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Part One -- Medieval Twilight: 1399 to1485. Part Two -- Rebuilding Society, Tudor Style: 1485 to1547. Part Three -- Uneasy Equilibrium: 1547 to1603. Part Four -- The Demise of the Tudor State: 1603-1660. Part Five -- Society Restyled: 1660 to 1688.
This text, which is the second volume in the best-selling History of England series, tells how a small and insignificant outpost of the Roman empire evolved into a nation that has produced and disseminated so many significant ideas and institutions. The Eighth Edition incorporates more women's history, while continuing to provide balanced political and economic coverage with social and cultural history woven throughout.
Here at last is a history of England that is designed to entertain as well as inform and that will delight the armchair traveler, the tourist or just about anyone interested in history. No people have engendered quite so much acclaim or earned so much censure as the English: extolled as the Athenians of modern times, yet hammered for their self-satisfaction and hypocrisy. But their history has been a spectacular one. The guiding principle of this book's heretical approach is that "history is not everything that happened, but what is worth remembering about the past.. . .". Thus, its chapters deal mainly with "Memorable History" in blocks of time over the centuries. The final chapter "The Royal Soap Opera," recounts the achievements, personalities and idiocies of the royal family since the arrival of William the Conqueror in 1066. Spiced with dozens of hilarious cartoons from Punch and other publications, English History will be a welcome and amusing tour of a land that has always fascinated Anglophiles and Anglophobes alike.
Choice Outstanding Academic Title (2022) A definitive history of evangelical Presbyterianism in America Reformed and Evangelical across Four Centuries tells the story of the Presbyterian church in the United States, beginning with its British foundations and extending to its present-day expression in multiple American Presbyterian denominations. This account emphasizes the role of the evangelical movement in shaping various Presbyterian bodies in America, especially in the twentieth century amid increasing departures from traditional Calvinism, historic orthodoxy, and a focus on biblical authority. Particular attention is also given to crucial elements of diversity in the Presbyterian story, with increasing numbers of African American, Latino/a, and Korean American Presbyterians—among others—in the twenty-first century. Overall, this book will be a bountiful resource to anyone curious about what it means to be Presbyterian in the multidimensional American context, as well as to anyone looking to understand this piece of the larger history of Christianity in the United States.
Our homage to freedom is a mockery, for the blinding glare of riches and power have made of democracy an illusion. The consequence is life without social and economic justice and a false view-we are chained to monetary acquisitiveness, group identities, and other limited perspectives. Power and influence coupled with technology, bureaucracy, and greed have masked accumulated wisdom-the bedrock of individual integrity. Even social injustice masked as property rights takes on a look of integrity, liberty, and prosperity. At the root of our problems is the relation of man to the land and his mental and physical separation from it. The most endurable structure would be built upon the Fatherhood of God, which the ancient Hebrews perceived as requiring the sharing among the entire people of the divine gift of land. While land rent has been acknowledged to be socially created, a theft by private interests of natural resources that belong to mankind in common, is protected and exalted as the fruit of effort and a basis of personal rights. The First Definitive History of Land Economics stands in a tradition of social criticism that recognizes that land-rent income should be the tax base of the community and the means to eliminate poverty. The author hopes to do something towards overcoming a way of thinking that in the guise of defending property rights defends privilege in its robbery of Nature, labor, and life.
Is history more than (in Boswell's words) a `chronological series of remarkable events'? Does it have a pattern? Is it fraught with `meaning'? Can we discern its trends? What determines its course? In short, can a substantial and coherent philosophy of history be devised that offers answers to these questions? These issues, which have intrigued -and bedeviled - historians for centuries, are explored in this thoughtful book.
The last decade has witnessed a spate of high-profile presentations of The Merchant of Venice: the 2004 Michael Radford film, 2010’s New York City “Shakespeare in the Park” production, as well as the play’s Tony Award-nominated 2010-11 Broadway run. Likewise, new scholarly works such as Kenneth Gross’s Shylock is Shakespeare (2006) and Janet Adelman’s Blood Relations (2008) have offered poignant insights into this play. Why has this drama garnered so much attention of late? What else can we learn from this contentious comedy? How else can we read the drama’s characters? Where do studies of The Merchant of Venice go from here? This collection offers readers sundry answers to these questions by showcasing a sampling of ways this culturally arresting play can be read and interpreted. The strength of this monograph lies in the disparate approaches its contributors offer – from a feminist view of Portia and Nerissa’s friendship to psychoanalytic readings of allegories between the play and Shakespeare’s Pericles to a reading of a Manga comic book version of The Merchant of Venice. Each essay is supported by a strong basis in traditional close reading practices. Our collection of scholars then buttresses such work with the theoretical or pedagogical frameworks that reflect their area of expertise. This collection offers readers different critical lenses through which to approach the primary text. Although Shakespeare scholars and graduate students will no doubt appreciate and employ the work of this collection, the primary audience of this anthology is undergraduate students and the professors who work with them. Many budding scholars have had the experience of checking out a monograph from the library and then finding it was a waste of time because the author spends three hundred pages discussing a perspective of which they have no interest. With this collection, students will not only see how multi-faceted interpretations of the play can be but they also are more likely to find essays that appeal to their own research interests.