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Meet a very Serious Goose in late-night host Jimmy Kimmel's first fun and funny picture book! There is nothing silly about this goose. You CANNOT make her laugh, so DON'T EVEN TRY! Written, illustrated, and lettered by Jimmy Kimmel, this picture book challenges young readers to bring the silly out of a very Serious Goose. Inspired by Jimmy’s nickname for his kids, The Serious Goose reminds us to be silly in a serious way. Challenge your little comedians to make this no-nonsense goose smile. This delightful read-aloud is guaranteed to create gaggles of giggles time and time again! Kimmel’s proceeds from sales of THE SERIOUS GOOSE will be donated to Children’s Hospital Los Angeles (CHLA) and children’s hospitals around the country.
This is a very serious book. Nothing silly is allowed. There are no funny faces, no clowns, and definitely no shenanigans. A serious book is always respectful, and, of course, is always in black and white. But wait! Who’s this? Zebra might be black and white, but he is NOT serious. And he and his friends are ruining the book with their antics, parades, and parties! This funny and irreverent book that pits its narrator against its characters in a hilarious way invites reader participation and encourages kids to think about writing their own books and stories—just as donkey does here in the end. A joyful page-turner of a book that celebrates writing and creativity and will appeal to fans of The Book With No Pictures.
'Extraordinary' Naoise Dolan 'Seriously good' Louise Nealon Dublin student life is ending for Sophie and her friends. They’ve got everything figured out, and Sophie feels left behind as they all start to go their separate ways. Then, at a party, what was already unstable completely falls apart and Sophie finds herself obsessively scrolling social media, waiting for something (anything) to happen. None of This Is Serious is about the uncertainty and absurdity of being alive today. It’s about balancing the real world with the online, and the vulnerabilities in yourself, your relationships, your body. At its heart, this is a novel about the friendships strong enough to withstand anything.
In this Ready-to-Read, the Wonder Pets are on their way to rescue a Baby Raccoon from a recycling bin when the Flyboat breaks down. They build a new Flyboat from recycled parts!
In this unique blend of self-help and moral philosophy, perfect for fans of Gretchen Rubin’s The Happiness Project or Dan Harris’ 10% Happier, talk-radio host Dennis Prager shows us that happiness isn’t just a value—it’s a moral obligation. When you ask people about their most cherished values, “happiness” is always at the top of the list. In this enduring happiness manifesto, Prager examines how happiness not only makes us better people, but has an effect on the lives of everyone around us—providing them with a positive environment in which to thrive and be happy themselves. Achieving that happiness won't be easy, though: to Prager, it requires a continuing process of counting your blessings and giving up any expectations that life is supposed to be wonderful. "Can we decide to be satisfied with what we have?" he asks. "A poor man who can make himself satisfied with his portion will be happier than a wealthy man who does not allow himself to be satisfied." Prager echoes other political commentators in complaining that too many people today see themselves as victims; he submits that the only way to achieve your desires is to take responsibility for your life rather than blaming others. If you're willing to put some thought into achieving a happier outlook, you will find plenty to mull over in Happiness Is a Serious Problem.
Farmer Fred never smiled much. “Farmin’ is serious business,” he’d say. “Nothin’ funny about corn.” And so life on his farm was pretty serious. None of the animals laughed or even smiled. But everyone has to laugh sometimes, including Farmer Fed. The animals try everything to get him to smile: dancing by the light of the moon in Farmer Fred’s clothes, singing chickens, sheep disguised in sunglasses and mustaches. Nothing works and finally the animals decide to leave Serious Farm in search of a more cheerful place to chuckle and graze. Will the animals find a livelier home, and will Farmer Fred ever lighten up?
"Tim Price's play about two hackers is tumultuous, energetic and ultimately touching in its vision of a global network of young people dedicated to challenging the status quo.” Guardian A sixteen-year-old London schoolboy and an eighteen-year-old recluse in Shetland meet online, pick a fight with the FBI and change the world forever. This brave and challenging play gets behind the code with the original Anonymous members, offering an anarchic retelling of the birth of hacktivism. Teh Internet is Serious Business is a fictional account of the true story of Anonymous and LulzSec, the collective swarm who took on the most powerful capitalist forces from their bedrooms. The play received its world premiere at the Royal Court, London, in September 2014. This new Modern Classics edition features an introduction by Hamish Pirie.
An oral history of Los Angeles independent stand-up comedy with a collection of comedian portraits from a decade of the beloved independent comedy show, The Super Serious Show. With a foreword by Demetri Martin, afterword by Reggie Watts, and featuring big-name stars and up-and-coming indie comics alike, Super Serious gives a behind-the-scenes glimpse into the world of Los Angeles independent comedy, as told by the performers, directors, and producers who've helped shape it. Including over 60 intimate interviews and 350 photographs, Super Serious is a irreverent, loving portrait of a vibrant—and very funny—community.
The study of liturgy has received criticism from scholars and practitioners alike: the academic discipline of liturgiology has been compared to the hobby of stamp collection, and proponents for liturgical renewal argue that worship must be made more accessible and relevant. Bryan Spinks has been an important moderating voice in this discussion, reminding both academic and ecclesial communities that Christ is made known in the liturgical riches of the past as well as in contemporary forms of the present. Inspired by Spinks' work, this volume brings together biblical, historical, and theological scholars to discuss the theme of continuity and change in worship. Its historical range begins with the early church, extends through the Reformation, and concludes with a discussion of issues facing contemporary liturgical reform. In recognition of the fact that Professor Spinks' work has been widely influential in both Europe and the United States, the editors have solicited liturgical perspectives from scholars with international reputations on sides of the Atlantic.
"Wendy Lesser's extraordinary alertness, intelligence, and curiosity have made her one of America's most significant cultural critics," writes Stephen Greenblatt. In Why I Read, Lesser draws on a lifetime of pleasure reading and decades of editing one of the most distinguished literary magazines in the country, The Threepenny Review, to describe her love of literature. As Lesser writes in her prologue, "Reading can result in boredom or transcendence, rage or enthusiasm, depression or hilarity, empathy or contempt, depending on who you are and what the book is and how your life is shaping up at the moment you encounter it." Here the reader will discover a definition of literature that is as broad as it is broad-minded. In addition to novels and stories, Lesser explores plays, poems, and essays along with mysteries, science fiction, and memoirs. As she examines these works from such perspectives as "Character and Plot," "Novelty," "Grandeur and Intimacy," and "Authority," Why I Read sparks an overwhelming desire to put aside quotidian tasks in favor of reading. Lesser's passion for this pursuit resonates on every page, whether she is discussing the book as a physical object or a particular work's influence. "Reading literature is a way of reaching back to something bigger and older and different," she writes. "It can give you the feeling that you belong to the past as well as the present, and it can help you realize that your present will someday be someone else's past. This may be disheartening, but it can also be strangely consoling at times." A book in the spirit of E. M. Forster's Aspects of the Novel and Elizabeth Hardwick's A View of My Own, Why I Read is iconoclastic, conversational, and full of insight. It will delight those who are already avid readers as well as neophytes in search of sheer literary fun.