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This fascinating selection of photographs traces some of the many ways in which Thomas Hardy's Dorset has changed and developed over the last century
'She bared her poor curst arm' A jealous lover's curse and an ingenious party trick feature in these two suspenseful stories set in Hardy's imaginary Wessex. One of 46 new books in the bestselling Little Black Classics series, to celebrate the first ever Penguin Classic in 1946. Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.
One of Thomas Hardy's most powerful works, The Return of the Native centers famously on Egdon Heath, the wild, haunted Wessex moor that D. H. Lawrence called 'the real stuff of tragedy.' The heath's changing face mirrors the fortunes of the farmers, inn-keepers, sons, mothers, and lovers who populate the novel. The 'native' is Clym Yeobright, who comes home from a cosmopolitan life in Paris. He; his cousin Thomasin; her fiancé, Damon Wildeve; and the willful Eustacia Vye are the protagonists in a tale of doomed love, passion, alienation, and melancholy as Hardy brilliantly explores that theme so familiar throughout his fiction: the diabolical role of chance in determining the course of a life.
Whoever had perceived the yeoman standing on Squire Everard's lawn in the dusk of that October evening fifty years ago, might have said at first sight that he was loitering there from idle curiosity. For a large five-light window of the manor-house in front of him was unshuttered and uncurtained, so that the illuminated room within could be scanned almost to its four corners. Obviously nobody was ever expected to be in this part of the grounds after nightfall.The apartment thus swept by an eye from without was occupied by two persons; they were sitting over dessert, the tablecloth having been removed in the old-fashioned way. The fruits were local, consisting of apples, pears, nuts, and such other products of the summer as might be presumed to grow on the estate. There was strong ale and rum on the table, and but little wine. Moreover, the appointments of the dining-room were simple and homely even for the date, betokening a countrified household of the smaller gentry, without much wealth or ambition—formerly a numerous class, but now in great part ousted by the territorial landlords.
Thomas Hardy's architectural career is not considered a success. Seen usually as a mere prelude to his literary output, it is most often summed up by reference to the 'shockingly' suburban home he built himself at Max Gate. But in this new work, Professor Kester Rattenbury argues the opposite: that far from being incidental, Hardy's architectural thinking is integral to a full understanding of his life's work. This is the first time Hardy's life and legacy have been studied by a fellow architectural writer and critic. Reconstructed from the wealth of little-known drawings, photographs, experimental illustrations and modest built work he produced or oversaw, and an architecturally-biased re-reading of his novels, this book sets out a startling new vision of Thomas Hardy's work, and how it has shaped England in fact and fiction. The Wessex Project exposes the architectural thinking and invention underlying Hardy's novels. It shows how his famous imaginary realm Wessex can be seen as a forerunner of the experimental architectural projects of our own times - in which architects weave together design, description, polemic, and images of both real and imagined spaces, to form highly developed and challenging unbuilt projects, published in books designed to change the way we see the world. The book makes a compelling case for listing Hardy among the greatest of all conceptual architects, as well as recognising him as one of the most influential and active conservationists and architectural critics of all time. This radical new perspective gives Hardy's many readers a chance, at last, to see Wessex as the author himself constructed it: through architectural eyes.