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Women and Resistance in the Early Rastafari Movement is a pioneering study of women’s resistance in the emergent Rastafari movement in colonial Jamaica. As D. A. Dunkley demonstrates, Rastafari women had to contend not only with the various attempts made by the government and nonmembers to suppress the movement, but also with oppression and silencing from among their own ranks. Dunkley examines the lives and experiences of a group of Rastafari women between the movement’s inception in the 1930s and Jamaica’s independence from Britain in the 1960s, uncovering their sense of agency and resistance against both male domination and societal opposition to their Rastafari identity. Countering many years of scholarship that privilege the stories of Rastafari men, Women and Resistance in the Early Rastafari Movement reclaims the voices and narratives of early Rastafari women in the history of the Black liberation struggle.
Dread Talk examines the effects of Rastafarian language on Creole in other parts of the Carribean, its influence in Jamaican poetry, and its effects on standard Jamaican English. This revised edition includes a new introduction that outlines the changes that have occurred since the book first appeared and a new chapter, "Dread Talk in the Diaspora," that discusses Rastafarian as used in the urban centers of North America and Europe. Pollard provides a wealth of examples of Rastafarian language-use and definitions, explaining how the evolution of these forms derives from the philosophical position of the Rasta speakers: "The socio-political image which the Rastaman has had of himself in a society where lightness of skin, economic status, and social privileges have traditionally gone together must be included in any consideration of Rastafarian words " for the man making the words is a man looking up from under, a man pressed down economically and socially by the establishment."
Rastafari Reasoning and the RastaWoman:Gender Constructions in the Shaping of Rastafari Livity examines the complex ways that gender and race shaped a liberation movement propelled by the Caribbean evolution of an African spiritual ethos. Jeanne Christensen proposes that Rastafari represents the most recent reworking of this spiritual ethos, referred to as African religiosity. The book contributes a new perspective to the literature on Rastafari, and through a historical lens, corrects the predominant static view of Rastafari women. In certain Rastafari manifestations, a growing livity developed by RastaMen eventually excluded women from an important ritual called "Reasoning"—a conscious search for existential and ontological truth through self-understanding performed in a group setting. Restoring agency to the RastaWoman, Christensen argues that RastaWomen, intimately in touch with this spiritual ethos, challenged oppressive structures within the movement itself. They skirted official restrictions, speaking out in public and written forums whenever such avenues presented themselves, and searched for their own truth through conscious intentional self-examination characteristic of the Reasoning ritual. With its powerful, theoretically informed narrative, Rastafari Reasoning and the RastaWoman:Gender Constructions in the Shaping of Rastafari Livity will appeal to students and scholars interested in religious transformation, resistance movements, gender issues, critical race studies, and the history and culture of the English-speaking Caribbean.
"What corporations fear most are consumers who ask questions. Naomi Klein offers us the arguments with which to take on the superbrands." Billy Bragg from the bookjacket.
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In the 1920s, Robert Athlyi Rogers founded the Afro-Athlican Constructive Gaathly religion in the West Indies. He wrote The Holy Piby as a guiding text, seeing Ethiopians - in the classical meaning of all Africans - as God's chosen people, and he preached self-determination and self-reliance. The Holy Piby is a major source of influence to the Rastafarian faith, which holds Haile Selassie I as Christ, and Marcus Garvey as his prophet. The Holy Piby consists of four books, and the seventh chapter of the second book identifies Marcus Garvey as one of three apostles of God. Original copies are extremely rare, and it is not even listed in the Library of Congress. The text was banned in Jamaica and many other Caribbean Islands until the late 1920s.
Colliding with and confronting The Tempest and postcolonial identity, the poems in Safiya Sinclair's Cannibal explore Jamaican childhood and history, race relations in America, womanhood, otherness, and exile. She evokes a home no longer accessible and a body at times uninhabitable, often mirrored by a hybrid Eve/Caliban figure. Blooming with intense lyricism and fertile imagery, these full-blooded poems are elegant, mythic, and intricately woven. Here the female body is a dark landscape; the female body is cannibal. Sinclair shocks and delights her readers with her willingness to disorient and provoke, creating a multitextured collage of beautiful and explosive poems.