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This is my second volume of 1000 more quotations mostly from Hindu scriptures. This is a Book of Quotations with a difference. I have included books from Sanskrit and Tamil languages. Most of the quotation books sold in India have more foreign quotations than Hindu quotes. It is very rare to see Kalidasa or Tamil Tiru Valluvar in such books. I have given quotations from Panchatantra, Hitopadesa, Kalhana’s Raja Tarangini, Tamil poet Bharati, Sikh Gurus, Manu and Sanskrit dramas. The date of first posting in my blogs and the serial number are in all the posts. Last but not the least, I have divided them topic wise or subject wise.
This is a Book of Quotations with a difference. I have selected over one thousand quotations mainly from Hindu scriptures. I have included books from Sanskrit and Tamil languages. Most of the quotation books have more foreign quotations than Hindu quotes. It is very rare to see Kalidasa or Tamil Tiruvalluvar in such books. I have given quotations from Dr. Radhakrishnan, Vedas, Upanishads and Tamil ethical works.
This is a book that explodes old theories on linguistics and languages. I have been doing research in languages and linguistics for over 40 years. I have found that even Avestan in Persia (now Iran) is following the same rules as Tamil. Sanskrit language’s relation to European languages is well known. I have found some new rules that show Sanskrit and Tamil have originated from same source. Any word from any old language can be traced to Tamil or Sanskrit. Only problem is to find out patiently the missing links to trace them.
Manu Smriti, the Hindu Law Book, is the oldest law book in the world. It is older than Hammurabi’s law book. I have given the details for my dating in this book. Manu Smritis is not followed anywhere in India now or earlier. But all ancient Tamil and Sanskrit authors have praised Manu Neeti (Manu’s Justice). Though we have more than 20 Hindu law books, Manu being the first, everyone praised it as a model book.
This is the third part of my collection of anecdotes from an old book of anecdotes. I have not written anything. I have only compiled them. It will be very useful for party goers. The beauty of the book is that the anecdotes are arranged topic wise. Students may use this book for essay writing. Anecdotes regarding doctors, salesmen, sportsmen, politicians, authors, producers and other people from various walks of life are covered in this part.
This is the second part of my collection of anecdotes from an old book of anecdotes. I have not written anything. I have only compiled them. It will be very useful for party goers. The beauty of the book is that the anecdotes are arranged topic wise. Students may use this book for essay writing. I will give more anecdotes in the third part. Anecdotes regarding doctors, lawyers, judges, Christian preachers, politicians, soldiers, and other people from various walks of life are covered in this part.
There is nothing more miserable than to feel that emancipation is in the air and yet suffer the slavery of a mistaken idea. The author seeks to re-invent Hinduism by bringing to the fore its most fundamental postulates as: 1. Worship of the monotheistic formless Brahm. 2. God-realisation through Nishkam Sewa (selfless service). 3. Social equality and brotherhood (vasudhaiva kutumbakam). 4. Self-realisation through Jnana Yoga, Karma Yoga and Bhakti Yoga. 5. Salvation through worldly life of Purushaarth (Dharm, Arth, Kaam, Moksha). 'EK Samaj' repudiates the following attributes as excrescences and repugnant to the faith: 1. Mixing philosophy and religion made Hinduism an unorganised religion. 2. Worshipping numerous deities and limiting religious service to mere darshan of the idols fragmented Hinduism. 3. Hereditary priesthood, as permanent intermediaries for communion with God, polluted the religion. 4. Occupational ‘purity’ and ‘pollution’ camouflaged iniquitous social divisions. 5. Individual instead of congregational worship smothered Hindu brotherhood. 6. Pretensions of attaining Siddhis through ‘meditation and penances’ eulogised. 7. Escapism in worldly renunciation honoured. 8. Fatalist karma theory made Hindus pessimistic and other-worldly. 9. Transmigration, reincarnation, 84-lakh births used as props for gradation of castes. 10. Acceptance of Ahimsa made Hindus a doormat for the ruthless barbarians. 11. Karma kand and Mantra, Tantra, Yantra etc. justified as the sole religious expressions. 12. Lack of proselytisation prevented Hinduism from becoming a world religion. 13. Devdasi tradition made temples the venues of entertainment and recreation.
With the publication of her first novel, Shell Shaker (2001), Choctaw writer LeAnne Howe quickly emerged as a crucial voice in twenty-first-century American literature. Her innovative, award-winning works of fiction, poetry, drama, and criticism capture the complexities of Native American life and interrogate histories of both cultural and linguistic oppression throughout the United States. In the first monograph to consider Howe’s entire body of work, LeAnne Howe at the Intersections of Southern and Native American Literature, Kirstin L. Squint expands contemporary scholarship on Howe by examining her nuanced portrayal of Choctaw history and culture as modes of expression. Squint shows that Howe’s writings engage with Native, southern, and global networks by probing regional identity, gender power, authenticity, and performance from a distinctly Choctaw perspective—a method of discourse which Howe terms “Choctalking.” Drawing on interdisciplinary methodologies and theories, Squint complicates prevailing models of the Native South by proposing the concept of the “Interstate South,” a space in which Native Americans travel physically and metaphorically between tribal national and U.S. boundaries. Squint considers Howe’s engagement with these interconnected spaces and cultures, as well as how indigeneity can circulate throughout them. This important critical work—which includes an appendix with a previously unpublished interview with Howe—contributes to ongoing conversations about the Native South, positioning Howe as a pivotal creative force operating at under-examined points of contact between Native American and southern literature.