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Fabric of Time, Book Three. Emily Sundberg has her life all planned--a respectable job as a teacher and a suitable husband. But does God have a better plan for her?
In an era of global warming, war, escalating expenses, declining income, and drugs and violence in schools, many mothers feel they have little control over their families or their worlds. Nora Murphy eloquently demonstrates that many women do control one tiny thing: their next stitch. While tracing the frustrations and joys of knitting a sweater for her son through the course of one cold, dark Minnesota winter, Murphy eloquently brings to life the traditions and cultures of women from many backgrounds, including Hmong, American Indian, Mexican, African, and Irish. Murphy’s personal stories — about her struggles to understand esoteric knitting patterns, her help from the shaman of the knit shop, and her challenges sticking with an often vexing project — will appeal to knitters as well as everyone else who has labored to create something from scratch.
It was clear to Lance that his father hated him. Why else would he leave everything to Hank, except for that coin? You know, the one with some dude’s head on it, the ancient Euro or whatever it was. Except it wasn’t a Euro according to the pawnbroker. Turns out, it’s an old Imperial Coin from the days of the Great Emperor, and it might be worth a whole lot of dough on the other side of the galaxy, if Lance could somehow manage to take it there. But, how does a guy, who owes the hospital a lifetime’s worth of earnings, manage to travel across the stars? Turns out, he can do it for free. Not only that, but he can get three squares a day, an apartment complete with roommates, and two sets of clothes, albeit in spandex. It’s like prison, but with benefits. It’s SpaceForce. In the meantime, on the other side of the galaxy, Ailana is stuck next to her hated cousin, Embo in their grandmother’s sewing shop, forever listening to the old woman wax on about her glory days as a Royal Seamstress. No matter how she tries, Ailana can’t break free of Grandmother and her needling, even after the old woman is dead. However, it will be through her needle and thread, that Ailana gains admittance into the privileged world of the nobility, where fate will introduce her to a man that bears a striking resemblance to the face on Lance’s coin.
World and Church deals with the conflict between religiosity and life in the world. Deliberately, Schillebeeckx turns around the order of the words in the idiom 'church and world', thereby stressing the embedding of faith and church life in particular contexts. In the first three chapters he reflects on this tension as he experienced it in burgeoning existentialism and debates between Catholics and Marxists in those turbulent years in Paris, where he was living immediately after World War II. It includes thoughts on pastoral work among the working class and the then popular pretres-ouvriers movement. He looks at some social problems and the mutual interrogation of believers and non-believers, also in light of the ideological compartmentalisation ('pillarization') evident in diverse spheres of European society: education, social work and health care. Schillebeeckx concludes by considering the responsibility of Catholic intellectuals and academics for the future of the world and the church, including the possible significance of a Catholic university
The fourth volume of 'The Griffith Project' looks at the films produced by D.W.Griffith at the Biograph Company in 1910. There were 86 films in all and they represent a period of creativity for the director, and they have been systematically analyzed in this volume.
A Firesetter Short Story Practically from his first memory, Ary knew he was destined for the SpaceForce Academy, following in the footsteps of his famous parents. However, attending the Alliance’s premier military school was quite a daunting prospect. Fortunately, his sort-of step-sister, Kit would be right by his side. That is, until Kit unexpectedly announces she'd rather try her luck on Broadway. Now, Ary’s off to the Academy himself, doing his best not to screw up and unfortunately failing miserably.
22 short stories from the master of horror and mystery, including; The Devil In The Belfry; Lionizing; X-Ing A Paragraph; Metzengerstein; The System Of Doctor Tarr And Professor Fether; How To Write A Blackwood Article; A Predicament; Mystification; Diddling; The Angel Of The Odd; Mellonta Tauta; The Duc De L'omelette; The Oblong Box; Loss Of Breath; The Man That Was Used Up; The Business Man; The Landscape Garden; Maelzel's Chess-Player; The Power Of Words; The Colloquy Of Monos And Una; The Conversation Of Eiros And Charmion; and, Shadow—A Parable.
The philosopher and historian of culture Wilhelm Dilthey (1833-1911) has had a significant and continuing influence on twentieth-century Continental philosophy and in a broad range of scholarly disciplines. This volume is the third to be published in Princeton University Press's projected six-volume series of his most important works. Part One makes available three of his works on hermeneutics and its history: "Schleiermacher's Hermeneutical System in Relation to Earlier Protestant Hermeneutics" (The Prize Essay of 1860); "On Understanding and Hermeneutics" (1867-68), based on student lecture notes, and the "The Rise of Hermeneutics" (1900), which traces the history of hermeneutics back to Hellenistic Greece. All the addenda to this well-known essay are translated here, some for the first time. In them Dilthey articulates three philosophical aporias concerning hermeneutics and projects an ultimate convergence between understanding and explanation. Part Two provides translations of review essays by Dilthey on Buckle's use of statistical history and on Burckhardt's cultural history; an essay "Friedrich Schlosser and the Problem of Universal History;" and a talk recalling his early years as a student of Boeckh, Jakob Grimm, Mommsen, Ranke, and Ritter. It also contains the important historical essay "The Eighteenth Century and the Historical World," in which Dilthey reexamines the Enlightenment to show its significant contributions to the rise of historical consciousness.
Philip Webb was a British architect known as a founder of the Arts and Crafts movement and also a key member of the Pre-Raphaelite circle. He had a long association with William Morris and was responsible for the design of the hugely influential Red House, Morris’s first home. Webb's letters will be of interest to art and architecture historians.
Axzis, son of Thela the Swordsmistress and Vasmox the head of the institute of the Paranormal in New Sydney, knows about his Ezskiasian heritage, though he has never been Over There. His rich and varied life as a student and lute player is, however, interrupted when he catches sight of a strange, masked figure on the side walk opposite where he lives. From then on his life takes dramatic turns where he comes face to face with his roots. Lucy, a middle-aged Zealandian academic receives a large sum of money from an unknown source, which prompts her to finally follow her dreams and explore sides of her nature which have remained on hold for most of her life. So, she goes north to the mystical and myth-laden area of the beautiful Hokianga Harbour and the home of the patupaiarehe, fairies of Māori mythology. Her historic new home is beautiful. The forest mysterious and compelling. Then, in a strange configuration of trees resembling a tunnel, she comes face to face with something not wholly unexpected...