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Author of Aliened American: A Biography of William Howard Day, 18251900; Legendary Locals of Harrisburg; and Biography of an Antislavery City: Antislavery Advocates, Abolitionists, and Underground Railroad Activists The demise of the so-called Jim Crow laws in 1964 and 1965 and the victory of the civil rights movement rang hollow in the ears of most African Americans. While segregation was practiced in many places of the South, systemic forms of racism permeated northern society. As distrust pervaded African American communities after 1966, the maligned Black Panther Party filled the void, especially among baby boomers who moved the African American liberation movement further to the left. During this difficult time, when the country was torn apart by issues of race and poverty, as well as the escalation of the Vietnam War, unrest seemed to prevail at a myriad of colleges and universities across the United States where newly formed Afro-American societies and black student unions pressed for pedagogical change suited to the liberation doctrine coming from the black left. Spring 1969 was a particularly explosive semester as African American students occupied administrative buildings and common areas at both historically black and predominantly white colleges on the East Coast. In This Is the Rat Speaking, author Todd M. Mealy reconstructs the May 22, 1969, black student uprising at Franklin and Marshall College. Using Lancaster County, Pennsylvania, and Franklin and Marshall College as his setting, Mealy revisits the role and influence of the Black Panthers and delves into how activism for black studies curriculum emerged within the black power movement of the 1960s. Based on oral history testimony, investigation reports, and judicial records, Mealy provokes discussion from different perspectives.
Emmy was a good girl. At least she tried very hard to be good. She did her homework without being told. She ate all her vegetables, even the slimy ones. And she never talked back to her nanny, Miss Barmy, although it was almost impossible to keep quiet, some days. She really was a little too good. Which is why she liked to sit by the Rat. The Rat was not good at all . . . Hilarious, inventive, and irresistably rodent-friendly, Emmy and the Incredible Shrinking Rat is a fantastic first novel from acclaimed picture book author Lynne Jonell.
"Tells the darkly humorous story of the French colonial state's failed efforts to impose its vision of modernity upon the colonial city of Hanoi, Vietnam. This book offers a case study in the history of imperialism, highlighting the racialized economic inequalities of empire, colonization as a form of modernization, and industrial capitalism's creation of a radical power differential between "the West and the rest." On a deeper level, The Great Hanoi Rat Hunt will engage the contradictions unique to the French Third Republic's colonial "civilizing mission," the development of Vietnamese resistance to French rule, the history of disease, and aspects of environmental history"--
FINALIST FOR THE 2021 BOOKER PRIZE & A NEW YORK TIMES TOP 10 BOOK OF 2021 WINNER OF THE DYLAN THOMAS PRIZE “A book that reads like a prose poem, at once sublime, profane, intimate, philosophical, witty and, eventually, deeply moving.” —New York Times Book Review, Editors’ Choice “Wow. I can’t remember the last time I laughed so much reading a book. What an inventive and startling writer…I’m so glad I read this. I really think this book is remarkable.” —David Sedaris From "a formidably gifted writer" (The New York Times Book Review), a book that asks: Is there life after the internet? As this urgent, genre-defying book opens, a woman who has recently been elevated to prominence for her social media posts travels around the world to meet her adoring fans. She is overwhelmed by navigating the new language and etiquette of what she terms "the portal," where she grapples with an unshakable conviction that a vast chorus of voices is now dictating her thoughts. When existential threats--from climate change and economic precariousness to the rise of an unnamed dictator and an epidemic of loneliness--begin to loom, she posts her way deeper into the portal's void. An avalanche of images, details, and references accumulate to form a landscape that is post-sense, post-irony, post-everything. "Are we in hell?" the people of the portal ask themselves. "Are we all just going to keep doing this until we die?" Suddenly, two texts from her mother pierce the fray: "Something has gone wrong," and "How soon can you get here?" As real life and its stakes collide with the increasingly absurd antics of the portal, the woman confronts a world that seems to contain both an abundance of proof that there is goodness, empathy, and justice in the universe, and a deluge of evidence to the contrary. Fragmentary and omniscient, incisive and sincere, No One Is Talking About This is at once a love letter to the endless scroll and a profound, modern meditation on love, language, and human connection from a singular voice in American literature.
