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After a lover threatens to kill her, 26-year-old Cara Lopez Lee runs away to Alaska. There, she finds herself in a complicated love triangle with two alcoholics: Sean, the martial artist, and Chance, the paramedic. Nine years later, sick of love and the abuse that destroyed it, she runs away again, this time to backpack alone around the world. Recounting one woman's journey to self-discovery with dazzling honesty and humor, this memoir follows her year-long trek through Thailand, China, Nepal, Spain, and Ireland.
A startling debut about the extraordinary end of a marriage and its very strange aftermath. Meet Lizzie Prain. She is an ordinary housewife and lives with her lovely dog and her husband, who is a bit of a difficult fellow, in a quiet cottage in British country side. She's a wonderful cook. She enjoys her garden. And, occasionally, she makes cakes for the village parties. No one has seen Lizzie's husband, Jacob, for a few days. That's because last Monday and Lizzie snapped and cracked him on the head with her garden shovel. No one quite misses Jacob though, and Lizzie surely didn't kill him on purpose. And now that she has the chance to live beyond his shadow, she won't neglect her good fortune. Over the course of the following month, with a body to get rid of and few fail-proof options at hand, Lizzie will channel her most practical instincts and do what she does best: she'll cook Jacob, and she'll eat him. But when Lizzie inadvertently befriends an isolated misfit, she will be tested: Will Lizzie turn to this new person for solace and abandon her desperate plan or will her new friend be an unwitting accessory to her crime? Dark, unexpectedly funny, and achingly human, Season to Taste is a deliciously subversive treat. In Lizzie Prain, Natalie Young has created one of the most remarkable and surprising heroines in fiction.
This title is an epic American redemption tale about love and loss, hope and despair, God and whiskey, barbecue and the blues. LaVerne Williams is a ruined ex-big league ballplayer, an ex-felon with an attitude problem, and the owner of a barbecue joint he has to run. Ferguson Glen is an Episcopal priest, a fading literary star with a drinking problem, and a past he is running from. A.B. Clayton and Sammy Merzeti are two lost souls in need of love, understanding, and another cigarette. Hilarious and heart-rending, sacred and profane, this book marks the emergence of a vital new voice in American fiction.
The natural world is filled with diverse—not to mention quirky and odd—animal behaviors. Consider the male praying mantis that continues to mate after being beheaded; the spiders, insects, and birds that offer gifts of food in return for sex; the male hip-pocket frog that carries his own tadpoles; the baby spiders that dine on their mother; the beetle that craves excrement; or the starfish that sheds an arm or two to escape a predator's grasp. Headless Males Make Great Lovers and Other Unusual Natural Histories celebrates the extraordinary world of animals with essays on curious creatures and their amazing behaviors. In five thematic chapters, Marty Crump—a tropical field biologist well known for her work with the reproductive behavior of amphibians—examines the bizarre conduct of animals as they mate, parent, feed, defend themselves, and communicate. Crump's enthusiasm for the unusual behaviors she describes-from sex change and free love in sponges to aphrodisiac concoctions in bats-is visible on every page, thanks to her skilled storytelling, which makes even sea slugs, dung beetles, ticks, and tapeworms fascinating and appealing. Steeped in biology, Headless Males Make Great Lovers points out that diverse and unrelated animals often share seemingly bizarre behaviors—evidence, Crump argues, that these natural histories, though outwardly weird, are successful ways of living. Illustrated throughout, and filled with vignettes of personal and scientific interest, Headless Males Make Great Lovers will enchant the general reader with its tales of blood-squirting horned lizards and intestine-ejecting sea cucumbers—all in the service of a greater appreciation of the diversity of the natural histories of animals.
We’ve been told that a vegetarian diet can feed the hungry, honor the animals, and save the planet. Lierre Keith believed in that plant-based diet and spent twenty years as a vegan. But in The Vegetarian Myth, she argues that we’ve been led astray--not by our longings for a just and sustainable world, but by our ignorance. The truth is that agriculture is a relentless assault against the planet, and more of the same won’t save us. In service to annual grains, humans have devastated prairies and forests, driven countless species extinct, altered the climate, and destroyed the topsoil--the basis of life itself. Keith argues that if we are to save this planet, our food must be an act of profound and abiding repair: it must come from inside living communities, not be imposed across them. Part memoir, part nutritional primer, and part political manifesto, The Vegetarian Myth will challenge everything you thought you knew about food politics.
Housework—often trivialized or simply overlooked in public discourse—contributes in a complex and essential way to the form that families and societies assume. In this innovative study, Marjorie L. DeVault explores the implications of "feeding the family" from the perspective of those who do that work. Along the way, DeVault offers a new vocabulary for discussing nurturance as a basis of group life and sociability. Drawing from interviews conducted in 1982-83 in a diverse group of American households, DeVault reveals the effort and skill behind the "invisible" work of shopping, cooking, and serving meals. She then shows how this work can become oppressive for women, drawing them into social relations that construct and maintain their subordinate position in household life.
Using decolonial and postcolonial nego-feminism, Postcolonial Imbusa: Bemba Women's Agency, and Indigenous Cultural Systems examines the daily lives of Bemba women and how imbusa has defined the behaviors and relations between women and men at home, church, and work.
In 1987, more than a decade before the dawn of queer theory, Ifi Amadiume wrote Male Daughters, Female Husbands, to critical acclaim. This compelling and highly original book frees the subject position of 'husband' from its affiliation with men, and goes on to do the same for other masculine attributes, dislocating sex, gender and sexual orientation. Boldly arguing that the notion of gender, as constructed in Western feminist discourse, did not exist in Africa before the colonial imposition of a dichotomous understanding of sexual difference, Male Daughters, Female Husbands examines the structures in African society that enabled people to achieve power, showing that roles were not rigidly masculinized nor feminized. At a time when gender and queer theory are viewed by some as being stuck in an identity-politics rut, this outstanding study not only warns against the danger of projecting a very specific, Western notion of difference onto other cultures, but calls us to question the very concept of gender itself.