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NEW YORK TIMES BESTSELLER • In her stunning debut, the creator of Black Liturgies weaves stories from three generations of her family alongside contemplative reflections to discover the “necessary rituals” that connect us with our belonging, dignity, and liberation. “This is the kind of book that makes you different when you’re done.”—Ashley C. Ford, New York Times bestselling author of Somebody’s Daughter “Reaches deep beneath the surface of words unspoken, wounds unhealed, and secrets untempered to break them open in order for fresh light to break through.”—Morgan Jerkins, New York Times bestselling author of This Will Be My Undoing and Caul Baby ONE OF THE BEST BOOKS OF THE YEAR: The Root, Library Journal “From the womb, we must repeat with regularity that to love ourselves is to survive. I believe that is what my father wanted for me and knew I would so desperately need: a tool for survival, the truth of my dignity named like a mercy new each morning.” So writes Cole Arthur Riley in her unforgettable book of stories and reflections on discovering the sacred in her skin. In these deeply transporting pages, Arthur Riley reflects on the stories of her grandmother and father, and how they revealed to her an embodied, dignity-affirming spirituality, not only in what they believed but in the act of living itself. Writing memorably of her own childhood and coming to self, Arthur Riley boldly explores some of the most urgent questions of life and faith: How can spirituality not silence the body, but instead allow it to come alive? How do we honor, lament, and heal from the stories we inherit? How can we find peace in a world overtaken with dislocation, noise, and unrest? In this indelible work of contemplative storytelling, Arthur Riley invites us to descend into our own stories, examine our capacity to rest, wonder, joy, rage, and repair, and find that our humanity is not an enemy to faith but evidence of it. At once a compelling spiritual meditation, a powerful intergenerational account, and a tender coming-of-age narrative, This Here Flesh speaks potently to anyone who suspects that our stories might have something to say to us.
NEW YORK TIMES BESTSELLER • In her stunning debut, the creator of Black Liturgies weaves stories from three generations of her family alongside contemplative reflections to discover the “necessary rituals” that connect us with our belonging, dignity, and liberation. “This is the kind of book that makes you different when you’re done.”—Ashley C. Ford, New York Times bestselling author of Somebody’s Daughter “Reaches deep beneath the surface of words unspoken, wounds unhealed, and secrets untempered to break them open in order for fresh light to break through.”—Morgan Jerkins, New York Times bestselling author of This Will Be My Undoing and Caul Baby ONE OF THE BEST BOOKS OF THE YEAR: The Root, Library Journal “From the womb, we must repeat with regularity that to love ourselves is to survive. I believe that is what my father wanted for me and knew I would so desperately need: a tool for survival, the truth of my dignity named like a mercy new each morning.” So writes Cole Arthur Riley in her unforgettable book of stories and reflections on discovering the sacred in her skin. In these deeply transporting pages, Arthur Riley reflects on the stories of her grandmother and father, and how they revealed to her an embodied, dignity-affirming spirituality, not only in what they believed but in the act of living itself. Writing memorably of her own childhood and coming to self, Arthur Riley boldly explores some of the most urgent questions of life and faith: How can spirituality not silence the body, but instead allow it to come alive? How do we honor, lament, and heal from the stories we inherit? How can we find peace in a world overtaken with dislocation, noise, and unrest? In this indelible work of contemplative storytelling, Arthur Riley invites us to descend into our own stories, examine our capacity to rest, wonder, joy, rage, and repair, and find that our humanity is not an enemy to faith but evidence of it. At once a compelling spiritual meditation, a powerful intergenerational account, and a tender coming-of-age narrative, This Here Flesh speaks potently to anyone who suspects that our stories might have something to say to us.