From the world-famous author of THE NAME OF THE ROSE, an illuminating and humorous study on the pleasures and pitfalls of translation. 'Translation is always a shift, not between two languages but between two cultures. A translator must take into account rules that are not strictly linguistic but, broadly speaking, cultural.' Umberto Eco is of the world's most brilliant and entertaining writers on literature and language. In this accessible and dazzling study, he turns his eye on the subject of translations and the problems the differences between cultures can cause. The book is full of little gems about mistranslations and misunderstandings.For example when you put 'Studies in the logic of Charles Sanders Peirce' through an internet translation machine, it becomes 'Studies in the logic of the Charles of sandpaper grinding machines Peirce'. In Italian 'ratto' has no connotation of 'contemptible person' but denotes speed ('you dirty rat' could take on a whole new meaning!) What could be a weighty subject is never dull, fired by Eco's immense wit and erudition, providing an entertaining read that illuminates the process of negotiation that all translators must make.
He was the first to put the mafia on the page exactly as they were-before The Sopranos, before The Godfather, there was Jimmy Breslin of the New York Herald Tribune. As Breslin says, 'I hate legitimate people. They all proclaim immaculate honesty, but each day they commit the most serious of all felonies, being a bore. To whom do you care to listen, Warren Buffet, the second richest and most boring person on earth, or Burt Kaplan out of Bensonhurst, Brooklyn?' Breslin can sniff out a story like he can sniff out a rat. Characters like the Honorable Jack Weinstein, the judicial heavyweight who snapped Vincent Gigante's insanity defense in two, Sammy the Bull, the original snitch, Gaspipe Casso, named for his weapon of choice; and hangouts like Pep McGuire's, the legendary watering hole where reporters and gangsters (all hailing from the same working class neighbourhoods) rubbed elbows and traded stories, the dog-fight circles and body dumps at Ozone Park, the back room at Midnight Rose's candy store where Murder, Inc. hired and fired. But best of all, Breslin captures the moments in which the Mafia was made and broken- Breslin was there the night John Gotti celebrated his acquittal at his Ravenite Social Club on Mulberry, having bribed his way to innocence, only to incite the wrath of the FBI, who would later crush Gotti and others with the full force of the RICO laws. Woven throughout Breslin's stories is the aforementioned 'Burt Kaplan out of Bensonhurst, Brooklyn,' and star witness in the recent trial of the two New York City detectives indicted for acting as mob hit men in eight homicides. Kaplan was a former handler for the Luchese crime family who owed the law 18 years in the penitentiary, and, like all rats, he knew when to flee a sinking ship.
This eye-opening, well-researched examination of mankind's oldest competitor is filled with weirdly fascinating information about the history of the rat and the way it consistently outsmarts man. Illustrations.
