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An explosive exposé of America’s lost prosperity by Pulitzer Prize­–winning journalist Charlie LeDuff “One cannot read Mr. LeDuff's amalgam of memoir and reportage and not be shaken by the cold eye he casts on hard truths . . . A little gonzo, a little gumshoe, some gawker, some good-Samaritan—it is hard to ignore reporting like Mr. LeDuff's.” —The Wall Street Journal “Pultizer-Prize-winning journalist LeDuff . . . writes with honesty and compassion about a city that’s destroying itself–and breaking his heart.” —Publishers Weekly (starred review) “A book full of both literary grace and hard-won world-weariness.” —Kirkus Back in his broken hometown, Pulitzer Prize-winning journalist Charlie LeDuff searches the ruins of Detroit for clues to his family’s troubled past. Having led us on the way up, Detroit now seems to be leading us on the way down. Once the richest city in America, Detroit is now the nation’s poorest. Once the vanguard of America’s machine age—mass-production, blue-collar jobs, and automobiles—Detroit is now America’s capital for unemployment, illiteracy, dropouts, and foreclosures. With the steel-eyed reportage that has become his trademark, and the righteous indignation only a native son possesses, LeDuff sets out to uncover what destroyed his city. He beats on the doors of union bosses and homeless squatters, powerful businessmen and struggling homeowners and the ordinary people holding the city together by sheer determination. Detroit: An American Autopsy is an unbelievable story of a hard town in a rough time filled with some of the strangest and strongest people our country has to offer.
Matlock, who served in the USSR for most of his career, including as ambassador during the Reagan and Bush administrations, gives this insider's look at the years leading up to the collapse of the Soviet Union in December 1991.
Written after the death of his mother, Donte Collins’s Autopsy establishes the poet as one of the most important voices in the next generation of American poetry. As the book unfolds, the reader journeys alongside the author through grief and healing. Named the Most Promising Young Poet in the country by the Academy of American Poets, Collins's work has consistently wowed audiences. Autopsy propels that work onto the national stage. In the words of the author, the book is a spring thaw -- the new life alongside the old, the good cry and the release after.
AUTOPSY OF AMERICA; The Death of a Nation is a harrowing look deep inside the crumbling apocalyptic landscape of America through the eyes of Photojournalist Seph Lawless. Autopsy of America takes you through the tattered remnants of the United States of America in a way that you never seen before. The beautiful apocalyptic landscapes consisting of abandoned schools, factories, shopping malls, amusement parks, theaters, hospitals, sport arenas, homes even entire towns offer a visual diagnostic to some of the county's true ills. The captivating images are accompanied by Lawless' personal anecdotes and thought-provoking stories that are equally riveting as the images.
THE FALSE FABRIC OF HISTORY IS UNRAVELING beneath an avalanche of pathological lies to justify endless war and Orwellian new laws that revoke the rights of all Americans. While TV and newspapers glorify the dangerous ideas of perverted billionaires, the Internet has pulsated with outrage and provided a new and real forum for freedom among concerned people all over the world who are opposed to the mass murder and criminal exploitation of the defenseless victims of multinational corporate totalitarianism. among them is John Kaminski, whose passionate essays have sprung up like mushrooms all across the World Wide Web. Kaminski gives voice to those same hopes and fears of humane people that are ignored by the big business shysters who rule the major media. Thousands of people are listening, and cheering. Over the last decade, a growing legion of fans has recognized the outraged rhetoric of John Kaminski to be a reliable chronicle of government hypocrisy containing realistic suggestions about how to derail the war machine. A newspaper editor for 30 years, Kaminski's current essays appear on hundreds of websites throughout the world, and are passed around informally among thousands of readers. All these people share his goal: genuine freedom for all people, and jail for the greedy goons who attempt to enslave us. tour de force of the essential issues most people probably would never know about if not for the Internet. Kaminski's brilliant reportage and commentary are among the most popular features posted on rense.com. Whether he's pouring out cogent summations ('well-coiffed media harlots') or laying the sorry truth on the table ('We're as stupid as they think'), John Kaminski is a writer whose time has come. who can really 'see, ' as truthful as it gets. John is fearless in exposing the coup in America and the dastardly consequences for all life on Earth under the illegal regime we find ourselves in America. I highly recommend taking the time to read and absorb this book cover to cover
In this blistering critique of our failing public schools, Lieberman explains why public education is in irreversible and terminal decline and tells what we must do to get American schooling back on track. A refreshingly clear analysis of our educational crisis and a rallying cry for market-system approaches to school reform.
