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A new translation of a 17th-century text describing three spectacular banquets that greeted Queen Christina of Sweden when she visited Rome in 1668. Antonio degli Effetti was on the scene, and described all three feasts in their sumptuous glory, detailing the lavish preparations for the celebrations and the dining experience itself, designed by Bernini, no less! The original text, dotted with quotations from Ovid's Metamorphoses and Virgil's Aeneid, is placed in today s context by a foreword and two essays by Birnbaum.
Esther: The Christian Standard Commentary is part of The Christian Standard Commentary (CSC) series. This commentary series focuses on the theological and exegetical concerns of each biblical book, thoughtfully balancing rigorous scholarship with practical application. This series helps the reader understand each biblical book's theology, its place in the broader narrative of Scripture, and its importance for the church today. Drawing on the wisdom and skills of dozens of evangelical authors, the CSC is a tool for enhancing and supporting the life of the church. The author of Esther: The Christian Standard Commentary is Andrew E. Steinmann.
This lively commentary encompasses four major books focusing on women in the Hebrew Bible and Apocrypha. Each section in the volume addresses the biblical text in detail, and draws connections from the world of ancient audiences to that of present-day readers. Wolfe's research is motivated by the usual inquiries of biblical scholarship, as well as the questions raised by the many church Bible study groups she has taught. Clergy and laity, students and scholars will benefit from these contemporarily relevant reflections on Ruth, Esther, Song of Songs and Judith. Ruth: The foreign widow who sneaks onto the nighttime threshing floor to find survival for herself and her devastated mother-in-law. Esther: The Jewish orphan-turned-queen who turns Persian banqueting on its head in an effort to defend her people. Song of Songs: The proud and alluring lover who claims her sexuality as her own and joyfully shares it with her beloved. Judith: The pious and beautiful widow who lets the enemy commander's appetite become his downfall in order to save her besieged city. This volume is an opportunity to engage these women's suspense-filled stories, which have sustained faith communities since ancient times. ________ Lisa Wolfe is also the author of a DVD Bible study series "Uppity Women of the Bible" (Living the Questions, 2010), which is a companion to this book.To purchase a copy of the DVD series, please visit the following link at Living the Questions: http://www.livingthequestions.com/xcart/home.php?cat=461
This Selected Poems, Alli Warren’s first UK collection, presents work from her first three full-length books: Here Come The Warm Jets (2013), I Love It Though (2017), and Little Hill (2020). Shot through with clear-sighted hope, yet intensely attentive to the specific cruelties of our present epoch, Warren asks “who is permitted unhindered breath”. This work aims to “study the past to denaturalize the present”, to reverse the mirrored and self-perpetuating notions of nature and culture, human and animal. Warren knows that poetry can’t sing from beyond mediation, but insists that poetry can acknowledge mediation’s more mendacious disguises and bring them out into the open. Carried through by a prosody alternately razor-sharp and capaciously crowded, in lines and sentences harshly yet lovingly aware of the “possible future in the tender measure”, poet-as-ventriloquist throws multiple voices to see what’s revealed under poetry’s light. With glamour and imagination and biting humour in abundance, Warren seeks to walk to the end of the world-system, “the terror of the totally plausible future” at once post-apocalyptic and utopian—“When I said I was going / to the bar I meant / no death, no death”. Such work may “begin from economic fact”, but it’s where you go from there that matters. Operating within the flows and constraints of racialised capitalism—a space of horror, shared with monsters—Warren’s poetry also throws up multiple pleasures, guilty and otherwise, and glimmers of collective possibility, of possible futures we can sometimes glimpse and live within. This is poetry written from community, poetic and otherwise, living and dead and otherwise: from Oakland, El Cerrito, San Francisco; from the meadow, from the street, in a car; marching to shut down the port, walking to breathe in a charged air everyday and Orphic, “buoyant” and “forked”. These poems give us the measures, the strength, the breath to propel ourselves through the circumscribed day. ALLI WARREN is the author of Here Come The Warm Jets (City Lights, 2013), I Love It Though (Nighboat, 2017), Little Hill (City Lights, 2020), and numerous chapbooks. She edited the literary magazine Dreamboat, co-curated the (New) Reading Series at 21 Grand, and co-edited the Poetic Labor Project. She has lived and worked in the Bay Area since 2005.
This is the first book devoted to the Queen's Men, one of the major acting companies of the age of Shakespeare. In describing the troupe's position in the general political situation and the London theatre scene of the 1580s, the authors break new ground by showing how Elizabethan theatre history can be refocused by concentrating on the company which produced the plays rather than on the authors who wrote them. The book combines a thorough examination of documentary evidence with textual and critical analysis, to provide a full account of the characteristics which gave the company its identity: its acting style, staging methods, touring patterns and repertoire. The conclusions will interest Elizabethan historians as well as students and scholars of early modern theatre.
This book is a great introduction into the history of the British Empire and women who helped to shape it. The book starts with the very first queen in the history of Great Britain, Matilda of Flanders, the wife of William the conqueror, and goes through all the history, mentioning Berengaria of Navarre, the queen of the legendary king Ricard I and all the wives of Henry VIII among the others. The book is aimed at young adults and is written in a simple, understandable, and somewhat naïve manner characteristic of the Victorian-era books for young ladies. Yet, the light and relaxing tone of the book will make it interesting for adults seeking for an entertaining read with educational value. It contains a lot of captivating moments too. For example, the very first story of the book, tells that to win heart of her future queen, William the Conqueror, rolled her in mud and beat her. _x000D_
Abrahamic scriptures serve as cultural pharmakon, prescribing what can act as both poison and remedy. This collection shows that their sometimes veiled but eternally powerful polemics can both destroy and build, exclude and include, and serve as the ultimate justification for cruelty or compassion. Here, scholars not only excavate these works for their formative and continuing cultural impact on communities, identities, and belief systems, they select some of the most troubling topics that global communities continue to navigate. Their analysis of both texts and their reception help explain how these texts promote norms and build collective identities. Rejecting the notion of the sacred realm as separate from the mundane realm and beyond critical challenge, this collection argues—both implicitly and sometimes transparently—for the presence of the sacred within everyday life and open to challenge. The very rituals, prayers, and traditions that are deemed sacred interweave into our cultural systems in infinite ways. Together, these authors explore the dynamic nature of everyday life and the often-brutal power of these texts over everyday meaning.
Irene Nowell's lively and thoughtful exploration of these poetic and powerful books promises to ignite appreciation and understanding in the hearts and minds of readers. The five books abound with vivid stories of faith. The Song of Songs, dedicated to Solomon, celebrates the wonder of human love. The book of Ruth tells of two valiant women who move from emptiness to fullness, desolation to redemption. Lamentations, telling of the destruction of Jerusalem, recognizes that the Lord has struck and that only the Lord can heal. Ecclesiastes teaches the futility of vanity and storing up riches. The book of Esther tells the story of a Jewish woman and her uncle who deliver the Jews from threatened genocide. This volume offers readers a wealth of information to inspire deeper understanding of the human journey and God's presence in the lives of those who trust in Him. --from back cover.
First published over ten years ago, The Queer Bible Commentary brings together the work of several scholars and pastors known for their interest in the areas of gender, sexuality and Biblical studies. Contributors draw on feminist, queer, deconstructionist, utopian theories, the social sciences and historical-critical discourses. The focus is both how reading from lesbian, gay, bisexual and/or transgender perspectives affect the reading and interpretation of biblical texts and how biblical texts have and do affect LGBTQ+ communities. This revised 2nd edition includes updated bibliographies and chapters taking into account the latest literature relating to queer interpretation of scripture.