'This is the kind of book that make you different when you're done.' - Ashley C. Ford, New York Times bestselling author of Somebody's Daughter 'From the womb, we must repeat with regularity that to love ourselves is to survive. I believe that is what my father wanted for me and knew I would so desperately need: a tool for survival, the truth of my dignity named like a mercy new each morning.' So writes Cole Arthur Riley in an unforgettable book of stories and reflections on discovering the sacred in her skin. In these deeply transporting pages, Cole reflects on the stories of her grandmother and father and encounters of enfleshed, embodied spirituality. As she writes memorably of her own lived experiences of childhood and selfhood, Cole boldly explores some of the most urgent questions of life and faith: How can spirituality not silence the body, but instead allow it to come alive? How do we honour, lament, and heal from the stories we inherit? How can we find peace in a world overtaken with dislocation, noise, and unrest? At once a compelling spiritual meditation and a tender coming-of-age narrative, This Here Flesh invites us to ponder the site of the soul by examining our capacity to rest, wonder, joy, rage, and repair - and finding that our humanity is not an enemy to faith but evidence of it. 'Exquisite' - Ayo Tomenti, co-founder of Black Lives Matter
Now in paperback, New York Times bestselling author Morgan Jerkins's fiction debut, an electrifying novel for fans of Ta-Nehisi Coates and Jacqueline Woodson, that brings to life one powerful and enigmatic family in a tale rife with secrets, betrayal, intrigue, and magic. Laila desperately wants to become a mother, but each of her previous pregnancies has ended in heartbreak. This time has to be different, so she turns to the Melancons, an old and powerful Harlem family known for their caul, a precious layer of skin that is the secret source of their healing power. When a deal for Laila to acquire a piece of caul falls through, she is heartbroken, but when the child is stillborn, she is overcome with grief and rage. What she doesn’t know is that a baby will soon be delivered in her family—by her niece, Amara, an ambitious college student—and delivered to the Melancons to raise as one of their own. Hallow is special: she’s born with a caul, and their matriarch, Maman, predicts the girl will restore the family’s prosperity. Growing up, Hallow feels that something in her life is not right. Did Josephine, the woman she calls mother, really bring her into the world? Why does her cousin Helena get to go to school and roam the streets of New York freely while she’s confined to the family’s decrepit brownstone? As the Melancons’ thirst to maintain their status grows, Amara, now a successful lawyer running for district attorney, looks for a way to avenge her longstanding grudge against the family. When mother and daughter cross paths, Hallow will be forced to decide where she truly belongs. Engrossing, unique, and page-turning, Caul Baby illuminates the search for familial connection, the enduring power of tradition, and the dark corners of the human heart.
Working at the local processing plant, Marcos is in the business of slaughtering humans—though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing. Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.
Why should Victor Jenner, the child of happily married, middle-class parents, succumb to such violent rages? Why should he have the need to make motiveless attacks on women? Victor didn't know. But Victor did know the last ten years in prison had been a mistake. He had never intended to harm anyone. It had all been an accident, his life had been a series of accidents, one mistake leading to the next. Now, out of prison at last, Victor still isn't free. The past prevents him from going forward, so Victor goes back and begins a chain of new accidents and a new string of tragic mistakes.
The Way of All Flesh is one of the time-bombs of literature," said V. S. Pritchett. "One thinks of it lying in Samuel Butler's desk for thirty years, waiting to blow up the Victorian family and with it the whole great pillared and balustraded edifice of the Victorian novel." Written between 1873 and 1884 but not published until 1903, a year after Butler's death, his marvelously uninhibited satire savages Victorian bourgeois values as personified by multiple generations of the Pontifex family. A thinly veiled account of his own upbringing in the bosom of a God-fearing Christian family, Butler's scathingly funny depiction of the self-righteous hypocrisy underlying nineteenth-century domestic life was hailed by George Bernard Shaw as "one of the summits of human achievement."
In 2 Corinthians 12: 7 Paul makes the extraordinary admission that he was given a 'thorn in the flesh'. Although we can never be sure what that torment was, many of us will know what it feels like to experience a painful problem which does not seem to go away. In this book R. T. Kendall explains what a thorn in the flesh is, why we have it, and what we should understand by it. Looking with compassion at the kinds of acute situation in which we may find ourselves - an unhappy marriage, difficult working conditions, loneliness, sexual misgivings or chronic illness, for example - he shows how the grace of God is sufficient whatever our thorn, and how it can lead us into unimaginable intimacy with Jesus.
In the first volume of a proposed duology, Valen, the rebellious scion of a dynasty of pureblood cartographers and diviners, has spent years denying his heritage, until he nearly ends up dead, addicted to a spell that converts pain to pleasure and possessing only a stolen book of maps, a mystical volume that could hide the secret to the doom of the entire world. Original.