This World Fantasy Award winner in the vein of Animal Farm delves into a lab worthy of a mad Nazi scientist—but run by a brilliantly sadistic rodent. In the annals of American literature, there has never been a character quite like Doctor Rat, PhD. From one of the most indispensable storytellers in speculative fiction, this biting satire introduces a narrator of learned charm and humor, and a twisted logic that is absolutely chilling. Doctor Rat is a credit to his species. A survivor of the most refined scientific experiments, now removed from the maze, he has become a valued and productive member of the academic community. When he must administer a lethal dose, he comforts his fellow rats with his compassionate slogan: “Death is freedom.” But everything changes when animals worldwide begin to rebel, refusing to accept their proper places in the natural order of things: as test subjects, pets, or food. And only Doctor Rat has the courage to defend mankind from the ungrateful animal kingdom. Hailed by the Los Angeles Times as “dazzlingly original” and “occasionally quite beautiful,” Doctor Rat is a sly and stylish indictment of fanaticism in mice and men. “A truly imaginative impresario . . . [Doctor Rat] teases your conscience with educated wit and versatile improvisation, not to mention the casual flick of the tail about to be cut off.” —Kirkus Reviews
“A painful truth of family life: the most tender emotions can change in an instant. You think your parents love you but is it you they love, or the child who is theirs?” --Joyce Carol Oates, My Life as a Rat Which should prevail: loyalty to family or loyalty to the truth? Is telling the truth ever a mistake and is lying for one’s family ever justified? Can one do the right thing, but bitterly regret it? My Life as a Rat follows Violet Rue Kerrigan, a young woman who looks back upon her life in exile from her family following her testimony, at age twelve, concerning what she knew to be the racist murder of an African-American boy by her older brothers. In a succession of vividly recalled episodes Violet contemplates the circumstances of her life as the initially beloved youngest child of seven Kerrigan children who inadvertently “informs” on her brothers, setting into motion their arrests and convictions and her own long estrangement. Arresting and poignant, My Life as a Rat traces a life of banishment from a family—banishment from parents, siblings, and the Church—that forces Violet to discover her own identity, to break the powerful spell of family, and to emerge from her long exile as a “rat” into a transformed life.
Based on a true story, Rat Six tells the story of Clifford Price who, like hundreds of thousands of other young men in the 1960s, was drafted into the United States Army and served in Vietnam. Price was from Indiana, where he was a college student who had recently returned from a year studying abroad in Denmark. He came from a long line of soldiers; his two grandfathers served in the First World War and his father in the Second. Vietnam proved to be his turn to fight. Little did he know that his war would not only be a conflict on the battlefield, but a conflict in his mind. Torn between his anti-war sentiments, which had been reinforced by his year abroad and the proud heritage of his forefathers, Price had to choose between right and wrong, survival and death, love and war. Having been a commissioned officer in the Army Corps of Engineers shortly after being drafted and selected for Officer's Candidate School, Price ended up in Vietnam in 1968. After three months of commanding a platoon of bridge builders, mine sweepers, and truck drivers, Price was offered the job of Rat Six, one of the most dangerous assignments in the war. Rat Six was the code name for the leader of the First Infantry Division Tunnel Rats. The Tunnel Rats were some of the most courageous soldiers to fight in Vietnam. All were volunteers, slightly built, cunning, rebellious, trained in demolitions, and dedicated to ferreting out the enemy below. In the beginning of the war, entering a tunnel with only a flashlight and a pistol was almost suicidal. Over time, the Army learned to successfully navigate the underground labyrinths, retrieve vital intelligence, and destroy the tunnels. The most organized of the Tunnel Rat teams in Vietnam was that of the First Infantry Division's First Engineer Battalion. The team was led almost from the beginning by Sergeant Robert Bateman, a crusty, hard-nosed non-commissioned officer from New Jersey. He was dubbed "Batman" by his men and his reputation spread far and wide. He became even more famous among the enemy, of whom he had killed many, than among other warriors in the Army. "Batman" was on the Viet Cong's "10 Most Wanted List," which included the most prominent generals and not one other non-commissioned officer. Lieutenant Price was put in charge of the team and the conflict with Batman was immediate. Although there was no rank underground, Rat Six and Batman slowly built a mutual trust and the team's exploits and reputation grew even more. Harrowing missions and close calls engulfed the two men and their team. The tunnels were the setting and the enemy inside was just as fearsome as the men who pursued them. After four months of working together, Batman was sent home after his fourth reenlistment for Vietnam was denied. Suddenly Price was alone and vulnerable. The fear became insurmountable, climaxing on his last mission. Rat Six tells one of the most important yet little known stories of Lieutenant Clifford Price and his men. They were known as the Tunnel Rats, and their courageous exploits during the war in Vietnam are breathtaking and extraordinary.