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"John E. Woods is revising our impression of Thomas Mann, masterpiece by masterpiece." —The New Yorker "Doctor Faustus is Mann's deepest artistic gesture. . . . Finely translated by John E. Woods." —The New Republic Thomas Mann's last great novel, first published in 1947 and now newly rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul—and the ability to love his fellow man. Leverkühn's life story is a brilliant allegory of the rise of the Third Reich, of Germany's renunciation of its own humanity and its embrace of ambition and nihilism. It is also Mann's most profound meditation on the German genius—both national and individual—and the terrible responsibilities of the truly great artist.
Arnold Schoenberg and Thomas Mann, two towering figures of twentieth-century music and literature, both found refuge in the German-exile community in Los Angeles during the Nazi era. This complete edition of their correspondence provides a glimpse inside their private and public lives and culminates in the famous dispute over Mann’s novel Doctor Faustus. In the thick of the controversy was Theodor Adorno, then a budding philosopher, whose contribution to the Faustus affair would make him an enemy of both families. Gathered here for the first time in English, the letters in this essential volume are complemented by diary entries, related articles, and other primary source materials, as well as an introduction by German studies scholar Adrian Daub that contextualizes the impact these two great artists had on twentieth-century thought and culture.
DigiCat Publishing presents to you this special edition of "Joseph in Egypt (Vol. 2)" by Thomas Mann. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Lee establishes what is actually happening in the novel in its historical setting, showing Mann's view of how the acceptance of fascism occurred and the determining role he attributed to the academic community in bringing about the disaster. Her book will be of interest to both amateur and professional students of Mann, particularly because it points to rich new directions for study."--BOOK JACKET.
Famous for his novels, Thomas Mann is more accessible through the shorter fictions which span his entire career. The most famous of these stories is one of the earliest. Death in Venice was made into the celebrated Visconti film, but all his mature preoccupations are present in this story: the need for a sense of meaning in existence, the relationship between life and art, the central role of sexual energy and the strange forms it can take, the place of death and disease, the importance of work, the individual's complex relations with his society and the dominant culture. These themes are developed in a series of brilliant stories, may of them very short and displaying the author's talent for macabre comedy. Dr Faustus and Buddenbrooks are already available in Everyman
A global pandemic has America under quarantine. In a run-down apartment building, with nowhere to go and nothing to do, five people-a philosopher, an academic, a filmmaker, a sculptor, and a philanthropist-come together, at first only for the pleasure of company. But then they find themselves in a ferocious debate about the obsessions that drive their lives and a ruthless quest to discover the secrets that brought them together. Their passions and betrayals play out against the dangerous backdrop of a state-enforced lockdown and a disease that can strike anyone at any time. The eventually explosive conflicts among these poor artists, underfed intellectuals, and desperate fanatics pose urgent questions of art and inequality, health and freedom, faith and power, love and death. The Quarantine of St. Sebastian House is at once a Platonic dialogue, a poem in prose, and a suspenseful story of mystery and romance: a fresh narrative for a new era.
Julia is an aspiring painter without money or direction, haunted by a strange family history. Mark is a successful architect who suddenly finds himself unemployed with a baby on the way. Alice is a well-known artist and museum curator disgraced when her last exhibit proved fatal. Running from their failures, this trio is drawn toward a strange new cult that seeks to obliterate the individual-and which may be the creation of a mysterious and dangerous avant-garde artist. John Pistelli unforgettably portrays three people desperate to lead meaningful lives as they confront the bizarre new institutions of a fraying America. A suspenseful and poetic novel in the visionary tradition of Don DeLillo, David Mitchell, Kazuo Ishiguro, and Jos� Saramago, PORTRAITS AND ASHES is a scorching picture of our troubled age.
This is the first up-to-date biography in English of Thomas Mann (1875-1955), perhaps the greatest German novelist of the twentieth century. Mann was the author of several classics of modern European fiction, including Death in Venice, The Magic Mountain, Buddenbrooks, and The Confessions of Felix Krull, Confidence Trickster, the winner of the Nobel Prize for Literature, and a staunch opponent of Nazism (which eventually drove him intoexile). Celebrated biographer Donald Prater traces Mann's life and work, from his upbringing in Lubeck, through his years in Munich, his exile in the US, and his last years in Switzerland. He discusses Mann's relationship with his novelist brother Heinrich, his homosexuality, his career as aprolific essayist, and the vast achievement of his novels. But the biography devotes particular attention to Mann's political thinking and his role in the rise and fall of Hitlerism. In Mann's development from nationalistic conservatism to a vigorous humanist anti-Nazism, Prater sees a fascinatingand crucially important illustration of the 'German problem' still so much of relevance to the Europe of today. Elegantly written, and always entertaining, Thomas Mann: A Life will take its place as the major biography of Mann.