In keeping with the spirit of the first edition, the second edition of this book displays the autopsy procedure in a step-wise, start-to-finish fashion. While the autopsy itself has changed little over the last 100 years, the adjunct procedures—toxicology, radiology, and DNA analysis, among others—have changed greatly. Original chapters are fully updated and modified to reflect changes in the last 15 years. Additionally, two new chapters have been added on natural death and organ/tissue donation.
The “compelling” story behind the 1995 Chicago weather disaster that killed hundreds—and what it revealed about our broken society (Boston Globe). On July 13, 1995, Chicagoans awoke to a blistering day in which the temperature would reach 106 degrees. The heat index—how the temperature actually feels on the body—would hit 126. When the heat wave broke a week later, city streets had buckled; records for electrical use were shattered; and power grids had failed, leaving residents without electricity for up to two days. By July 20, over seven hundred people had perished—twenty times the number of those struck down by Hurricane Andrew in 1992. Heat waves kill more Americans than all other natural disasters combined. Until now, no one could explain either the overwhelming number or the heartbreaking manner of the deaths resulting from the 1995 Chicago heat wave. Meteorologists and medical scientists have been unable to account for the scale of the trauma, and political officials have puzzled over the sources of the city’s vulnerability. In Heat Wave, Eric Klinenberg takes us inside the anatomy of the metropolis to conduct what he calls a “social autopsy,” examining the social, political, and institutional organs of the city that made this urban disaster so much worse than it ought to have been. He investigates why some neighborhoods experienced greater mortality than others, how city government responded, and how journalists, scientists, and public officials reported and explained these events. Through years of fieldwork, interviews, and research, he uncovers the surprising and unsettling forms of social breakdown that contributed to this human catastrophe as hundreds died alone behind locked doors and sealed windows, out of contact with friends, family, community groups, and public agencies. As this incisive and gripping account demonstrates, the widening cracks in the social foundations of American cities made visible by the 1995 heat wave remain in play in America’s cities today—and we ignore them at our peril. Includes photos and a new preface on meeting the challenges of climate change in urban centers “Heat Wave is not so much a book about weather, as it is about the calamitous consequences of forgetting our fellow citizens. . . . A provocative, fascinating book, one that applies to much more than weather disasters.” —Chicago Sun-Times “It’s hard to put down Heat Wave without believing you’ve just read a tale of slow murder by public policy.” —Salon “A classic. I can’t recommend it enough.” —Chris Hayes
As the study of literature has extended to cultural contexts, critics have developed a language all their own. Yet, argues Mark Bauerlein, scholars of literature today are so unskilled in pertinent sociohistorical methods that they compensate by adopting cliches and catchphrases that serve as substitutes for information and logic. Thus by labeling a set of ideas an "ideology" they avoid specifying those ideas, or by saying that someone "essentializes" a concept they convey the air of decisive refutation. As long as a paper is generously sprinkled with the right words, clarification is deemed superfluous. Bauerlein contends that such usages only serve to signal political commitments, prove membership in subgroups, or appeal to editors and tenure committees, and that current textual practices are inadequate to the study of culture and politics they presume to undertake. His book discusses 23 commonly encountered terms—from "deconstruction" and "gender" to "problematize" and "rethink"—and offers a diagnosis of contemporary criticism through their analysis. He examines the motives behind their usage and the circumstances under which they arose and tells why they continue to flourish. A self-styled "handbook of counterdisciplinary usage," Literary Criticism: An Autopsy shows how the use of illogical, unsound, or inconsistent terms has brought about a breakdown in disciplinary focus. It is an insightful and entertaining work that challenges scholars to reconsider their choice of words—and to eliminate many from critical inquiry altogether.
In this powerful collection of free-verse poetry, immigrant, poet, and memoirist José Antonio Rodríguez encapsulates the experiences of an artist and citizen caught between two worlds. At once deeply personal and thematically expansive, these works offer a bracing look at the darker impulses of contemporary America. Saturated with allusions to family, immigration, sexuality, and violence, This American Autopsy is also an unsettling meditation on life and death. With its provocative title, the collection calls to mind an image of our nation as a body awaiting examination to determine the cause of death. In this scenario the poet vacillates between various roles: coroner, pathologist, and the body itself. Some of the poems in this collection look to the past: events such as the Space Shuttle Challenger explosion or the author’s first trip to an American grocery store. Others muse on more recent tragedies, including the racial violence in Ferguson, Missouri, and the illicit drug trade. A few of the poems are written in Spanish, and the volume concludes with two English translations of these poems, which the author originally wrote in his native language. Even as he paints a vivid picture of American diversity, Rodriguez exposes the deterioration of our nation—broken promises, failed prosperity, the shattering of dreams. Intimate and urgent, these timely dispatches from the Texas-Mexico border reveal the tensions and contradictions of today’s America.