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Caroline Gruner sees her life fall apart after losing both of her parents in a murder followed by suicide. Carrying a congenital heart disease called myocarditis, she needs to learn how to live again, but this time, on her own. A phone call offers an unexpected option, when a lawyer reveals that a great-aunt has left her as sole heir of a manor. However, this stroke of luck seems to come with a side of mysteries and unanswered questions. Bettina Stingelin was born in Blumenau, Santa Catarina (Brazil), on October 11, 1979. She has a postgraduate degree in History from the Universidade Regional de Blumenau (FURB), and was 17th in the 2003 Concurso Nacional Armazém Literário, with the essay Uma figura mágica. She also participated in the collection Réquiem para o Natal, published by Editora Andross in 2008, with Presente de Natal. She writes children's books and Regional History. Thirteen dolls is her first fiction novel.
Nine year old Anna and her sisters like helping out in their parents' doll repair shop, because once their chores are done, the fun can begin. The girls are allowed to play carefully with the dolls until they're fixed and ready to be returned to their owners. But when World War I begins, and an embargo on German-made goods threatens to put the shop out of business, it's up to Anna to come up with an idea to save the day.
Informed by the analytical practices of the interdisciplinary 'material turn' and social historical studies of childhood, Childhood By Design: Toys and the Material Culture of Childhood offers new approaches to the material world of childhood and design culture for children. This volume situates toys and design culture for children within broader narratives on history, art, design and the decorative arts, where toy design has traditionally been viewed as an aberration from more serious pursuits. The essays included treat toys not merely as unproblematic reflections of socio-cultural constructions of childhood but consider how design culture actively shaped, commodified and materialized shifting discursive constellations surrounding childhood and children. Focusing on the new array of material objects designed in response to the modern 'invention' of childhood-what we might refer to as objects for a childhood by design-Childhood by Design explores dynamic tensions between theory and practice, discursive constructions and lived experience as embodied in the material culture of childhood. Contributions from and between a variety of disciplinary perspectives (including history, art history, material cultural studies, decorative arts, design history, and childhood studies) are represented – critically linking historical discourses of childhood with close study of material objects and design culture. Chronologically, the volume spans the 18th century, which witnessed the invention of the toy as an educational plaything and a proliferation of new material artifacts designed expressly for children's use; through the 19th-century expansion of factory-based methods of toy production facilitating accuracy in miniaturization and a new vocabulary of design objects coinciding with the recognition of childhood innocence and physical separation within the household; towards the intersection of early 20th-century child-centered pedagogy and modernist approaches to nursery and furniture design; through the changing consumption and sales practices of the postwar period marketing directly to children through television, film and other digital media; and into the present, where the line between the material culture of childhood and adulthood is increasingly blurred.
This critical account of the American Girl brand explores what its books and dolls communicate to girls about femininity, racial identity, ethnicity, and what it means to be an American. Emilie Zaslow begins by tracing the development of American Girl and situates the company’s growth and popularity in a social history of girl power media culture. She then weaves analyses of the collection’s narrative and material representations with qualitative research on mothers and girls. Examining the dolls with both a critical eye and a fan’s curiosity, Zaslow raises questions about the values espoused by this iconic American brand.
A heart-stopping delve into the twisted mind of a serial killer from the creator of the hit BBC drama Silent Witness. Perfect for fans of M.J. Arlidge and Angela Marsons. Stretching along the shelf, standing upright, were twelve wooden coffins. Nine were closed, and three open . . . with little dolls standing inside them . . . It was supposed to be the most special day of her life - until the unthinkable happened. Leslie Petersen is shot dead on her wedding day. With the bride's killer vanished without a trace, the investigation into the murder grinds to a halt before it's even begun. But then, the decomposing body of an unidentified homeless man is found in an old Cold War bunker, and DCI Mark Lapslie makes a bizarre discovery. Hidden near the body is a shrine full of miniature wooden coffins. Each coffin contains a little doll, all dressed differently. One of the dolls is dressed as a bride - could this be a link to Leslie's murder? And if so, who do the other dolls represent? Can Lapslie and his team stop the countdown of the 'dying dolls' before it's too late? Discover the other books in the DCI Mark Lapslie series: Core of Evil, Tooth and Claw, Scream and Flesh and Blood.
Reprint of the original, first published in 1840.