three dazzling novellas of Northeast China, mixing realism, mysticism, and noir. An inventor dreams of escaping his drab surroundings in a flying machine. A criminal, trapped beneath a frozen lake, fights a giant fish. A strange girl pledges to ignite a field of sorghum stalks. Rouge Street presents three novellas by Shuang Xuetao, the lauded young Chinese writer whose frank, fantastical short fiction has already inspired comparisons to Ernest Hemingway and Haruki Murakami. Located in China’s frigid Northeast, Shenyang, the author’s birthplace, boasts an illustrious past—legend holds that the emperor’s makeup was manufactured here. But while the city enjoyed renewed importance as an industrial hub under Mao Zedong, China’s subsequent transition from communism to a market economy led to an array of social ills—unemployment, poverty, alcoholism, domestic violence, divorce, suicide—that gritty Shenyang epitomizes. Orbiting the toughest neighborhood of a postindustrial city whose vast, inhospitable landscape makes every aspect of life a struggle, these many-voiced missives are united by Shuang Xuetao’s singular style—one that balances hardscrabble naturalism with the transcendent and faces the bleak environs with winning humor. Rouge Street illuminates not only the hidden pains of those left behind in an extraordinary economic boom but also the inspirations and grace they, nevertheless, manage to discover.
DIVDIVThree masterful tales of women in the grips of complicated and dangerous loves/divDIV The Rest of Life is comprised of three spellbinding novellas about women in love. In Immaculate Man, an agnostic New York divorcée finds herself in thrall to an unexpected passion for a Catholic priest—who is also desired by a former superior—and who becomes unmoored by the affair. Living at Home is set in London, and depicts the strange union between an English woman—a thrice-divorced doctor who works with autistic children—and an Italian man—a free-roaming journalist addicted to high-risk assignments. The title novella centers on the memories of an elderly Italian woman, recalling her days as a girl in the bloom of first love, who embarked on a suicide pact with her boyfriend, but was the only one not to follow through. /divDIV/div/div
“A miniature masterpiece [by] one of the most distinctive voices in 20th-century European literature.”—The New York Times Book Review From one of modern Italy’s greatest writers come four flawless novellas that combine history and fiction while mapping the treacherous relations between individuals and the state. Whether set amid the paranoia of the fascist past or the criminal and political labyrinths of present-day Italy, the novellas in Open Doors are thrillers of Kafkaesque moral gravity, beautifully written and relentlessly engrossing. “During the last quarter century, Sciascia has made of his curious Sicilian experience a literature that is not quite like anything else ever done by a European.”—Gore Vidal “Sciascia has claimed a niche in the critical pantheon comparable to [that of] Pirandello and Borges.”—Washington Post Book World “Combining fiction, historical meditation, philosophy and intellectual detective work . . . these novels [are] a poignant gleam of the elusive gold standard in literature.”—Newsday “Our century’s most brilliant writer-detective.”—Village Voice
“A propulsively well-written trio of novellas linked by a sense of loss and an inquiry into the impossible past.” —Kate Christensen In his three novellas, “In Short Measures,” “Strong Conspirators,” and “Sally Forth,” Michael Ruhlman delves deeply into the nuanced complexity of romantic and sexual love—and the inevitable evolution of the heart over the span of years and decades. Each novella asks questions about the nature of love in terms of loyalty and fidelity—what are one’s obligations toward one’s spouse, one’s family, and one’s heart? In the first novella, “In Short Measures,” these questions are bound up in a writer’s work and a long-ago love. In the second, “Strong Conspirators,” an unforeseen, cataclysmic event calls for responses from a husband and wife that have never been rehearsed because they have never been required nor even imagined. In “Sally Forth,” a pair of old friends is forced to explore lost youth and lost love relative to maturity, marriage, and the passage of time. Profoundly thought-provoking and satisfying, these novellas are beautifully written with plot twists from beginning to end that will captivate the reader. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.