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With five starred reviews, this is an acclaimed novel about sisterhood, family, and the pernicious legacy of racism. Perfect for fans of Tahereh Mafi, Jandy Nelson, and Emily X.R. Pan, with crossover appeal for readers of Brit Bennett’s The Vanishing Half. The Flanagan sisters are as different as they come. Seventeen-year-old Annalie is bubbly, sweet, and self-conscious, whereas nineteen-year-old Margaret is sharp and assertive. Margaret looks just like their mother, while Annalie passes for white and looks like the father who abandoned them years ago, leaving their Chinese immigrant mama to raise the girls alone in their small, predominantly white Midwestern town. When their house is vandalized with a shocking racial slur, Margaret rushes home from her summer internship in New York City. She expects outrage. Instead, her sister and mother would rather move on. Especially once Margaret’s own investigation begins to make members of their community uncomfortable. For Annalie, this was meant to be a summer of new possibilities, and she resents her sister’s sudden presence and insistence on drawing negative attention to their family. Meanwhile Margaret is infuriated with Annalie’s passive acceptance of what happened. For Margaret, the summer couldn’t possibly get worse, until she crosses paths with someone she swore she’d never see again: her first love, Rajiv Agarwal. As the sisters navigate this unexpected summer, an explosive secret threatens to break apart their relationship, once and for all. This Place Is Still Beautiful is a luminous, captivating story about identity, sisterhood, and how our hometowns are inextricably a part of who we are, even when we outgrow them.
2022 NATIONAL BOOK AWARD FINALIST ONE OF THE LOS ANGELES TIMES' TOP 5 FICTION BOOKS OF THE YEAR ONE OF TIME AND SLATE'S TOP 10 BOOKS OF THE YEAR Named one of the BEST BOOKS OF 2022 by NPR, Vogue, Vulture, BuzzFeed, Harper's Bazaar, and more “One of the buzziest, most human novels of the year…breathless, dizzying, and completely beautiful.” —Vogue “Dazzling and wholly original...[written] with such mordant wit, insight, and specificity, it feels like watching a new literary star being born in real time.” —Entertainment Weekly From a brilliant new voice comes an electrifying novel of a young immigrant building a life for herself—a warm, dazzling, and profound saga of queer love, friendship, work, and precarity in twenty-first century America Graduating into the long maw of an American recession, Sneha is one of the fortunate ones. She’s moved to Milwaukee for an entry-level corporate job that, grueling as it may be, is the key that unlocks every door: she can pick up the tab at dinner with her new friend Tig, get her college buddy Thom hired alongside her, and send money to her parents back in India. She begins dating women—soon developing a burning crush on Marina, a beguiling and beautiful dancer who always seems just out of reach. But before long, trouble arrives. Painful secrets rear their heads; jobs go off the rails; evictions loom. Sneha struggles to be truly close and open with anybody, even as her friendships deepen, even as she throws herself headlong into a dizzying romance with Marina. It’s then that Tig begins to draw up a radical solution to their problems, hoping to save them all. A beautiful and capacious novel rendered in singular, unforgettable prose, All This Could Be Different is a wise, tender, and riveting group portrait of young people forging love and community amidst struggle, and a moving story of one immigrant’s journey to make her home in the world.
Do you believe in the power of love? This book will show you how our society has abandoned love. It will show you how everyone is too focused on technology. We live in a world where weak bonds have been developed through our phones. We have become desensitized to the point that we have forgotten our humanity. Some have turned into robots and have abandoned their emotions altogether. The main character, one of the only humans left, tries to use her love to save humanity.
This volume examines fundamental issues of macro-engineering—now a planetary norm—from the viewpoints of psychiatry, social science, management, and law. The contributors suggest a general theory to guide future decisions on large-scale projects and programs and analyze specific cases in the context of a set of public-interest guidelines.
