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“How important is a constant intercourse with nature and the contemplation of natural phenomena to the preservation of moral and intellectual health!” —Henry David Thoreau Since his death in 1862, Henry David Thoreau has left an indelible mark on the American mind. A vocal champion of simple living and social equality, he is revered for his tempered prose, gentle words, and wise observations. His most well-known work, Walden, is still read around the world, cherished for both its beautiful writing style and its timeless musings on life, simple living, and nature. Collected in Thoreau on Nature: Sage Words on Finding Harmony with the Natural World are some of Thoreau’s most impactful musings—drawn from the many writings he completed over his lifetime. His work touched on every aspect of living a harmonious life, from respecting your neighbors, whether human or animal, to the joys of a simplified life, free of clutter and distractions. Thoreau on Nature will undoubtedly be an essential resource for anyone seeking to find peace and balance in life.
Featuring nearly 100 luminous watercolor illustrations, Thoreau and the Art of Life collects eloquent passages from the writings of the seminal author and philosopher. Drawn mainly from his journals, the short excerpts provide fascinating insight into his thought processes by presenting his raw, unedited feelings about the things that meant the most to him. The book reflects Thoreau’s deep beliefs and ideas about nature, relationships, creativity, spirituality, aging, simplicity, and wisdom. By eloquently expressing his thoughts about life and what gives it value, he leads the reader to a closer examination of life. Thoreau’s work asks us to live our own truths with joy and discipline and to recognize that we live in a universe of extraordinary beauty, mystery, and wonder. An avid reader of Thoreau, editor and illustrator Roderick MacIver organized the passages by themes: love and friendship; art, creativity, and writing; aging, disease, and death; human society and culture; nature and the human connection to the natural world; and wisdom, truth, solitude, and simplicity. The book includes a chronology and brief biography. Thoreau’s words of wisdom combined with MacIver’s vivid illustrations of the American landscape will resonate with nature enthusiasts and a broad range of readers interested in art, environmentalism, literature, and philosophy. “It is something to be able to paint a particular picture, or to carve a statue, and so to make a few objects beautiful, but it is more glorious to carve and paint the very atmosphere and medium through which we look, which morally we can do. To affect the quality of the day, that is the highest of arts. Every man is tasked to make his life, even in its details, worthy of the contemplation of his most elevated and critical hour.” —Henry David Thoreau
Thoreau's Nature: Ethics, Politics, and the Wild explores how Thoreau crafted a life open to 'the Wild,' a term that marks the startling element of foreignness in every object of experience, however familiar. Thoreau's encounters with nature, Bennett argues, allowed him to resist his all-too-human tendency toward intellectual laziness, social conformity, and political complacency. Bennett pursues this theme by constructing a series of dialogues between Thoreau and our contemporaries: Foucault on identity and power, Haraway on the nature/culture of division, Hollywood celebrities on the Walden Woods Project, the National Endowment for the Humanities on politics and art, and Kafka on the question of political idealism. The pertinence to the late 20th century of Thoreau's pursuit of independent judgment, ecological foresight, and moral nobility becomes apparent through these engagements.
"[The author] traces the full arc of Thoreau’s life, from his early days in the intellectual hothouse of Concord, when the American experiment still felt fresh and precarious, and 'America was a family affair, earned by one generation and about to pass to the next.' By the time he died in 1862, at only forty-four years of age, Thoreau had witnessed the transformation of his world from a community of farmers and artisans into a bustling, interconnected commercial nation. What did that portend for the contemplative individual and abundant, wild nature that Thoreau celebrated? Drawing on Thoreau’s copious writings, published and unpublished, [the author] presents a Thoreau vigorously alive in all his quirks and contradictions: the young man shattered by the sudden death of his brother; the ambitious Harvard College student; the ecstatic visionary who closed Walden with an account of the regenerative power of the Cosmos. We meet the man whose belief in human freedom and the value of labor made him an uncompromising abolitionist; the solitary walker who found society in nature, but also found his own nature in the society of which he was a deeply interwoven part. And, running through it all, Thoreau the passionate naturalist, who, long before the age of environmentalism, saw tragedy for future generations in the human heedlessness around him."--
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Thoreau was a poet, a naturalist, a major American writer. Was he also a scientist? He was, Laura Dassow Walls suggests. Her book, the first to consider Thoreau as a serious and committed scientist, will change the way we understand his accomplishment and the place of science in American culture. Walls reveals that the scientific texts of Thoreau’s day deeply influenced his best work, from Walden to the Journal to the late natural history essays. Here we see how, just when literature and science were splitting into the “two cultures” we know now, Thoreau attempted to heal the growing rift. Walls shows how his commitment to Alexander von Humboldt’s scientific approach resulted in not only his “marriage” of poetry and science but also his distinctively patterned nature studies. In the first critical study of his “The Dispersion of Seeds” since its publication in 1993, she exposes evidence that Thoreau was using Darwinian modes of reasoning years before the appearance of Origin of Species. This book offers a powerful argument against the critical tradition that opposes a dry, mechanistic science to a warm, “organic” Romanticism. Instead, Thoreau’s experience reveals the complex interaction between Romanticism and the dynamic, law-seeking science of its day. Drawing on recent work in the theory and philosophy of science as well as literary history and theory, Seeing New Worlds bridges today’s “two cultures” in hopes of stimulating a fuller consideration of representations of nature.
With Thoreau’s Walden as a touchstone, Buell offers an account of environmental perception, the place of nature in the history of Western thought, and the consequences for literary scholarship of attempting to imagine a more “ecocentric” way of being. In doing so, he provides a profound rethinking of our literary and cultural reflections on nature.