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An important contemporary source for fourteenth-century English history, in a pioneering edition from 1863-4.
A comparative reading of the "literary" works of Thomas Walsingham, highlighting his reaction to contemporary historical events.
Reprint of the original, first published in 1864.
Translated by David Preest with introduction and notes by James G. Clark Thomas Walsingham's Chronica maiora is one of the most comprehensive and colourful chronicles to survive from medieval England. Walsingham was a monk at St Albans Abbey, a royal monastery and the premier repository of public records, and therefore well placed to observe the political machinations of this period at close hand. Moreover, he knew the monarchs and many of the nobles personally and is able to offer insights into their actions unmatched by any other authority. It is this narrative, transmitted through the popular Tudor histories of Hall, Stow and Holinshed, which provides the principle source for Shakespeare's sequence of history plays. Covering almost fifty years, the narrative provides the most authoritative account of one of the most turbulent periods in English history, from the last years of Edward III (1376-77) to the premature death of Henry V (1422). Walsingham describes the many dramas of this period in vivid detail, including the Peasants' Revolt (1381), the deposition and murder of Richard II (1399-1400), The Welsh revolt of Owain Glyn Dwr (1403) and Henry V's victory at Agincourt (1415); they are brought to life here in this new translation.
"The Archana deorum of Thomas Walsingham is an early fifteenth-century paraphrase and explication of Ovid's Metamorphoses, introduced by treatises on the natures and iconography of the pagan gods. The text, which apparently survives only in St. John's College (Oxford) MS 124, is here presented in its first edition." -- Introduction.
An important contemporary source for fourteenth-century English history, in a pioneering edition from 1863-4.
This volume explores a range of premodern rulers and their depictions in historiography, literature, art and material culture to gain a broader understanding of their sexualities. It considers the methodologies and motivations of premodern writers and rulers when fashioning royal and elite sexualities and offers new analyses of an array of texts and artwork from across Europe and the wider Mediterranean.