“FLIP THRU EACH PAGE AND UNCOVER THAT PAIN THAT IS HOLDING YOU BACK”
A third of a century ago, E. F. Schumacher rang out a timely warning against the idolatry of giantism with his book Small Is Beautiful. Schumacher, a highly respected economist and adviser to third-world governments, broke ranks with the accepted wisdom of his peers to warn of impending calamity if rampant consumerism, technological dynamism, and economic expansionism were not checked by human and environmental considerations. Joseph Pearce revisits Schumacher’s arguments and examines the multifarious ways in which Schumacher’s ideas themselves still matter. Faced though we are with fearful new technological possibilities and the continued centralization of power in large governmental and economic structures, there is still the possibility of pursuing a saner and more sustainable vision for humanity. Bigger is not always best, Pearce reminds us, and small is still beautiful. Humanity was lurching blindly in the wrong direction, argued Schumacher. Its obsessive pursuit of wealth would not, as so many believed, ultimately lead to utopia but more probably to catastrophe. Schumacher's greatest achievement was the fusion of ancient wisdom and modern economics in a language that encapsulated contemporary doubts and fears about the industrialized world. The wisdom of the ages, the perennial truths that have guided humanity throughout its history, serves as a constant reminder to each new generation of the limits to human ambition. But if this wisdom is a warning, it is also a battle cry. Schumacher saw that we needed to relearn the beauty of smallness, of human-scale technology and environments.
An impressive collection of relatable poetry and prose exploring love, heartbreak, self-love, and healing. Taking you on a pleasant journey started by the author towards the path of healing and self-love.BBSB - Illuminate will lift your soul, heal, and pass light through all the cracks inside you. Broken but still beautiful is a journey towards self-love and healing.BBSB - Illuminate is the first book from the series Broken But Still Beautiful by h. d costa
“Through the gift of writing, I have learned to express my thoughts and ideals in a manner of being best understood. I have tried hard not to allow negative thoughts or crazy ideals to interfere with anything meaningful and productive in my life.” Says author Alim M. Bey, “Do not allow yourself to come up short. Each of us has been given a gift at birth, and from that gift, we must learn to be positive, and wherever our aspirations fall, it should be our best.” Part of a poem in Poetry at Its Ripest: Do you have a friend? Do you have a friend who has fallen and can’t get up? And in all efforts made, still it isn’t enough Do you have a friend who’s off track? This is known knowledge and a fact Do you have a friend refusing to give life another try? During the talks and walks, you only see tears in their eyes I saw such a friend the other day, in as many years Need to clean up change clothes, hair hung below his ears Do you have a friend you want to help in good taste? Recognized you, turned walked away, leaving no trace
This book considers the relationships between British Romantic-era novelist, poet and writer of educational works for children, Charlotte Smith (1749-1806), and a number of visual artists of the eighteenth century with whom she had connections. By exploring these associations with artists such as George Smith of Chichester, George Romney, James Northcote, John Raphael Smith and Emma Smith, the book demonstrates how the artwork of these individual artists influenced Charlotte Smith’s literary corpus. It also shows a mutual influence: how the literary works of Charlotte Smith impacted the corpora of these artists. This study uncovers information which was not heretofore known regarding these artists: it reveals a mistaken attribution of a sketch which accompanied the second volume of Smith’s Elegiac Sonnets (1797) and sheds light on a print, held by the British Museum, which was previously shrouded in mystery. The artworks also enhance the existing scholarly knowledge about Smith’s biography. This book analyses the tropes and motifs employed by Smith’s artist-associates in the context of the popular aesthetics of the period and undertakes parallel readings between such visual artistry and Smith’s literary works. The book deliberates on how Smith utilises these aesthetics as narrative devices, making use of the tropes of the picturesque, the sublime and the beautiful, as well as that of a national British heraldic artwork, in order to produce and enhance meaning in her literary oeuvre. Thus, Smith uses aesthetic structures as vehicles for social critique, commentating on political, gender, moral and class concerns in addition to enhancing the perceived authenticity of her own artistry. The scholarship aims to correct the common misperception that Smith was a lonely marginal figure of Romanticism and instead asserts her central position in an enormous network of key artistic figures of British Romanticism.