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Even as a child, Mary Blair loved color, and all she wanted to do was to make art. But becoming an artist wasn't easy. Her parents worked hard to provide her paper and paints, and Mary worked hard to enter contests and earn a spot at a school for the arts. She even had to work hard to find her place at the Walt Disney Studios. But Walt was easily impressed by Mary. When she joined his trip to South America, Mary had never seen such color. She collected that color and used it in her concept art for Cinderella, Alice in Wonderland, and Peter Pan, and even the It's a Small World attraction at Disneyland. This beautifully illustrated picture book shares Mary's story, in all its inspiring flair.
e-artnow presents to you the world's iconic women characters in fiction and the real-life heroines in this power-packed meticulously edited and formatted collection:_x000D_ Fiction:_x000D_ Camilla (Fanny Burney)_x000D_ Maria; Or, The Wrongs of Woman (Mary Wollstonecraft)_x000D_ Pride and Prejudice (Jane Austen)_x000D_ Jane Eyre (Charlotte Brontë)_x000D_ The Scarlet Letter (Nathaniel Hawthorne)_x000D_ Lady Macbeth of the Mzinsk District (Nikolai Leskov)_x000D_ Hester (Margaret Oliphant)_x000D_ Life in the Iron Mills (Rebecca Davis)_x000D_ Little Women (Louisa May Alcott)_x000D_ The Portrait of a Lady (Henry James)_x000D_ Anna Karenina (Leo Tolstoy)_x000D_ Tess of the d'Urbervilles (Thomas Hardy)_x000D_ Wives and Daughter (Elizabeth Gaskell)_x000D_ The Yellow Wallpaper (Charlotte Perkins Gilman)_x000D_ A Doll's House (Henrik Ibsen)_x000D_ The Awakening (Kate Chopin)_x000D_ The Woman Who Did (Grant Allen)_x000D_ Miss Cayley's Adventures (Grant Allen)_x000D_ The Story of a Baby (Ethel Sybil Turner)_x000D_ New Amazonia (Elizabeth Corbett)_x000D_ A Daughter of the Land (Gene Stratton-Porter)_x000D_ The Iron Woman (Margaret Deland)_x000D_ My Ántonia (Willa Cather)_x000D_ The Song of the Lark (Willa Cather)_x000D_ The House of Mirth (Edith Wharton)_x000D_ Sister Carrie (Theodore Dreiser)_x000D_ Sisters (Ada Cambridge)_x000D_ Hagar (Mary Johnston)_x000D_ Samantha on the Woman Question (Marietta Holley)_x000D_ The Precipice (Elia Wilkinson Peattie)_x000D_ Voyage Out (Virginia Woolf)_x000D_ Parnassus on Wheels (Christopher Morley)_x000D_ The Job (Sinclair Lewis)_x000D_ Miss Lulu Bett (Zona Gale)_x000D_ The Rainbow (D. H. Lawrence)_x000D_ The Enchanted April (Elizabeth von Arnim)_x000D_ Fanny Herself (Edna Ferber)_x000D_ So Big (Edna Ferber)..._x000D_ Memoirs:_x000D_ Madame Vigée Lebrun _x000D_ Jane Austen _x000D_ Caroline Herschel _x000D_ Mrs. Seacole _x000D_ Elizabeth Cady Stanton_x000D_ My Own Story (Emmeline Pankhurst)_x000D_ Mother Jones_x000D_ Margaret Sanger_x000D_ Helen Keller_x000D_ Biographies:_x000D_ Lucretia_x000D_ Sappho_x000D_ Aspasia of Cyrus_x000D_ Portia_x000D_ Octavia_x000D_ Cleopatra_x000D_ Mariamne_x000D_ Julia Domna_x000D_ Zenobia_x000D_ Valeria_x000D_ Hypatia_x000D_ The Lady Rowena_x000D_ Roswitha the Nun_x000D_ Marie de France_x000D_ Laura de Sade_x000D_ Joan of Arc _x000D_ Catharine of Arragon_x000D_ Anne Boleyn_x000D_ Margaret Roper_x000D_ Mary, Queen of Scots_x000D_ The Pocahontas _x000D_ Queen Anne_x000D_ Maria Theresa_x000D_ Marie Antoinette_x000D_ Florence Nightingale _x000D_ Maria Mitchell _x000D_ Harriet Tubman_x000D_ Madame de Stael…
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. The Conservative Party's survival as a significant political force was now open to serious question for the first time since the crisis over the Corn Laws. The Labour Party has commanded a fairly consistent level of attention, whether in office or in opposition. But it seems that the Conservatives are fated to be regarded either as unavoidable or irrelevant. This book presents an analysis that suggests that the party leader plays a less important role in Conservative recoveries than a distinctive policy programme and an effective party organization. It examines the Conservative position on a series of key issues, highlighting the difficult dilemmas which confronted the party after 1997, notably on economic policy. New Labour's acceptance of much of the main thrust of Thatcherite economic policy threw the Conservatives off balance. The pragmatism of this new position and the 'In Europe, not run by Europe' platform masked a significant move towards Euro-skepticism. The book also traces how the Scottish Conservative and Unionist Parties adapted to the creation of the Scottish Parliament, exploring the re-organisation of the Scottish party, its electoral fortunes and political prospects in the new Scottish politics. It examines issues of identity and nationhood in Conservative politics in the 1997-2001 period, focusing on the 'English Question' and the politics of 'race'. The predictable results of the Conservatives' failure to develop an attractive, consistent narrative are then analysed. Right-wing populist parties with charismatic leaders enjoyed some electoral success under the proportional representation systems in 2002.